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con tent s Acknowledgments xi Introduction Kiene Brillenburg Wurth 1 part i. mediality, digitality, subjectivity 1. Medium, Reflexivity, and the Economy of the Self Samuel Weber 27 2. Analog in the Age of Digital Reproduction: Audiophilia, Semi-Aura, and the Cultural Memory of the Phonograph Anthony Curtis Adler 48 3. What If Foucault Had Had a Blog? Joanna Zylinska 62 4. Posthuman Selves, Assembled Textualities: Remediated Print in the Digital Age Kiene Brillenburg Wurth 75 part ii. digital reflexivities: prose, poetry, code 5. Intermediation: The Pursuit of a Vision N. Katherine Hayles 101 6. Net.art: Dysfunctionality and Self-Reflexivity Marie-Laure Ryan 127 7. Moving (the) Text: From Print to Digital Katalin Sándor 144 ix x Contents 8. Technology Made Legible: Software as a Form of Writing in Software Engineering Federica Frabetti 157 part iii. intermedial reflexivities: film, writing, script 9. Cinema as a Digest of Literature: A Cure for Adaptation Fever Peter Verstraten 173 10. Cinematography as a Literary Concept in the (Post)Modern Age: Pirandello to Pynchon Lovorka Gruic Grmusa and Kiene Brillenburg Wurth 184 11. Novelizing Tati Jan Baetens 201 12. Copycat-and-Mouse: The Printed Screenplay and the Literary Field in France Matthijs Engelberts 216 part iv. new literacies, education, and accessibility 13. The New Literacies: Technology and Cultural Form William Uricchio 229 14. Visibility, Blogging, and the Construction of Subjectivity in Educational Spaces Asunción López-Varela Azcárate 241 15. The Singularity of New Media Gary Hall 252 Notes 267 Bibliography 297 Contributors 315 Index 319 ...

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