Jaune Quick-to-See Smith: An American Modernist

Plates

Plate 1. Celebrate 40,000 Years of American Art, 1995, collagraph, 71.38 x 47.40 in. Whitney Museum, New York. Plate 2. Flathead Vest: Father and Child, 1996, collage/acrylic on canvas, 60.039 x 49.803 in. Missoula Art Museum, Missoula, MT, gift of Jaune Quick-to-See Smith, 2006.16.05.AI. Plate 3. Jaune Quick-to-See Smith at Thirteen, 1953, photographic print. Taken with Brownie box camera. Courtesy of Jaune Quick-to-See Smith. Plate 4. Sticky Mouth, 1998, lithograph, 21.457 x 18.898 in. Missoula Art Museum, Missoula, MT, gift of Jaune Quick-to-See Smith, 2000.04.12.AI. Plate 5. Salish Spring, Montana Memories series, 1988–89, oil and wax on canvas, 60.25 x 50 in. Missoula Art Museum, Missoula, MT, gift of Jaune Quick-to-See Smith, 2006.16.10.AI. Plate 6. The Spaniard, Montana Memories series, 1988–89, oil and wax on canvas, 60 x 42 in. Private collection. Plate 7. Gifts of Red Cloth, Montana Memories series, 1989, oil and wax on canvas, 72 x 72 in. Private collection. Plate 8. The Red Mean: Self-Portrait, 1992, acrylic, newspaper collage, shellac, and mixed media on canvas, 90 x 60 in. Smith College Museum of Art, Northampton, MA, partial gift from Janet Wright Ketcham, class of 1953, and partial purchase from the Janet Wright Ketcham, class of 1953, Acquisition Fund, SC 1993: 10a, b. Plate 9. Glenn Ligon, Notes on the Margin of the Black, 1991–93, 91 offset prints, framed: 11 1/2 x 11 1/2 in. each; 78 text pages, framed: 5 1/4 x 7 1/4 in. (13.3 x 18.4 cm) each. Solomon R. Guggenheim Museum, New York, gift of The Bohen Foundation, 2001.180. © Glenn Ligon. Photograph by Ellen Labenski. © The Solomon R. Guggenheim Foundation, New York. Plate 10. I See Red (snowman), 1992, oil and mixed media collage on canvas, 66 x 50 in. Artist’s collection. Plate 11. Coyote Made Me Do It!, 1993, monotype on paper, 41 1/2 x 29 1/2 in. Smith College, Northampton, MA. Plate 12. Indian Handprint, 1993, monotype on paper, 20.984 x 17.953 in. Missoula Art Museum, gift of Jaune Quick-to-See Smith, 2000.04.01.AI. Plate 13. Rain II, 1993, monotype on paper, 41 1/2 x 29 1/2 in. Artist’s collection. Plate 14. Escarpment, 1987, oil on canvas, 66 x 48 in. Private collection. Plate 15. War Zone, 1987, oil on canvas, 72 x 60 in. Private collection. Plate 16. Willem de Kooning, Gansevoort Street, 1949/51, oil on cardboard, 30 x 40 in. © 2012 The Willem de Kooning Foundation/Artists Rights Society (ARS), New York. Collection Harry W. and Mary Margaret Anderson. Photograph by Richard Carafelli. Plate 17. The Great Divide, 1987, oil on canvas, 72 x 60 in. St. Paul Travelers, St. Paul, MN. Plate 19. Georgia O’Keeffe, Ram’s Head, White Hollyhock—Hills, 1935, oil on canvas, 30 x 36 in. Brooklyn Museum of Art, bequest of Edith and Milton Lowenthal, 1992.11.28. © Georgia O’Keeffe Museum. Plate 18. John Marin, Canyon of the Hondo, 1930, watercolor, 15 x 20 in.© 2012 Estate of John Marin/Artists Rights Society (ARS), New York. American Museum of Western Art—The Anschutz Collection. Photograph by William J. O’Connor. Plate 20. Georgia on My Mind, 1986, oil on canvas, 64 x 48 in. Yellowstone Art Museum, Billings, MT. Plate 21. The Court House Steps, 1987, oil on canvas, 72 x 60 in. Albuquerque Museum of Art and History, NM. Plate 22. Herding, 1985, oil on canvas, 66 x 84 in. Albuquerque Museum of Art and History, NM. Plate 23. Sunset on the Escarpment, 1987, oil on canvas, 72 x 60 in. Dorothee Peiper-Riegraf, Berlin, Germany. Plate 24. Untitled, Wallowa Waterhole series, 1978, pastel on paper, 30 x 22 in. Private collection. Plate 25. Sunlit, 1989, oil on canvas, 72 x 72 in. Private collection. Plate 26. Starry Night, 1989, oil on canvas, 72 x 72 in. Destroyed by artist. Plate 27. Rain, 1991, oil and wax on canvas with...