Drawing on Art: Duchamp and Company

List of Illustrations

ix Illustrations page 10 Figure 1. Marcel Duchamp, L.H.O.O.Q., 1919 page 17 Figure 2. Marcel Duchamp, Paris Air (50cc Air de Paris), 1919 page 21 Figure 3. Marcel Duchamp, Fresh Widow, 1920/1941–1942 page 26 Figure 4. Marcel Duchamp, The Brawl at Austerlitz (La Bagarre d’Austerlitz), 1921/1941–1942 page 32 Figure 5. Man Ray, “Marcel Duchamp as Rrose Sélavy,” 1921 page 34 Figure 6. Man Ray, “Marcel Duchamp as Belle Haleine,” 1921 page 34 Figure 7. Man Ray, “Marcel Duchamp as Belle Haleine,” 1921 page 36 Figure 8. Marcel Duchamp, Beautiful Breath, Veil Water (Belle Haleine, Eau de Voilette), 1921 page 39 Figure 9. Marcel Duchamp, The Bride Stripped Bare by Her Bachelors, Even (The Large Glass) (La Mariée mise à nu par ses célibataires, même), 1915–1923 page 43 Figure 10. Marcel Duchamp, Oculist Witnesses (Témoins oculistes), 1920 page 45 Figure 11. Marcel Duchamp, “Draft Piston” (“Piston de courant d’air”), 1914 page 61 Figure 12. Francis Picabia and René Clair, Entr’acte, 1924, Duchamp and Man Ray playing chess page 68 Figure 13. Francis Picabia and René Clair, Entr’acte, 1924, “The End” x / Illustrations page 76 Figure 14. Man Ray, L’Étoile de mer, 1928 page 83 Figure 15. Marcel Duchamp, Anemic Cinema (Anémic cinéma), 1926, Optical Disk, no. 1 page 87 Figure 16. Marcel Duchamp, Trap (Trébuchet), 1917/1964 page 89 Figure 17. Marcel Duchamp, Anemic Cinema (Anémic cinéma), 1926, Disk Inscribed with Pun, no. 6 page 91 Figure 18. Alfred Stieglitz, “The Fountain by R. Mutt,” photograph of Marcel Duchamp’s Fountain, 1917 page 95 Figure 19. Marcel Duchamp, Anemic Cinema (Anémic cinéma), 1926, Disk Inscribed with Pun, no. 9 page 98 Figure 20. Marcel Duchamp, Anemic Cinema (Anémic cinéma), 1926, final shot page 102 Figure 21. Marcel Duchamp, Three Standard Stoppages (Trois stoppages étalon), 1913–1914 page 111 Figure 22. Marcel Duchamp and Vitaly Halberstadt, Opposition and Sister Squares Are Reconciled (L’Opposition et les cases conjuguées sont réconciliées), 1932, front and back covers page 113 Figure 23. Marcel Duchamp and Vitaly Halberstadt, Opposition and Sister Squares Are Reconciled (L’Opposition et les cases conjuguées sont réconciliées), 1932, table of contents page 115 Figure 24. Marcel Duchamp and Vitaly Halberstadt, Opposition and Sister Squares Are Reconciled (L’Opposition et les cases conjuguées sont réconciliées), 1932, page 58 page 137 Figure 25. Marcel Duchamp, Pocket Chess Set with Rubber Glove, 1944 page 139 Figure 26. Marcel Duchamp, Homage to Caïssa (Hommage à Caïssa), 1966 Illustrations / xi page 141 Figure 27. Marcel Duchamp, Urn with Ashes of Duchamp[’s Cigar], 1965 page 144 Figure 28. Marcel Duchamp, Marcel Duchamp Cast Alive, 1967 page 149 Figure 29. Salvador Dalí, Chess Set, 1964–1971 page 156 Figure 30. Salvador Dalí, Portrait of My Dead Brother, 1963 page 163 Figure 31. Salvador Dalí, Venus de Milo with Drawers, 1936 page 166 Figure 32. Salvador Dalí, Metamorphosis of Narcissus, 1937 page 169 Figure 33. Marcel Duchamp, Door for Gradiva, 1937 page 175 Figure 34. Salvador Dalí and Marcel Duchamp, Note to Leonard Lyons, 1961 page 178 Figure 35. Philippe Halsman, Dalí/Mona Lisa, 1954 page 190 Figure 36. Marcel Duchamp, Sculpture for Traveling, 1918 page 192 Figure 37. Marcel Duchamp, 1,200 Bags of Coal, 1938 page 193 Figure 38. Marcel Duchamp, Sixteen Miles of String, 1942 page 196 Figure 39. Marcel Duchamp, Given: 1. The Waterfall 2. The Illuminating Gas (Étant donnés: 1. La Chute d’eau / 2. Le Gaz d’éclairage), 1946–1966, exterior door page 200 Figure 40. Marcel Duchamp, Given: 1. The Waterfall 2. The Illuminating Gas (Étant donnés: 1. La Chute d’eau / 2. Le Gaz d’éclairage), 1946–1966, interior view page 203 Figure 41. Marcel Duchamp, Manual of Instruction for the Assembly of “Étant donnés, ” 1966 page 208 Figure 42. Gordon Matta-Clark, Conical Intersect, 1975 page 210 Figure 43. Gordon Matta-Clark, Conical Intersect, 1975, interior view xii / Illustrations page 215 Figure 44. Richard Wilson, 20:50, 1987 page 223 Figure 45. Marcel Duchamp, Three Mirrors, 1964 page 228 Figure 46. Enrico Baj, Homage to Marcel Duchamp, 1965 page 230 Figure 47. Marcel Duchamp, L.H.O.O.Q. Shaved, 1965 page 232 Figure 48. La Fête à la Joconde (Celebration of Mona Lisa), 1965 ...