Making Beats: The Art of Sample-Based Hip-Hop

Bibliography

Bibliography Aaron, Charles. 1989. Gettin’ paid: Is sampling higher education or grand theft audio? Village Voice Rock & Roll Quarterly (fall): 22–26. Abrahams, Roger. 1964. Deep Down in the Jungle: Negro Narrative Folklore From the Streets of Philadelphia. Hatboro, Penn.: Folklore Associates. ———. 1970. Positively Black. Englewood Cli=s, N.J.: Prentice-Hall. Abrahams, Roger, ed. 1969. Jump-Rope Rhymes: A Dictionary. New York: Pantheon Books. Adorno, Theodor W. 1990. On popular music. 1941. Reprinted in On The Record, edited by Simon Frith and Andrew Goodman. New York: Pantheon Books. Allen, Ernest, Jr. 1996. Making the strong survive: The contours and contradictions of message rap. In Droppin’ Science: Critical Essays on Rap Music and Hip-Hop Culture, edited by William Eric Perkins. Philadelphia: Temple University Press. Allen, Harry. 1988. Invisible band. Village Voice Electromag (October): 10–11. Allen, Joe. 1997. “He’s the DJ, I’m the Turntablist”: The Progressive Art of Hip Hop DJs. Muncie, Ind.: Mississinewa Press. Anderson, Benedict. 1983. Imagined Communities. New York: Verso. Appadurai, Arjun. 1990. Disjuncture and di=erence in the global cultural economy. In Gobal Culture, edited by Mike Featherstone. London: Sage Publications. Arom, Simha. 1985. African Polyphony and Polyrhythm. Translated by Martin Thom, Barbara Tuckett, and Raymond Boyd. New York: Cambridge University Press. Ashburne, Michael. 1994. Sampling in the Record Industry. Oakland, Calif.: Law O;ces of Michael Ashburne. Attali, Jacques. 1996. Noise: The Political Economy of Music. Translated by Brian Massumi. Minneapolis: University of Minnesota Press. Originally published under the title Bruits: Essai sur l’économie politique de la musique (Presses Universitaires de France, 1977). Austin, Joe. 1998. Knowing their place: Local knowledge, social prestige, and 209 the writing formation in New York City. In Generations of Youth, edited by Joe Austin and Michael Nevin Willard. New York: New York University Press. Awadu, Keidi Obi. 1997. Rap, Hip-Hop, and the New World Order. Long Beach, Calif.: Conscious Rasta Press. Barz, Gregory F., and Timothy J. Cooley, eds. 1997. Shadows in the Field. New York: Oxford University Press. Beadle, Jeremy J. 1993. Will Pop Eat Itself? Boston: Faber & Faber. Becker, Howard. 1982. Art Worlds. Berkeley: University of California Press. ———. 1997. The culture of a deviant group: The “jazz” musician. In The Subcultures Reader, edited by Ken Gelder and Sarah Thornton. New York: Routledge. ———. 1998. Tricks of the Trade. Chicago: University of Chicago Press. Berger, Harris M. 1999. Metal, Rock, and Jazz. Hanover, N.H.: Wesleyan University Press. Boyarin, Daniel. 1997. Unheroic Conduct: The Rise of Heterosexuality and the Invention of the Jewish Man. Berkeley: University of California Press. Brewster, Bill, and Frank Broughton. 2000. Last Night a DJ Saved My Life: The History of the Disc Jockey. New York: Grove Press. Burnett, Robert. 1990. Concentration and Diversity in the International Phonogram Industry. Gothenburg, Sweden: Gothenburg Studies in Journalism and Mass Communication. Buskin, Richard. 1999. Inside Tracks. New York: Avon Books. Castleman, Craig. 1982. Getting Up: Subway Gra;ti in New York. Cambridge, Mass.: MIT Press. Chairman Mao. 1997. The legacy of Marley Marl. Ego Trip 3, no. 3: 88–89. ———. 1998. Behind the boards with the Bomb Squad. Ego Trip 4, no. 1: 112–115. Cherno=, John Miller. 1979. African Rhythm and African Sensibility. Chicago: University of Chicago Press. Cli=ord, James. 1992. Traveling cultures. In Cultural Studies, edited by Lawrence Grossberg, Cary Nelson, and Paula A. Treichler. New York: Routledge. Considine, J. D. 1995. Larcenous art? 1990. Reprinted in Rap on Rap, edited by Adam Sexton. New York: Dell Publishing. Costello, Mark, and David Foster Wallace. 1990. Signifying Rappers. Boston: Ecco Press. Crowley, Daniel J., ed. 1977. African Folklore in the New World. Austin: University of Texas Press. 210 Bibliography Dance, Daryl Cumber. 1978. Shuckin’ and Jivin’: Folklore from Contemporary Black Americans. Bloomington: Indiana University Press. Decker, Je=rey Louis. 1994. The state of rap: Time and place in hip hop nationalism . In Microphone Fiends. New York: Routledge. Del Barco, Mandalit. 1996. Rap’s Latin Sabor. In Droppin’ Science: Critical Essays on Rap Music and Hip-Hop Culture, edited by William Eric Perkins. Philadelphia: Temple University Press. DuBois, W. E. B. 1965. The souls of black folk. 1903. Reprinted in Three Negro Classics. New York: Avon Books. Dudley, Shannon. 1996. Judging ‘by the beat’: Calypso versus soca. Ethnomusicology 40, no. 2: 269–298. Dyson, Michael Eric. 1994. Between God and Gangsta Rap. New York: Oxford University Press. Ellingson, Ter. 2001. The Myth of the Noble Savage. Berkeley: University of California Press. Epstein...