Between Page and Screen: Remaking Literature Through Cinema and Cyberspace

Acknowledgments

ack now l edgm ents This book could never have been realized without the financial support of Program Committee Transformations in Art and Culture of NWO, the Netherlands Organization for Scientific Research. I particularly thank Ben Peperkamp for his dedicated help and Franz Ruiter for his informed advice. Coming out of the conference Re-mediating Literature , held at Utrecht University in 2007, this volume has grown out of an inspiring and productive cooperation with Ann Rigney. I thank her for her continued involvement in this project. Finally, I thank Thomas Lay, Eric Newman, and Helen Tartar at Fordham University Press and the outside readers for their wonderful work. Chapter 4, Kiene Brillenburg Wurth’s ‘‘Posthuman Selves, Assembled Textualities,’’ was originally published in a slightly different version as ‘‘Posthumanities and Post-textualities: Reading The Raw Shark Texts and Woman’s World,’’ Comparative Literature 63, no. 2 (2011): 119–141; copyright 2011 Comparative Literature, University of Oregon ; reprinted with permission of Duke University Press. Chapter 5, Katherine Hayles’s ‘‘Intermediation: The Pursuit of a Vision,’’ was originally published in New Literary History 38, no. 1 (2007): 99–125; copyright 2007 New Literary History, University of Virginia; reprinted with permission of the Johns Hopkins University Press. I thank Canongate and Atlantic Books as well for granting permission to reprint illustrated pages from The Raw Shark Texts and Woman’s World. xi Between Page and Screen ...