Hispanic Folk Music of New Mexico and the Southwest: A Self-Portrait of a People

E: Form for Analysis of Folk Melodies

866 Melody Text 10. "Borrowed" melody source 11. "Borrowed" text source 12. Variants of 9. Style of text setting: Syllabic —One note per syllable Neumatic—Two or three notes per syllable Melismatic—Several notes per syllable 7. Use of triplets, etc., including hemiola rhythm 8. Modality (Major, Minor, Dorian, Phrygian, etc.) 6. Heterometric (Yesor No) If yes, what other meters? 4. Principal meter (duple, triple, compound, unmetered) 5. Metric signature (2/4, 3/8, 6/8, etc.) 3. Last two notes —degrees of scale 1 to 8 (each cadence) 2. Cadences (M = masculine, F = feminine) 1. Number of phrases Total Place of origin (if identifiable) Classification (romance, corrida, etc.) Religious or Secular Informant E. FORM FOR ANALYSIS OF FOLK MELODIES The following form is suggested for the use of those interested in the analysis of the melodies. Title Serial no. Place recorded Date recorded ANALYSIS OF FOLK MELODIES 13. Singing in parallel intervals (Yesor No) What interval? 14. Miscellaneous comments: 867 This page intentionally left blank ...