In this Book
- Don DeLillo: The Physics of Language
- Book
- 2012
- Published by: University of Georgia Press
Charting DeLillo's emergence as a contemporary novelist of major stature, David Cowart discusses each of DeLillo's twelve novels, including his most recent work, The Body Artist (2001). Rejecting the idea that DeLillo lacks affinities across the cultural spectrum, Cowart argues that DeLillo's work invites comparison with that of wide range of antecedents, including Dunbar, Whitman, Wittgenstein, Heidegger, Freud, Lacan, Derrida, Hemingway, Joyce, Rilke, and Eliot. At the same time, Cowart explores the ways in which DeLillo's art anticipates, parallels, and contests ideas that have become the common currency of poststructuralist theory. The major site of DeLillo's engagement with postmodernism, Cowart argues, is language, which DeLillo represents as more mysterious--numinous even--than current theory allows. For DeLillo, language remains what Cowart calls "the ground of all making."
Don DeLillo: The Physics of Language is a provocative investigation of the most compelling issues of contemporary fiction.
Table of Contents
- Acknowledgments
- pp. ix-xiv
- Introduction
- pp. 1-13
- Port One: "For me the crux of the whole matter is language"
- 3. Mortal Stakes: Players
- pp. 43-54
- Part Two: "Before everything, there's language"
- 6. Convergence of the Twain: Libra
- pp. 91-110
- 7. "Our Only Language Is Beirut": Mao II
- pp. 111-128
- Part Three: "The word beyond speech"
- 8. For Whom Bell Tolls: Americana
- pp. 131-144
- 11. "The Physics of Language": Underworld
- pp. 181-196
- 13. DeLillo after 9/11: Cosmopolis
- pp. 210-226
- Works by Don DeLillo
- pp. 251-252
- Bibliography
- pp. 253-262