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List of Illustrations ix Acknowledgments xi Introduction: The Popular Not the Public  Music Hall: The Middle Class Makes a Subculture  Camp Expertise: Arthur Symons, Music Hall, and the Defense of Theory  Spies and Experts: Laura Ormiston Chant among Late-Victorian Professionals  Tales of the Culture Industry: Professional Women, Mimic Men, and Victorian Music Hall  “Spectacular” Bodies: Tableaux Vivants at the Palace Theatre  Conclusion: Cyrene at the Alhambra  Notes  Bibliography  Index  Contents 1 2 3 4 5 You are reading copyrighted material published by Ohio University Press/Swallow Press. Unauthorized posting, copying, or distributing of this work except as permitted under U.S. copyright law is illegal and injures the author and publisher. You are reading copyrighted material published by Ohio University Press/Swallow Press. Unauthorized posting, copying, or distributing of this work except as permitted under U.S. copyright law is illegal and injures the author and publisher. ...

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