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233 Bibliography Akaboshi, Goro, and Heiichiro Nakamaru. 1975. Five Centuries of Korean Ceramics: Pottery and Porcelain of the Yi Dynasty. Translated by June Shilla. New York and Tokyo: Weatherhill/Tankosha. Allen, Horace N. 1975 [1908]. Things Korean: A Collection of Sketches and Anecdotes Missionary and Diplomatic. Seoul: Royal Asiatic Society Korea Branch. Althusser, Louis. 1984. Essays on Ideology. Translated by B. Brewster and G. Lock. London: Verso. Altman, Rick. 1989. The American Film Musical. Bloomington, IN: Indiana University Press. An Kwanghŭi, ed. 2001. Han’guk kŭndae yŏn’gŭksa charyojip (Sources on modern Korean theater history). 6 vols. Seoul: Yŏngnak. Anderson, Benedict. 1983. Imagined Communities: Reflections on the Origin and Spread of Nationalism. London: Verso Editions. Austin, Herbert H. 1910. “A Scamper through Korea.” In Korea: Its History, Its People , and Its Commerce, by Angus Hamilton, Herbert H. Austin, and Masatake Terauchi, pp. 151–214. Boston and Tokyo: J. B. Millet Company. Baker, Don. 1998. “Christianity ‘Koreanized.’” In Nationalism and the Construction of Korean Identity, ed. Hyung Il Pai and Timothy R. Tangherlini, pp. 108–125. Berkeley: Institute of East Asian Studies, University of California. Bakhtin, Mikhail M. 1981. The Dialogic Imagination: Four Essays. Edited by Michael Holquist; translated by Caryl Emerson and Michael Holquist. Austin: University of Texas Press. Barba, Eugenio, and Nicola Savarese. 1991. A Dictionary of Theatre Anthropology: The Secret Art of the Performer. London: Routledge. Bellman, Jonathan, ed. 1998. The Exotic in Western Music. Boston: Northeastern University Press. Ben-Amos, Dan. 1984. “The Seven Strands of Tradition: Varieties in its Meaning in American Folklore Studies.” Journal of Folklore Research 21:97–131. Berlin, Zeke. 1988. “Takarazuka: A History and Descriptive Analysis of the AllFemale Japanese Performance Company.” Ph.D. diss., New York University. Bishop, Isabella Bird. 1970 [1898]. Korea and Her Neighbours. Seoul: Yonsei University Press. Blacking, John. 1980. “Trends in the Black Music of South Africa, 1959–1969.” In Musics of Many Cultures: An Introduction, ed. Elizabeth May, pp. 195–215. Berkeley: University of California Press. 234 Bibliography Blum, Stephen. 2001. “Composition.” In The New Grove Dictionary of Music and Musicians , ed. Stanley Sadie, vol. 6, pp. 188–201. 2nd ed. London: MacMillan. Bohlman, Philip V. 2008. “Returning to the Ethnomusicological Past.” In Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology, ed. Gregory F. Barz and Timothy J. Cooley, pp. 246–270. 2nd ed. New York: Oxford University Press. Bourdaret, Émile. 1904. En Corée (In Korea). Paris: Plon-Nourit. Bowers, Faubion. 1952. Japanese Theatre. New York: Hill and Wang. Bradley, A. C. 1915. Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth. London: Macmillan. Brandon, James R., ed. 1993. The Cambridge Guide to Asian Theatre. Cambridge: Cambridge University Press. Brandon, James R., William P. Malm, and Donald H. Shively. 1978. Studies in Kabuki: Its Acting, Music, and Historical Context. Honolulu: University of Hawai‘i Press. Brooks, Peter. 1995 [1976]. The Melodramatic Imagination: Balzac, Henry James, Melodrama , and the Mode of Excess. New Haven: Yale University Press. Büchner, Georg. 1971. The Plays of Georg Büchner. Translated with an introduction by Victor Price. London: Oxford University Press. Campbell, Joseph. 1972. The Hero with a Thousand Faces. Princeton, NJ: Princeton University Press. Ch’ae Mansik. 1993. Peace under Heaven. Translated by Chun Kyung-ja (Chŏn Kyŏngja). Armonk, NY: M. E. Sharpe. Chatterjee, Sudipto. 2001. “From Colonial Jatra to Native Theatre: Hybrid Aesthetics of Nineteenth Century Bengali Theatre.” Seagull Theatre Quarterly 31:24–32. Chi Songuk. 1914. Chŭngsang yŏnye okchung kain (A Beauty in Prison for enlarged performance). Seoul: Sin’gu Sŏrim. Cho, Oh Kon (Cho Okkon). 1979. Korean Puppet Theatre: Kkoktu Kaksi. East Lansing , Michigan: Michigan State University Asian Studies Center. ———. 1988. Traditional Korean Theatre. Berkeley: Asian Humanities Press. Cho Tongil. 1969. “Hŭngbo-jŏn-ŭi yangmyŏnsŏng” (The two sides of The Tale of Hŭngbo). Kyemyŏng nonch’ong 5:71–123. Cho Yŏnggyu. 2008. Paro chamnŭn Hyŏmnyulsa-wa Wŏn’gaksa (The Hyŏmnyulsa and Wŏn’gaksa correctly understood). Seoul: Minsokwŏn. Ch’oe Namsŏn. 1972 [1947]. Chosŏn sangsik mundap sokp’yŏn (General knowledge questions and answers on Korea, II). Seoul: Samsŏng Munhwa Chaedan. Ch’oe Ung, Yu T’aesu, and Yi Taebŏm. 2004. Han’guk-ŭi chŏnt’onggŭk-kwa hyŏndaegŭk (Korean traditional and contemporary theater). Seoul: Bookshill. Ch’oeWŏnsik.1978.“Kaehwagi-ŭich’anggŭkundong-gwa‘Ŭnsegye’”(Thech’anggŭk movement of the Enlightenment period...

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