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› 2 ‹ Ogema Station — — — — — — — 19 0 8 — — — — — — — Aloysius painted seven gorgeous blue ravens seated as passengers in a railroad car. The enormous wings of the spectacular ravens stretched out the windows, bright blue feathers flaunted at various angles. The passenger train seemed to be in natural flight that summer afternoon over the peneplain . Great blue beaks were raised high above the windows, a haughty gesture of direction, or a mighty military salute. The Soo Line Railroad a few years earlier had laid new tracks and built new stations at Mahnomen, Ogema, and Callaway on the White Earth Reservation. The passenger trains arrived twice a day from Winnipeg and Saint Paul. Every afternoon in the summer we heard the steam whistle in the distance, that evocative sound of a new world as the train stopped at the Ogema Station. Winnipeg, Thief River Falls, Mahnomen, and Waubun were familiar places in one direction of the railroad line. Detroit Lakes, Minneapolis, Chicago, Sault Ste. Marie, and Montreal were not familiar in the other directions. We envisioned many other places, marvelous railroad cities. Places without government teachers, federal agents, mission priests, or reservations. Blue ravens were our totems of creation and liberty. Aloysius told the priest that the blue ravens were the only totems that could convey his native vision. No other totems were as secure as the blue raven, not even the traditional crane totem of our ancestors. The stories of native totems were inherited and imagined, but the blue ravens were original and abstract signature totems. My brother created totems as a painter in almost the same way the first totems were imagined by native storiers, by vision , by artistry, but not by the tricky politics of shamans and warriors. The first totems were painted on hide, wood, birch bark, and stone. The priest would never associate with the creation of native totems. Nature was a separation not an inspiration of holy faith or godly associations. 16 G e r a l d v i Z e N o r The priest glanced at the blue ravens and then turned away in silence. He seemed to regard the personal creative expressions of my brother as a private and necessary confession or sacrament of penance. Augustus, our favorite uncle, celebrated the visions of a thirteen year old, or any totemic vision that provoked the priest, and hired us to paint blue ravens and other totems on the outside of the tiny newspaper building. His praise was conditional, as usual, so we returned with our own strategies and agreed to paint the building if he would hire us to sell his newspapers. Our uncle paused to consider our adolescent tactics, and then consented but with more conditions. He would pay only a penny a copy for the newspapers we sold, and we must find new customers and ways to increase the circulation of the reservation weekly. We painted the newspaper building white a few days later but not decorated with blue ravens. The paint was thick and lumpy, not an impressive cover. The next day we started our first positions as newspaper hawkers, news salesmen with a commission. No one, not even our younger cousins , would work for only a penny a newspaper. The venture, however, was worth much more than the mere penny income. Augustus was a heavy drinker, at times, and that was both a problem and an advantage. He was more critical of the federal agent when he had been drinking, and that troubled Father Aloysius. Our uncle was always generous when he drank alone or with others, but he seldom remembered promises . One night we easily persuaded our feisty publisher to pay the cost of two train tickets to promote the weekly newspaper at every Soo Line Railroad station between Ogema and the Milwaukee Road Depot in faraway Minneapolis. The Tomahawk sold for about three cents a copy by annual subscription, and everyone on the reservation who wanted the paper had already subscribed , so we decided to hawk the newspaper to strangers on the train at the Ogema Station. The trains arrived twice a day and we earned about ten cents in a day. Hawking the Tomahawk was easy because there were no other newspapers published in the area, and because we were directly related to the publisher. I tried to read every issue of the newspaper and to memorize a few paragraphs of the main stories, enough weekly content to shout out the significance of the news stories. [18.189...

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