In this Book

  • Havana beyond the Ruins: Cultural Mappings after 1989
  • Book
  • Anke Birkenmaier and Esther Whitfield, eds.
  • 2011
  • Published by: Duke University Press
summary
In Havana beyond the Ruins, prominent architects, scholars, and writers based in and outside of Cuba analyze how Havana has been portrayed in literature, music, and the visual arts since Soviet subsidies of Cuba ceased, and the Cuban state has re-imagined Havana as a destination for international tourists and business ventures. Cuba’s capital has experienced little construction since the revolution of 1959; many of its citizens live in poorly maintained colonial and modernist dwellings. It is this Havana—of crumbling houses, old cars, and a romantic aura of ruined hopes—that is marketed in picture books, memorabilia, and films. Meanwhile, Cuba remains a socialist economy, and government agencies maintain significant control of urban development, housing, and employment. Home to more than two million people and a locus of Cuban national identity, Havana today struggles with the some of the same problems as other growing world cities, including slums and escalating social and racial inequalities. Bringing together assessments of the city’s dwellings and urban development projects, Havana beyond the Ruins provides unique insights into issues of memory, citizenship, urban life, and the future of the revolution in Cuba.

Contributors
Emma Álvarez-Tabío Albo
Eric Felipe-Barkin
Anke Birkenmaier
Velia Cecilia Bobes
Mario Coyula-Cowley
Elisabeth Enenbach
Sujatha Fernandes
Jill Hamberg
Patricio del Real
Cecelia Lawless
Jacqueline Loss
Orlando Luis Pardo Lazo
Antonio José Ponte
Nicolás Quintana
Jose Quiroga
Laura Redruello
Rafael Rojas
Joseph L. Scarpaci
Esther Whitfield

Table of Contents

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  1. Cover
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  1. Frontmatter
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  1. Contents
  2. pp. v-vi
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  1. Preface
  2. pp. ix-xiv
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  1. Introduction: Beyond the Ruins
  2. pp. 1-11
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  1. Part I. Mapping Havana: Citizenship and the City
  1. 1. Visits to a Non-Place: Havana and Its Representation(s)
  2. pp. 15-30
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  1. 2. The Bitter Trinquennium and the Dystopian City: Autopsy of a Utopia
  2. pp. 31-52
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  1. 3. Barbacoas: Havana’s New Inward Frontier
  2. pp. 53-72
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  1. 4. The ‘‘Slums’’ of Havana
  2. pp. 73-105
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  1. 5. Havana and Its Landscapes: A Vision for Future Reconstruction of Cuban Cities
  2. pp. 106-118
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  1. 6. The Illegible City: Havana after the Messiah
  2. pp. 119-134
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  1. Havana: A Photo-Essay
  2. pp. 135-145
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  1. Part II. Havana’s Shifting Margins
  1. 7. The City in Midair
  2. pp. 149-172
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  1. 8. Made in Havana City: Rap Music, Space, and Racial Politics
  2. pp. 173-186
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  1. 9. Urban Performance Pieces in Fragmented Form: A Reading of Pedro Juan Guti
  2. pp. 187-208
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  1. 10. Topographies of Cosmonauts in Havana: Proyecto Vostokand Insausti’s Existen
  2. pp. 209-228
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  1. 11. Touring Havana in the Work of Ronaldo Men
  2. p. 229
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  1. Part III. Coda
  1. 12. La Habana: City and Archive
  2. pp. 249-269
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  1. 13. Bitter Daiquiris: A Crystal Chronicle
  2. pp. 270-286
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  1. Glossary
  2. pp. 287-296
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  1. References
  2. pp. 297-314
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  1. Contributors
  2. pp. 315-318
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  1. Index
  2. pp. 319-329
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