In this Book

summary
Japanese Hermeneutics provides a forum for the most current international debates on the role played by interpretative models in the articulation of cultural discourses on Japan. It presents the thinking of esteemed Western philosophers, aestheticians, and art and literary historians, and introduces to English-reading audiences some of Japan's most distinguished scholars, whose work has received limited or no exposure in the United States.

In the first part, "Hermeneutics and Japan," contributors examine the difficulties inherent in articulating "otherness" without falling into the trap of essentialization and while relying on Western epistemology for explanation and interpretation. In the second part, "Japan's Aesthetic Hermeneutics," they explore the role of aesthetics in shaping discourses on art and nature in Japan. The essays in the final section of the book, "Japan's Literary Hermeneutics," rethink the notion of "Japanese literature" in light of recent findings on the ideological implications of canon formations and transformations within Japan's prominent literary circles.

Contributors: Amagasaki Akira, Haga Toru, Hamashita Masahiro, Inaga Shigemi, Kambayashi Tsunemichi, Thomas LaMarre, John C. Maraldo, Michael F. Marra, Mark Meli, Ohashi Ryosuke, Otabe Tanehisa, Graham Parkes, J. Thomas Rimer, Sasaki Ken'ichi, Haruo Shirane, Suzuki Sadami, Stefan Tanaka, Gianni Vattimo.

Table of Contents

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  1. Cover
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  1. Frontmatter
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  1. Contents
  2. pp. vii-viii
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  1. Acknowledgments
  2. pp. ix-x
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  1. Abbreviations
  2. pp. xi-xii
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  1. Introduction
  2. pp. 1-6
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  1. Hermeneutics and Japan
  1. 1. Method, Hermeneutics, Truth
  2. pp. 9-16
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  1. 2. Poetics of Intransitivity
  2. pp. 17-24
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  1. 3. The Hermeneutic Approach to Japanese Modernity: “Art-Way,” “Iki,” and “Cut-Continuance”
  2. pp. 25-35
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  1. 4. Frame and Link: A Philosophy of Japanese Composition
  2. pp. 36-43
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  1. 5. The Eloquent Stillness of Stone: Rock in the Dry Landscape Garden
  2. pp. 44-59
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  1. 6. Motoori Norinaga’s Hermeneutic of Mono no Aware: The Link between Ideal and Tradition
  2. pp. 60-75
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  1. 7. Between Individual and Communal, Subject and Object, Self and Other: Mediating Watsuji Tetsuro’s Hermeneutics
  2. pp. 76-86
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  1. Japan's Aesthetic Hermeneutics
  1. 8. Nishi Amane on Aesthetics: A Japanese Version of Utilitarian Aesthetics
  2. pp. 89-97
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  1. 9. Hegel in Tokyo: Ernest Fenollosa and His 1882 Lecture on the Truth of Art
  2. pp. 97-108
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  1. 10. Ōgai, Schelling, and Aesthetics
  2. pp. 109-114
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  1. 11. Cognitive Gaps in the Recognition of Masters and Masterpieces in the Formative Years of Japanese Art History, 1880–1900: Historiography in Conflict
  2. pp. 115-126
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  1. 12. Nature—the Naturalization of Experience as National
  2. pp. 127-141
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  1. 13. Coincidentia Oppositorum Ōnishi Yoshinori’s Greek Genealogies of Japan
  2. pp. 142-152
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  1. 14. Representations of “Japaneseness” in Modern Japanese Aesthetics: An Introduction to the Critique of Comparative Reason
  2. pp. 153-162
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  1. Japan's Literary Hermeneutics
  1. 15. Constructing “Japanese Literature”: Global and Ethnic Nationalism
  2. pp. 165-175
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  1. 16. What Is Bungaku?: The Reformulation of the Concept of “Literature” in Early Twentieth-Century Japan
  2. pp. 176-188
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  1. 17. Primitive Vision: Heidegger’s Hermeneutics and Man’yōshū
  2. pp. 189-205
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  1. 18. Saitō Mokichi’s Poetics of Shasei
  2. pp. 206-214
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  1. Notes
  2. pp. 215-240
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  1. Contributors
  2. pp. 241-244
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  1. Index
  2. pp. 245-247
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