Handmade Culture: Raku Potters, Patrons, and Tea Practitioners in Japan

Index

Aburanokji Street, 77, 116, 117, 162 amateur potters, 67, 111, 125; Ii Naosuke , 138; Katagiri Sekish, 63; Meiji industrialists, 152; Oda Uraku and Hon’ami Ketsu, 53–58; Raku Seiny’s writings on, 156–158; references in Modern Masterpieces of Taish, 155; Sen iemoto, 90, 99–101, 106 Ameya, 80, 156 anomie, 41–45 archaeological materials, 30–36 arts of play (ygei), 92–93 Bikuni, 80 Bizen ceramics, 5, 20 black Seto (setoguro) ceramics, 6, 21–22, 24, 45. See also Seto ceramics Book of Tea, The, 155 Bourdieu, Pierre, 69, 89, 90 box inscriptions (hakogaki): attributed to Sen no Riky, 29; attributed to Sen Ssa IV (Kshin), 66; attributed to Sen Ssa (Kakukakusai), 98, 101; attributed to Sen Stan, 40, 47; and connoisseurship, 163; history of, 28–29; and Hon’ami Ketsu’s ceramics, 58; and the iemoto system, 101–102; and naming conventions, 82; “second generation Chjir,” 49 Bunshuku. See Sen Sshu II Chinese: artisans, 37; ceramics, 5–6, 15, 21, 40, 145–146 Chinese-style steeped tea (sencha), 125, 147, 151 Chjir: ceramics attributed to, 24–30; and the Chinese connection, 37, 39; in Collected Raku Ceramic Secrets, 119; in Diverse Domestic and Foreign Utensils, 116; as founder, 1, 13, 131; in Gazetteer of Yamashiro, 115; historical evidence for, 17–23; as an individualist potter, 108, 154–155; in Model Masterpieces of Taish, 154–155; and the Momoyama mythohistory, 16–17; one-hundred-fiftieth memorial anniversary of, 98; and the Raku genealogy , 80–81; reproductions of ceramics , 104; and the “Riky revival,” 84–85, 103; “seven bowls of Chjir,” 54; as symbol, 4, 90, 109; workshop of, 42, 45 cipher (ka), 29, 66, 98, 163 Collected Raku Ceramic Secrets (Rakuyaki hin), 10, 112, 117–122, 129 connoisseurship: and box inscriptions, 28–30; and catalogs of famous objects , 112, 123–124, 128; of Chjir’s work, 39–40; and the iemoto system, 108; by the iemoto, 101; of incense, 44, 92, 93, 94; Meiji minimization of, 151; i n d e x Pitelka10.idx 231 7/22/05 9:44:58 AM 232 | Index and modernity, 10–11, 163–165; of Raku ceramics, 163–165; by Riky, 16; of swords, 54; in the tea gathering, 15, 133 continental origins: claims that the Raku founder was Chinese or influenced by Chinese artisans, 37–39; a continental (tjin), 39, 116; Korean (chsenjin), 115 copies. See reproduction Daitokuji, 44, 59, 82, 83, 106 Diverse Domestic and Foreign Utensils (Wakan shodgu), 115–117 Durkheim, Émile, 43 Enlightenment and post-Enlightenment thought, 11, 104 expositions (hakurankai), 148–150 famous objects (meibutsu), 122–124, 128, 135–136 Fisher, Philip, 3 Fujimura Yken, 85 Furuta Oribe, 44, 54, 113–114 Fushimi: Castle, 31, 32; ceramic dolls, 37 garden ceramics (niwayaki), 139–147 gaze, 90, 94, 96, 105, 108 Gazetteer of Yamashiro (Ysh fushi), 115–117 genealogy, 79–80; Raku, 49, 72, 77, 80– 81, 116, 119 General Memorandum for the Kyoto Administration (Kyoto oyakusho muki taigai oboegaki), 117 Got Shsai, 29, 61 handmade (tezukuri): hand-building and hand-carving (tezukune), 4, 7, 26, 31, 51–52, 55, 66, 100, 116, 143; as a metaphor for the constructedness of tradition, 3–4 Hayashiya Seiz, 13, 16 Historical Investigation into Domestic Ceramics (Honch tki ksh), 124–125 Hon’ami Ketsu, 42, 44, 54–58, 62, 63, 66, 74, 99; as “branch ceramics” or “Raku-style ceramics,” 156–158; and connoisseurship, 164; as “individualist potter,” 11, 91, 108, 155; influence on Ichigen, 77; influence on industrialist amateur potters, 152; influence on Kakukakusai, 100; reproductions of his work by Raku Ryny, 141; in Sen Ssa IV, Kshin’s tea diaries, 61 Hrin Jsh, 44, 59, 72 house (ie), 70, 77–82, 90–91 Ichigen (also Yahei), 76–77, 81, 116–117 identity, 85, 87; construction of modern identity, 151, 155, 158–159; house identity and Tokugawa state, 77–80; of late seventeenth-century Kyoto residents, 72; provided by iemoto system , 92–93; Raku as, 70; shift from workshop to household, 80–82 ie. See house iemoto, 9–10, 40; and Raku ceramics , 97–105; in the Sen tea schools, 94–96; system, 89–94; and the ten craft houses (jisshoku), 105–107 Ihara Saikaku, 92 Ii Naosuke, 134, 136–139 Imai Sky, 21–22 Imjin Wars, 5, 6 important cultural property (jy bunkazai ), 24, 27, 29...