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. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . index Acquisition of sori: insider vs. outsider, 202–203; learner’s text, 13, 158–159; mountain study, 162; polishing, 162– 163; second language learning, 164– 165;soundreception,159–162;Seealso Pedagogy, cross-cultural Actionmimicry(ýit’aeo).SeeAesthetics; Onomatopoetics Aesthetics: appearance vs. presence, 72– 73; gentri¤ed, 72–73; graphic, 205– 207; ideal voices, 208–209; of informing , 249; inner dimension, 19–20, 90, 157–158, 204–210; interpretive, 14; legendary , 204; minimalist, 3; style of agglutination , 208. See also Kwangdaega; Onomatopoetics Ahn Sukson, 228–229 Akchang týngnok (Certi¤ed record of music management), 30 All-female ch’anggýk, 104–105 Aniri, 129, 249, 251–252. See also Narrative structure; P’ansori Archetypes (wônhyông). See Preservation Arirang, 37 Aristotelian unity of action. See Ch’anggýk, identity Audience:authentic,239–243;informed, 208; past and present, 3–4, 233–236; reception, 2–4; reconstructed, 243– 244 Babcock, Barbara, 6–17 Bakhtin, Mikhail, 15, 80, 246 Bauman, Richard, 19 Bhava and rasa. See Aesthetics, inner dimension Bianwen. See Aesthetics, inner dimension Bilingual p’ansori: cross-cultural voice, 245; metatext, 242; methodologies of, 251–254; texts, 254–272 Bishop, Isabella, 90 Body language. See Bilingual p’ansori, methodologies of Bondageof chastity. See Narratives, spiritual background of Book of Rites, 189 Buddhism, 117. See also Buddhist monk Buddhist monk, 43–49 Butler, Judith, 214 Canonization, 57, 59–60, 72, 193. See also Chosôn dynasty; Five p’ansori narratives; Twelve major narratives Carlson, Marvin, 207 Cartesian dualism. See Ethnography, conventions of Censorship, 102–104 Ch’aekkôri. See Acquisition of sori, second language learning; Pedagogy Chajinmori. See Rhythmic cycles, “frequent drive” Ch’ang. See Ch’anggýk Ch’ang minyo, 37 Chang, Sahun, 100 Changdan. See Rhythmic cycles Ch’anggýk: challenges, 106, 110–113; emergence on, 12, 85, 87–92; history of, 85–87, 96–106; identity, 104–106; in¶uence of, 87–92; translation of dialog , 246–247 Ch’anggýk chôngnip (“correct . . . . . . 330 : Index establishment of ch’anggýk”). See Ch’anggýk, challenges Ch’anghýigwan. See Ch’anggýk, history of; Kang, Yonghwan Ch’angjak p’ansori. See P’ansori, newly composed Che. See Melodic paths Chesôk ponp’uri, 43–45, 48 Chi, Yônghýi, 18 Chin, Ch’aesôn, 71–72, 228 Chinese opera. See Ch’anggýk, in¶uence of Chin’guk myôngsan, 103–104 Chinyang, 61–62. See also rhythmic cycles , “unending cycle” Cho. See Melodic paths Cho, Sanghyôn, 164, 250 Cho, Tongil, 12 Ch’oe, Chongmin, 111 Ch’oe Pyôngdo t’aryông (Ballad of Ch’oe Pyôngdo),92–94.SeealsoSilverWorld Ch’oe, Namsôn, 92 Ch’oe, Tonghyôn, 77, 193 Choi, Chungmoo, 134, 230, 231 Chôkpyôkka. See Song of Red Cliff Chôlla Province, 34, 38, 57. See also P’ansori , history; Sinawi, instruments Chông, Chaegýn, 22 Chông, Ch’anôp, 205 Chông, Chôngnyôl, 192 Chông, Hoi Suk, 202–203 Chông, Hyônsôk, 77–78 Chông, Kwangsu, 197–198 Chông, Kwônjin, 22, 158, 160, 166–167, 198–199, 240–243 Chông, Malsun, 165 Chông, Naegyo, 29 Chông,Noshik,14,57,79,101–102,179,205 Chông, Pyônguk, 12, 179, 181–182 Chông, Sunim, 127–128 Chông, Ýngmin, 22, 100, 164–167 Chông, Yagyong, 58 Chôngak (“proper, correct, court, or elite music”), 30, 53 Ch’ônggu yôngôn (Green hill, lasting words), 29 Chôngshim chôngým (Correct mind, correct sound), ix Ch’ôn’gusông. SeeAesthetics,ideal voices Chosôn ch’anggýk sa, 11 Chosôndynasty:Neo-Confucianvalues, 5, 30, 116; sociocultural change, 27–30 Chosôn sôngak yôn’gu hoe (Korean Vocal Music Research Society), 101 Ch’uimsae, 111, 234–235. See also Audience , reception Chunggoche. See Schools of singing Chungin (middle people). See Chosôn dynasty, sociocultural change Chungjungmori. See Rhythmic cycles, “faster drive” Chungmori. See Rhythmic cycles, “moderate drive” Ch’unhyang beauty pageant. See Kinship , narrative Ch’unhyang Shrine. See Kinship, narrative Ch’unhyangga. See Song of Ch’unhyang Ch’unhyangje (Festival of Ch’unhyang). See Kinship, narrative Clifford, James, 18 Communal ef¤cacy. See Kinship, folk and labor tunes Confucian ideology. See Narratives, spiritual background Conversion of identity, 37 Cultural properties. See Preservation Davis, Charlotte Aull, 16 Descriptive telling, 21 Deuchler, Martina, 117, 215 Dongyi zhuan, 39 “Downward-breaking tone.” See Kinship , musical; Sinawi, instruments Drawing the inner dimension. See...

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