Tsai Ming-Liang and a Cinema of Slowness

Works Cited

189 works Cited Abbott, Jason. 2001. “Vanquishing Banquo’s Ghost: The Anwar Ibrahim Affair and Its Impact on Malaysian Politics.” Asian Studies Review 25 (3): 285–308. Adair, Gilbert. 1986. Myths and Memories. London: Flamingo. ———. 2004. The Dreamers: A Romance. London: Faber and Faber. Agacinski, Sylviane. 2003. Time Passing: Modernity and Nostalgia. Trans. Jody Gladding. New York: Columbia University Press. Allen, Michael. 2009. “The Impact of Digital Technologies on Film Aesthetics .” In Film Theory and Criticism: Introductory Readings, 7th ed., ed. Leo Braudy and Marshall Cohen, pp. 824–833. New York and Oxford: Oxford University Press. Altman, Rick. 1992. “Introduction: Sound’s Dark Corners.” In Sound Theory, Sound Practice, ed. Rick Altman, pp. 171–177. New York and London: Routledge. Andrew, Dudley. 1997. “André Bazin’s ‘Evolution.’” In Defining Cinema, ed. Peter Lehman, pp. 73–94. London: Athlone Press. ———. 2000. “The Unauthorized Auteur Today.” In Film and Theory: An Anthology, ed. Robert Stam and Toby Miller, pp. 20–29. Malden, MA, and Oxford: Blackwell. ———. 2010a. “Foreword.” In Galt and Schoonover 2010a, pp. v–xi. ———.2010b.“TimeZonesandJetlag:TheFlowsandPhasesofWorldCinema.” In World Cinemas, Transnational Perspectives, ed. Natasa Durovicová and Kathleen Newman, pp. 59–89. New York and London: Routledge. ———. 2010c. What Cinema Is! Bazin’s Quest and Its Charge. Chichester, West Sussex: Wiley-Blackwell. Andrew, Dudley, and Colin Burnett. 2007. “Susan Sontag and the Criticism of Cinema’s Modernity: An Introduction.” Postscript 26 (2): 5–9. 190 works Cited Appadurai, Arjun. 1996. Modernity at Large: Cultural Dimensions of Globalization . Minneapolis and London: University of Minnesota Press. Astruc, Alexandre. 1968. “The Birth of a New Avant-garde: La Caméra-Stylo.” In The New Wave: Critical Landmarks, ed. Peter Graham, pp. 17–23. London: Secker and Warburg. Ballard, Phil. 2004. “In Search of Truth: Béla Tarr Interviewed.” Kinoeye: New Perspectives on European Film 4 (2), 29 March. http://www.kinoeye .org/04/02/ballard02.php (accessed 27 August 2012). Balsom, Erika. 2007. “Saving the Image: Scale and Duration in Contemporary Art Cinema.” CineAction 72:23–31. Bandis, Helen, Adrian Martin, and Grant McDonald. 2005. “The 400 Blow Jobs.” Rouge. http://www.rouge.com.au/rougerouge/wayward.html (accessed 19 March 2010). Bao, Weihong. 2007. “Biomechanics of Love: Reinventing the Avant-garde in Tsai Ming-liang’s Wayward ‘Pornographic Musical.’” Journal of Chinese Cinemas 1 (2): 139–160. Barthes, Roland. 1987. “From Work to Text.” In Debating Texts: A Reader in Twentieth Century Literary Theory and Method, ed. Rick Rylance, pp. 117–122. Milton Keynes, U.K.: Open University Press. ———. 1993. Mythologies. Selected and translated by Annette Lavers. London: Vintage. Bazin, André. 1967. What Is Cinema? Volume 1. Trans. Hugh Gray. Berkeley, Los Angeles, and London: University of California Press. BBC News. 2008. “Cameron’s Bike Stolen as He Shops.” 24 July. http://news .bbc.co.uk/1/hi/uk_politics/7523144.stm (accessed 27 July 2012). Beck, Jay, and Tony Grajeda. 2008. “Introduction: The Future of Film Sound Studies.” In Lowering the Boom: Critical Studies in Film Sound, ed. Jay Beck and Tony Grajeda, pp. 1–20. Urbana and Chicago: University of Illinois Press. Beckman, Karen. 2010. Crash: Cinema and the Politics of Speed and Stasis. Durham and London: Duke University Press. Beckman, Karen, and Jean Ma. 2008a. “Introduction.” In Beckman and Ma 2008b, pp. 1–19. ———, eds. 2008b. Still Moving: Between Cinema and Photography. Durham and London: Duke University Press. Berry, Chris. 1999. “Where Is the Love? The Paradox of Performing Loneliness in Ts’ai Ming-Liang’s Vive l’amour.” In Falling for You: Essays on Cinema and Performance, ed. Lesley Stern and George Kouvaros, pp. 147–175. Sydney: Power Publications. works Cited 191 Berry, Michael. 2005. Speaking in Images: Interviews with Contemporary Chinese Filmmakers. New York: Columbia University Press. Betz, Mark. 2006. “The Cinema of Tsai Ming-liang: A Modernist Genealogy .” In Reading Chinese Transnationalisms: Society, Literature, Film, ed. Maria N. Ng and Philip Holden, pp. 161–172. Hong Kong: Hong Kong University Press. ———. 2009. Beyond the Subtitle: Remapping European Art Cinema. Minneapolis and London: University of Minnesota Press. Bíro, Yvette. 2008. Turbulence and Flow in Film: The Rhythmic Design. Trans. Paul Salamon. Bloomington and Indianapolis: Indiana University Press. Bloom, Michelle E. 2005. “Contemporary Franco-Chinese Cinema: Translation , Citation and Imitation in Dai Sijie’s Balzac and the Little Chinese Seamstress and Tsai Ming-Liang’s What Time Is It There?” Quarterly Review of Film and Video 22 (4): 311–325. “Bo Yang, 88, Taiwanese Essayist.” 2008. Obituary...