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summary
How do classical, highly codified theatre arts retain the interest of today's audiences and how do they grow and respond to their changing circumstances? The eight essays presented here examine the contemporary relevance and significance of the "classic" No and Kyogen theatre to Japan and the West. They explore the theatrical experience from many perspectives--those of theatre, music, dance, art, literature, linguistics, philosophy, religion, history and sociology.

Table of Contents

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  1. Cover
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  1. Frontmatter
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  1. Contents
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  1. Preface
  2. pp. vii-viii
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  1. Foreword
  2. pp. ix-x
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  1. PART I: Values of Nō and Kyōgen in Contemporary Society
  1. Introduction
  2. pp. 3-18
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  1. Expanding Nō’s Horizons: Considerations for a New Perspective
  2. pp. 19-35
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  1. Yūgen after Zeami
  2. pp. 36-64
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  1. The Waki-Shite Relationship in
  2. pp. 65-89
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  1. PART II: Adaptation of Nō and Kyōgen to Contemporary Audiences
  1. Introduction
  2. pp. 93-110
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  1. A Return to Essence through Misconception: From Zeami to Hisao
  2. pp. 111-124
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  1. Changes
  2. pp. 125-141
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  1. Dialogue and Monologue in
  2. pp. 142-153
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  1. PART III: Encounters with the West
  1. Introduction
  2. pp. 157-171
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  1. Experiments in Kyōgen
  2. pp. 173-182
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  1. Contemporary Audiences and the Pilgrimage to
  2. pp. 183-201
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  1. Teaching the Paradox of
  2. pp. 202-209
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  1. Pidgin-Creole Performance Experiment and the Emerging Entre-Garde
  2. pp. 210-242
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  1. Index
  2. pp. 243-249
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