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| 201 Aalto, Alvar, 184n20 aesthetics, relational or social, xvii– xviii, 139–41, 187n11 Afterwords (Chalayan), 102, 114–17 agrios, situated domus and variable, 22 airport: as nonplace, 113 alien memory: relational architecture and technological actualization of buildings with, 137 altar: Viel’s notion of first building as, 10 Alÿs, Francis, xxiv, 54–55 Anarchitecture, 43–44 Anderson, Laurie, 43 anonymity: collective resistance through bodily, 102–4; of Orta’s wearers, 126–27; of Vexed Generation wearers, 125–26; visibility and, 119 antimonuments, 139 anti-Web, 151 anxiety over social and spatial discontinuity: building practices evolved due to, 10, 21 appearance: Arendt’s conceptualization of the public and, 121–22 Arcades Projects (Benjamin), 41–42 Archigram, xxv, 81, 118, 121, 128, 145–46; core members, 146; retooling of architectural form and function, 105–7 architectural collectives: Archigram, xxv, 81, 105–7, 118, 121, 128, 145–46; Metabolists, 81–84; Superstudio, 81, 145–47 architectural dematerialization: experiments in, xxv–xxvi, 145–47 architectural masquerade, 138 Index 202 | Index architectural theory: impulse to return in, 14–15 architecture: as art of representation, 9; central role in spatial experience and world understanding, 14; development of situated communities and, 11–12; expanded concept of, xix; Laugier on hut as original architectural structure, 7–9, 10; performative , xix–xx; possibility of mediating human connections to natural landscape, 9, 11–12, 15, 16–17; repetitive impulse of, 3; theoretical and material intersections with the network, 143–48 Arendt, Hannah, 121–22 “Art and Objecthood” (Fried), xvi “art-as-public-places” model, 108–11 art institution: viewing experience within, xvi–xvii art making and situation: Summers’s world-historical narrative of, 24–26 A to Z Living Unit (Zittel), 68 A to Z Management and Maintenance Unit: Model 003 (Zittel), 75 Augé, Marc, 113 autonomy: and dependence, modularity’s mediation between structural, 88, 96; individual, linked to structured standardization, 74–76; of individual mobility, negotiation between dependence on structures and systems of social formation and, 104; integration and, modular flexibility and, 78–84 autopoiesis, 141–46; autopoetic machine , 187n12; interplay between open and closed autopoetic systems, 142 A–Z Administrative Services, 67–68, 74 A–Z Cellular Compartment Units (Zittel), 82 A–Z Deserted Island (Zittel), 78–79, 80 A–Z Escape Vehicles (Zittel), 78, 79 Bachelard, Gaston, xxii, 13, 179n43 Ban, Shigeru, x, xxv; paper tube construction of, 72–73, 88–95, 184n20, 184n24 Banham, Reyner, 180n22 Bear, Lisa, 38, 43 belonging: cohesiveness offered by Vexed Generation garments and, 119–21; collaboration of multiple bodies in Chalayan’s room-as-home and, 121; experience of, replaced over number of reusable and renewable spaces, 54; independence and sense of, 76; modes of, proposed by Odd Lots group show, 36, 37; Orta’s connective garment-shelters and, 123–28; in place, relational architecture and, 148; reownership and new opening to spatial, 62; replacement as method and system of being and, xv, xxi–xxiii; return to hut as contemporary model for being and, xxiv Benjamin, Walter, 41–42; materialist philosophy of history, 42 [3.129.247.196] Project MUSE (2024-04-18 10:27 GMT) Index | 203 Bhuj, Gujarat (western India): 2002 earthquake in, 94–95 Biennale de Valencia (2002): Micro Utopias exhibition at, 97 biological network as model for relationality , 141–46 Blachly, Jimbo, 34, 35, 48–50, 52, 53, 56, 60 Blasco, Isidro, 59 Blast from the Past (Matta-Clark), 46 Bodies in Code (Hansen), 161 body: Le Corbusier’s design based on universal human, 76–77; in motion, Wright’s organic architecture based on, 77–81; technology and, coevolution based on constant realignments between, 161 body architecture and transformable clothing, xxv–xxvi, 97–129, 184n9; Archigram’s retooling of architectural form and function, 105–7; bodily individuation of, 111–12; of Chalayan, x, xxv–xxvi, 100, 102, 104, 112–18, 119, 121, 128; digitally responsive intelligent clothing, 186n33; mediating between deconstructive and reconstructive tendencies , 100; Orta’s Nexus Architecture, 97–98, 104; Orta’s Refuge Wear, xxv, 98–100, 101, 104, 105, 107, 111–12, 124; replacing public visibility, 121–29; of Tsumura, 100, 104, 112, 128; of Vexed Generation, xxv, 102, 103, 104, 118–21, 125–26, 128; visibility and invisibility of, 111–21; visibility and resistance in, 100–102, 105–11 Body Architecture–Collective Wear (Orta), 123, 125 Body Movies (Lozano-Hemmer), 161–62 Bogue, Ronald, xiii border crossings, xi Borge, Jorge Luis, 62 Bourriaud, Nicolas, xvii, xviii, 139–41, 187n11 Braidotti, Rosi, xii–xiii British Criminal Justice Act (1994), 118 Brook-Higgins...

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