Critical Theory and Science Fiction

Index

Adorno, Theodor, xv, xviii, xix, 13n, 63, 92, 128, 158, 162, 162n, 163; and Dialectic of Enlightenment , xvii, 7, 171, 171n, 172; on Endgame, 88, 154n; and Minima Moralia, 193, 193n, 194; and negative dialectics, 155, 155n, 156; and Prisms, 7 Aldiss, Brian, 14, 91 Alkon, Paul K., 21n Althusser, Louis, xx, 10, 11, 11n, 13, 20n, 27, 73, 73n; and Lenin and Philosophy, 92 Amis, Kingsley, 61 Anderson, Perry: on gender oppression, 132n; on modernism, 186n Aristotle, 27 Asimov, Isaac, 15, 16, 50, 56, 70–71, 86, 150, 195 Atwood, Margaret, and The Handmaid’s Tale, 83, 136 Austen, Jane, 21n, 46 Bainbridge, William Sims, and pulp science fiction, 89n Bakhtin, Mikhail: and the dialogic/The Dialogic Imagination, xv, xvii, 12, 38, 39, 39n, 40–41, 46, 67, 75, 80, 86, 88, 133; on Dostoevsky , 92 Bakunin, Michael, 115, 115n, 116, 117 Baldwin, James, 160n, 198n Balibar, Etienne, 20n, 73n Ballard, J. G., xx, 14, 55, 91, 147, 153 Balzac, Honoré de, 21, 26, 45, 80, 91 Baraka, Amiri, 160n Barfield, Owen, 183 Barr, Marleen, and feminist science fiction, 134n Barthes, Roland, 21n, 164, 164n Bartter, Martha, on Stars in My Pocket, 149n Baudrillard, Jean, 188n Beckett, Samuel, 15, 90, 91, 154, 182; and Endgame , 87, 88, 88n, 90, 154n Bellamy, Edward, 78 Bellow, Saul, 93, 198n Benford, Gregory, 91, 197 Benjamin, Walter, xx, 44n, 63, 155n Beowulf, 14 Berg, Alban, 184 Berger, Albert, and pulp science fiction, 89n Bergman, Ingmar, 194 Berman, Marshall, on modernism, 186n Bester, Alfred, 14, 196 Black Power movement, 95 Blake, William, 27 Bloch, Ernst, xv, xvii, 49, 52, 56, 66n, 67n, 68n, 88; and Das Prinzip Hoffnung/utopian hermeneutic, 63–86, 117, 118, 118n, 129, 130n, 145, 146, 156, 162, 194; on Goethe, 92 Bloom, Harold, 27; and The Dispossessed, 113, 114, 114n Brecht, Bertolt, 19, 40, 187; and cognitive estrangement , 22, 140; on didacticism, 127; and Lukács, 19, 19n; and postmodernism, 183; and praxis, 192 Bricker, John, 174 Brontë sisters, 129n Brooks, Cleanth, on Faulkner, 26 Browne, Sir Thomas, 1 Bukatman, Scott: on cyberpunk, 197n; on Stars in My Pocket, 152, 152n Burroughs, William, 182, 183 Butler, Octavia, 91 Butler, Samuel, 63 Byrne, David, 195 Index 202 Index / Cabet, Etienne, and Marx, 124n Cage, John, 184 Campbell, John W., 22, 93 Canonization, 33; of modernist texts, 186; and presuppositions of, 24–30; of science fiction , 86–93 Capek, Karel, and R.U.R., 87 Carlyle, Thomas, 193 Carroll, Lewis, 195 Chandler, Raymond, 195, 196 Chaucer, Geoffrey, 48 Chopin, Kate, 131 Civil rights movement, 95 Clarke, Arthur C., 15, 16, 54, 70, 71, 82, 86 Clash, The, 195 Clute, John, on Russ, 142, 142n Cockburn, Alexander, 60n, 198 Cognition effect, 52, 74; definition of, 18 Cognitive estrangement, 21–23, 54, 120, 154; definition of, 16–19; and Dick, 166, 178–80; and feminism, 134, 135, 140; and historical realism, 54–56, 61; as a theme in Lem, 96– 98, 102–11; and utopia, 72, 74n, 118 Coleridge, Samuel Taylor, 49 Continental Op, The, 195 Cooper, Fenimore, 48, 52 Critical Inquiry, 113 Csicsery-Ronay, Istvan: on cyberpunk, 196n; on Solaris, 110n Cubism, 184 Cyberpunk, 195, 196, 196n, 197, 197n, 198, 199 Dante, 105; and science fiction, 15, 16, 163 Darwin, Charles, and Wells, 53 Deconstruction, 27, 153, 155n, 182; and feminism , 138, 139 Delany, Samuel, xv, xviii, xix, 14, 21n, 33, 91, 95, 195, 196; and Babel-17, 147; and Dhalgren , 147, 154n, 156; on The Dispossessed, 120n; and The Jewel-Hinged Jaw, 31n, 147n; and Nova, 147; and The Splendor and Misery of Bodies, of Cities, 146n; and Stars in My Pocket Like Grains of Sand, xviii, 15, 83, 146, 146n, 147–51, 151n, 152–54, 154n, 155–65; and Triton, 83, 147 Deleuze, Gilles, 94, 155 DeLillo, Don, 60, 61 De Man, Paul, 12, 29, 34, 34n, 35, 36 De Palma, Brian, 195 Derrida, Jacques, xvi, xviii, 154; and deconstruction , 27, 153; and Of Grammatology, 12n, 149n; and poststructuralism, 12, 13, 155; on Saussure, 148, 149, 159 Dick, Philip K., xv, xvii, xviii, 14, 35, 46, 91, 94, 95, 165; and Do Androids Dream of Electric Sheep?, 30, 30n, 31–32, 36, 165, 167; and Dr. Bloodmoney, 87, 165; and The Man in the High Castle, xviii, 61, 164, 164n, 165–72, 172n, 173–74, 174n, 175, 175n, 176–78, 178n, 179–80; and Radio Free Albemuth, 175n; and A Scanner Darkly, 41, 41n, 42, 165, 167; and Ubik, 36, 36n, 37–39, 41, 165, 167 Dickens, Charles, 53–54 Difference...