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Contents
- University of New Mexico Press
- Chapter
- Additional Information
v Contents Illustrations vii Acknowledgments xi Introduction by Paul B. Niell xiii Part one Redefining Urban Space and the Promotion of Classicism Chapter One Manuel Tolsá’s Equestrian Statue of Charles IV and Buen Gusto in Late Colonial Mexico 3 Susan Deans-Smith Chapter Two Gothic Taste vs. Buen Gusto: Creolism, Urban Space, and Aesthetic Discourse in Late Colonial Peru 25 Isaac D. Sáenz Chapter Three El Templete: Classicism and the Dialectics of Colonial Urban Space in Early Nineteenth-Century Havana, Cuba 49 Paul B. Niell Chapter Four Neoclassical Pompai in Early Twentieth-Century Cartagena de Indias, Colombia 72 Carla Bocchetti contents vi Part two Imprinting Classicism and Its Consumption Chapter Five A Taste for Art in Late Colonial New Spain 93 Kelly Donahue-Wallace Chapter Six The Plantation Landscape and Its Architecture: Classicism, Representation, and Slavery 114 Charles Burroughs Chapter Seven Buen Gusto and the Transition to Nation: 1830–1850 136 Magali Carrera Chapter Eight A Western Mirage on the Bolivian Altiplano 157 robert bradley Part three Dividing Lines: Practices and Problems Chapter Nine The Language of Line in Late Eighteenth-Century New Spain: The Calligraphic Equestrian Portrait of Bernardo de Gálvez (1796) 179 Ray Hernández-Durán Chapter Ten Art and Viceregal Taste in Late Colonial Lima and Buenos Aires 206 Emily Engel Chapter Eleven From Baroque Triumphalism to Neoclassical Renunciation: Altarpieces of the Cathedral of Cuzco in the Era of Independence 232 Maya Stanfield-Mazzi Chapter Twelve Buen Gusto and Classicism in the Late Nineteenth Century: An Appraisal in the Context of the 1881 Centennial of Mexico’s Academy of San Carlos 255 Stacie G. Widdifield Contributors 273 Index 277 ...