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List of Illustrations
- The University of Alabama Press
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Illustrations i.1. W. a. rogers’s frontispiece to A Hazard of New Fortunes, Harper’s book edition, 1880 3 i.2. du maurier’s rendering of catherine of Washington Square in Cornhill Magazine in 1880 6 i.3. du maurier’s rendering of catherine of Washington Square in Cornhill Magazine in 1880 7 i.4. du maurier’s rendering of dr. sloper of Washington Square in Cornhill Magazine in 1880 8 i.5. du maurier’s rendering of dr. sloper of Washington Square in Cornhill Magazine in 1880 8 i.6. morris townsend of Washington Square at leisure in dr. sloper’s study, as depicted by du maurier in 1880 9 i.7. a Washington “colored functionary” in an 1894 Century Magazine article 27 1.1. Kemble’s illustration for the first chapter of twain’s novel, with the “the” added to the title 30 1.2. Kemble’s rendering of Huck for the frontispiece of twain’s novel 32 1.3. Kemble’s image of miss Watson shows the stiff postures of the authoritative adults in Huck’s hometown 36 1.4. Kemble’s raftsman, with his chest pumped out to show his job “amounted to something” 36 1.5. Kemble renders tom sawyer and his gang 38 1.6. Huck fruitlessly rubs a genie’s lamp in an image from Kemble 38 viii illustrations 1.7. Huck’s Pap, as envisioned by Kemble 39 1.8. emmeline Grangerfield’s kitschy art, as Huck and Kemble see it 41 1.9. The King as a pirate 42 1.10. The duke as Hamlet 43 1.11. Huck and Jim together in Kemble’s rendering of Jim discovering the dead man in a frame-house 46 1.12. Kemble’s illustration of Jim helping Huck into a calico gown. 47 1.13. Jim is consigned to the audience as a rapscallion claims “by rights i am a duke” 48 1.14. Huck, Jim, and tom stand back and take a collective bow 49 1.15. Kemble’s rendering of Jim in a different posture 52 1.16. Kemble’s rendering of Jim and the doctor 53 2.1. Kemble’s image of african americans bamboula dancing in new Orleans’s Jackson square 59 2.2. Kemble’s depiction of one of the “types” in de Graffenreid’s article 64 2.3. another of Kemble’s images accompanying de Graffenreid’s article 65 2.4. Frost’s romanticized image of “Georgia crackers,” contrasting with Kemble’s depictions 66 2.5. One of Frost’s images accompanying Brackett’s “The aryan mark” 66 2.6. One of Frost’s images accompanying Brackett’s “The aryan mark” 67 2.7. Kemble’s rendering of eliza’s celebrated escape across the ice floes on the Ohio river 72 2.8. Kemble’s frontispiece for the 1892 edition of Uncle Tom’s Cabin 73 2.9. Kemble’s photogravure frontispiece of uncle tom himself 74 2.10. tom rescues eva from murky river waters 75 2.11. a grieving tom supports an expiring eva 76 2.12. slaves submit to prospective dealers’ demeaning inspections 77 2.13. The “raggedest black wretch” on the plantation 78 2.14. Kemble’s individualized portrait of a seemingly interchangeable slave woman 78 2.15. another of Kemble’s individualized portraits of a seemingly interchangeable slave woman 79 [52.205.159.48] Project MUSE (2024-03-29 00:18 GMT) illustrations ix 2.16. a stereotypical butler figure who appears all too often 79 2.17. One of Kemble’s renderings of white “crackers,” contrasting with those rendered for de Graffenreid’s article 80 2.18. another of Kemble’s renderings of white “crackers,” contrasting with those rendered for de Graffenreid’s article 80 2.19. One of Kemble’s renderings of white “crackers,” contrasting with those rendered for de Graffenreid’s article 81 3.1. twain, as depicted on the magazine pages that commenced Pudd’nhead Wilson’s serialization in Century 87 3.2. loeb’s image of roxana and the children 91 3.3. loeb’s image of roxana confronting an adult tom 93 3.4. loeb’s image of Judge driscoll judging tom as “a coward in my family!” 94 3.5. loeb’s image of a cross-dressed roxana 95 3.6. loeb’s image of Puddn’head, providing the “proof” that brings about the novel’s denouement 96 4.1. newell casts doubt on Johnson’s claim never to have washed a buggy 112...