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As a geometric term, parabola suggests a narrative trajectory or story arc. In science fiction, parabolas take us from the known to the unknown. More concrete than themes, more complex than motifs, parabolas are combinations of meaningful setting, character, and action that lend themselves to endless redefinition and jazzlike improvisation. The fourteen original essays in this collection explore how the field of science fiction has developed as a complex of repetitions, influences, arguments, and broad conversations. This particular feature of the genre has been the source of much critical commentary, most notably through growing interest in the "sf megatext," a continually expanding archive of shared images, situations, plots, characters, settings, and themes found in science fiction across media. Contributors include Jane Donawerth, Terry Dowling, L. Timmel Duchamp, Rachel Haywood Ferreira, Pawel Frelik, David M. Higgins, Amy J. Ransom, John Rieder, Nicholas Ruddick, Graham Sleight, Gary K. Wolfe, and Lisa Yaszek.

Table of Contents

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  1. Cover
  2. p. 1
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  1. Title Page, Copyright
  2. pp. i-iv
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  1. Contents
  2. pp. v-vi
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  1. Parabolas of Science Fiction
  2. pp. vii-xvi
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  1. PART I: INTRODUCING PARABOLAS
  1. 1. Science Fictional Parabolas: Jazz, Geometry, and Generation Starships
  2. pp. 3-23
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  1. 2. Dancing with Scheherazade: Some Reflections in the Djinni’s Glass
  2. pp. 24-35
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  1. 3. Breaking the Frame
  2. pp. 36-50
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  1. PART II: PARABLES OF POLITICS AND POWER
  1. 4. Katherine MacLean’s Short Science Fiction and Cytology: Science as Parabola
  2. pp. 53-69
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  1. 5. Second Contact: The First Contact Story in Latin American Science Fiction
  2. pp. 70-88
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  1. 6. Parabolas of SFQ: Canadian Science Fiction in French and the Making of a “National” Subgenre
  2. pp. 89-105
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  1. 7. The Domestic SF Parabola
  2. pp. 106-122
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  1. PART III: PARABLES OF REMEDIATION
  1. 8. Mad Scientists, Chimps, and Mice with Human Brains: Collapsing Boundaries in Science Fiction
  2. pp. 125-142
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  1. 9. Coded Transmissions: Gender and Genre Reception in The Matrix
  2. pp. 143-160
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  1. 10 The Mad Scientist, the Failed Experiment, and the Queer Family of Man: Sirius, Frankenstein, and the SF Stockroom
  2. pp. 161-179
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  1. 11. Back to the Filthy Workshop: “Faithful” Film Adaptations of Mary Shelley’s Frankenstein
  2. pp. 180-202
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  1. PART IV: PARABOLIC FUTURES
  1. 12. The Future of the Past: Science Fiction, Retro, and Retrofuturism
  2. pp. 205-224
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  1. 13. Babylon Revisited: Alternate Cosmologies from Farmer to Chiang
  2. pp. 225-241
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  1. 14. Science Fiction as Archive Fever
  2. pp. 242-260
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  1. Notes
  2. pp. 261-278
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  1. Works Cited
  2. pp. 279-298
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  1. Contributors
  2. pp. 299-302
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  1. Index
  2. pp. 303-312
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