Ameriscopia

The Necessariest

18 The Necessariest (a discussion with duchamp & tanguy) > the most necessary nearest > is not at most pl*ced by self > > the alln*ss of pl*ce > as necessary nesting > > the antagonist pugilist > absent of pounding, *l*m*nt (as such) > > lacking most expression is . . . > what’s missing > > a sense of hum*r > pieces of scr*p . . . really > > an action > transcending pl*ce > > pliant expl**n*d in a moment, but . . . > I d*n’t kn*w > > * > >> river a word (rather abruptly) > > in a time of anxiety, rising røos, in a time of relieved > quality, a willing of acceptance, of don’t have a quality, > of a time that dies, out of irony, a time when the public > will get mad > > in a something great, a time of improvement, my friend, > interesting young and machine-like, is machine, built of machine, > art machine of the garden, somehow dedicated to machine, > friend to friend of himself, imagined by his own friendship, > to whom is machine but machine-him > 19 > homage to destruction, a destroyed place, highly > chance-like, a great one thing, the machine in flames, that > didn’t center off it, the machine of himself, uncentered > somewhere, for them, the originators of machine, what would > hardly destroy a series of giants, waiting > > a choir waiting, a young tingle waiting, a shiver, a ripple > unskinned, waiting, waiting, a finger, an army, waiting to pull > itself, holding a misunderstanding, a capital, a sheet of > paper, a self, a borrowed ahem, a clearing of the ahem, a > castle, throat art, there was a machine that destroyed this > young friend of mine, this man, artistic man, these men, > willing and cleared, by pl*ce > > a great anxiety, ten developed into two, a sui fenned by > space, alphatogs developed into numerals, popped by > speaker, eternalent pointillistic firmament, writ by muse, > how inspiring the unspeaker, this unheard of country, > this all american, fired upon, what I was hearing, > feedback to men, as human as one can be, without gender > > fine indiffident flatness, not only the public, was the > pervert, but into the interest was the seeing, not only > entertainment but real fight, pugilismo, the idea behind the > fight, no antagonist, no protest, all they did, all these > men did, all my friend destroyed, pull the plug, they had > to, what, otherwise, completely rosed, d’ya see that, to who, > to what was lacking the elemental, a good antagonism, a > machine work, a friend without gender, a nothing that was > > nothing without the public, who talks like they know it, > who initiates change, who is objectified by acceptance, but > what is here is, everything accepted, mentality of junk, of > space, of Jung, of agreement, who is public but who stays > home, time to sign anything, a mass of anger, what would > angrify the audience, an intense no, a more, of our > existential, of want, of who I want, you angry? . . . give me > a chance to pull one over, to sometimes disappear, to live > in things that are true > 20 > a kind of incredible intelligence, wills into emphasis, > cares about, who is public and who is human, is the part, of > you that destroys, is the ride a beginning, a society, or only > part of, we, into our games, obligations of conviction, > aesthetic language, by any two, any one ...