Discourse, Figure

Image Plates

Plates This page intentionally left blank Plate 1. Folio from the beginning of the Book of Numbers, Bible of Saint-Martial (Paris: Bibliothèque nationale, ms. lat. 8 [1], f. 52 [image: B.N. A 59/177]), second half of the eleventh century, Limoges. Plate 2a. Folio from the beginning of the preface of Saint Jerome (detail), Book of Genesis, Bible of Saint-Martial, f. 4 (image: B.N. A 48/96). Plate 2b. Folio from the beginning of the Book of Leviticus (detail), Bible of Saint-Martial, f. 41 (image: B.N. A 47/258). Plate 2c. Folio of the beginning of the Book of Judges (detail), Bible of Saint-Martial, f. 91 (image: B.N. A 47/259). Plate 3. Folio from the beginning of the Gospel according to Saint Matthew (Genealogy of Jesus), New Testament, Moissac (?) (Paris: Bibliothèque nationale, ms. lat. 254, f. 10 [image: B.N. A 48/92]), end of the eleventh century. Plate 4. Folio from the beginning of the Gospel according to Saint Mark, New Testament, Moissac (?), f. 32 (image: B.N. A 48/93). Plate 5.The Annunciation to the Shepherds, capital, cloister of the abbey-church of Saint Peter, Moissac, end of the eleventh century. From Éditions photographiques Auguste Allemand. Plate 6. Masaccio, The Trinity, 1426–1428, Santa Maria Novella, Florence. Reproduced in Paolo Volponi and Luciano Berti, L’opera completa di Masaccio (Milan: Rizzoli, 1968), Plate 27. Plate 7. Duccio di Buoninsegna, Descent from the Cross (detail), La Maestà, 1308–1311, Museo dell’Opera Metropolitana del Duomo, Siena. Reproduced in Pier Paolo Donati, La Maestà di Duccio (Florence: Sadea, 1965), Plate 28. Plate 8. Masaccio, The Expulsion from the Garden of Eden (detail), Brancacci Chapel, 1424–1427, Church of Santa Maria del Carmine, Florence. Reproduced in Volponi and Berti, L’opera completa di Masaccio, Plates 46–47. Plate 9. Duccio di Buoninsegna, Christ before Pilate. Reproduced in Donati, La Maestà di Duccio, Plate 21. Plate 10. Masaccio, The Tribute Money, Brancacci Chapel, 1424–1427. Reproduced in Volponi and Berti, L’opera completa di Masaccio, Plates 36–37. Plate 11a. Duccio di Buoninsegna, Funeral of the Virgin, 1308–1311. Reproduced in Donati, La Maestà di Duccio, Plate 10. Plate 11b. Masaccio, The Tribute Money (detail), Brancacci Chapel, 1424–1427. Reproduced in Volponi and Berti, L’opera completa di Masaccio, Plates 36–37. Plate 12. Duccio di Buoninsegna, Christ before Herod (below) and Christ in the Robe before Pilate (above), 1308–1311. Reproduced in Donati, La Maestà di Duccio, Plate 22. Plate 13. Paul Klee, Chosen Site, 1927/x8. Watercolor and ink on paper, 30.5 × 46 cm. Private collection, Munich. Reproduced in Will Grohmann, Paul Klee (Paris: Cercle d’art, 1968), Plate 20. Plate 14a. Paul Klee, Maiden in a Tree, 1903/2. Etching, 23.6 × 29.6 cm. Klipstein and Kornfeld, Bern. Reproduced in Paul Klee par lui-même et par son fils Félix Klee, 12. Plate 14b. Paul Klee, Woman and Beast, 1903/13. Etching, 19.4 × 22.4 cm. Klipstein and Kornfeld, Bern. Reproduced in Paul Klee par lui-même et par son fils Félix Klee, 12. Plate 15a. Paul Klee, Town Square under Construction, 1923/11. Watercolor and ink on paper. G. David Tompson, Pittsburgh. Image courtesy of W. Klein, Kunstsammlung Nordrhein-Westphalien, Düsseldorf. Plate 15b. Paul Klee, Italian City, 1928/P 6. Watercolor. Félix Klee, Bern. Reproduced in Das bildnerische Denken, 42. Plate 16a. Paul Klee, The Eye of Eros, 1919/53. Ink drawing. Berggruen Gallery. Reproduced in Paul Klee par lui-même et par son fils Félix Klee, 77. Plate 16b. Paul Klee, Fragmenta Veneris, 1938/x1. Oil and watercolor on jute canvas primed with plaster. Private collection, Zurich. Reproduced in Das bildnerische Denken, 452. Plate 17. René Magritte, La reconnaissance infinie, 1953. Oil on canvas. Reproduced (without indication of origin) in André Breton, Le surréalisme et la peinture (Paris: Gallimard, 1965). Plate 18a. “Rätselhafte Inschrift,” Fliegende Blätter 2034 (1884): 20. Plate 18b. Saint Gregory, Commentary on the Book of Job (frontispiece), Citeaux, Bibliothèque de Dijon, ms. 168, f. 4 v, twelfth century. Courtesy Bibliothèque de Dijon. Plate 19. Jackson Pollock, Painting, 1948...