Light within the Shade: Eight Hundred Years of Hungarian Poetry

Index

273 Index “Abandoned Pirate Ships, The” (Ady), 83–84 Ady, Endre, 242, 254, 263, 268–69; “The Abandoned Pirate Ships,” 83–84; “And I Am Not a Hungarian?,” 79, 267; “Autumn Came to Paris,” 74; “Behold, Love, These My Treasures,” 88; “Confessions of the Danube,” 76–77; “From the Stream to the Ocean,” 78; “Hawk-Mating on the Forest Floor,” 71; “I Am the Son of Gog and Magog . . . ,” 70, 241; “I Guard Your Eyes,” 85; “Legend of Saint Margaret,” 75; “Memory of a Summer Night,” 86–87; “On Elijah’s Wain,” 81; “On New Waters I Walk,” 73, 258; “The Poet of the Eastern Plains,” 72; “Thank You, Thank You, Thank You,” 82; “The Voiceless Birds,” 80 “Against the Tide” (Kiss), 66–67 “À la Recherche . . .” (Radnóti), 190–91 “Among My Songs” (Heltai), 69 “And I Am Not a Hungarian?” (Ady), 79, 267 “(And So I’ve Found My Native Country . . . )” (József), 171 “Angel” (Petri), 219 Arany, János, 210, 239, 254, 268; “The Bards of Wales,” 40–44, 254, 257–58, 268; “Civilization,” 48; “Klára Zách,” 36–39; “The Mother of Matthias,” 32–35; “My Complaints . . . ,” 52; “The Ordeal of the Bier,” 45–47; “Red Rébék,” 49–51, 254 artists, 240 Austria, 232, 234–40 “Autumn Breakfast” (Kosztolányi), 107 “Autumn Came to Paris” (Ady), 74 Babits, Mihály, 241, 243, 268–69; “Between Fall and Spring,” 102–3, 254; “Evening Arrival,” 100–101; “Evening Questioning ,” 95–96; “Love Poem,” 99; “Ode on Beauty,” 97–98, 264–65; “The Prayer of Jonah,” 106; “Saint Blaise-ing,” 104–5 Balassi, Bálint, 234, 268–69; “He Supplicates the Lord to Protect Him in His Exile and Extend to Him His Further Blessings,” 12–13; “On Finding Julia, He Greeted Her Thus:,” 9, 256–57; “A Soldier’s Song,” 10–11, 261 “Bards of Wales, The” (Arany), 40–44, 254, 257–58, 268 “Beads” (József), 151 “Behold, Love, These My Treasures” (Ady), 88 “Be My Star, Ferryman” (Hungarian folk song), 4–5 274 | Index Beney, Zsuzsa, 249, 260; “From the Cycle ‘It Twinkles but Disappears’,” 205; “From the Cycle of Mourning,” 204 Berzsenyi, Dániel, 236; “Supplication,” 22, 254; “Winter Is Coming,” 21, 262 “Between Fall and Spring” (Babits), 102–3, 254 “Bitter, As I Know Too Well . . .” (Petrőczy), 14 “Black Wax Seal, The” (Csokonai), 19–20, 253–54 “Blood Kin” (Illyés), 140–41 “Calendar” (Radnóti), 182–85 “Canticle” (Radnóti), 176–77 Carmen Miserabile (Rogerius), 231 chanson poetry, 241 “Civilization” (Arany), 48 “Collapse” (Petri), 217–18 Communism, 248–50 “Confessions of the Danube” (Ady), 76–77 “Conquer Me” (Pilinszky), 198 “Craftsman” (Kassák), 126–27, 263 Csokonai, Vitéz Mihály, 236–37, 269; “The Black Wax Seal,” 19–20, 253–54; “A Restrained Plea,” 15; “To Hope,” 17–18, 257, 261–62; “The Vow,” 16 “Dandelion” (Karinthy), 124–25, 254 “Dawn Drunkenness” (Kosztolányi), 114–18 “Declaration” (Vörösmarty), 26–27 “Dream of the One” (Szabó), 137–38, 265 “Eighth Eclogue, The” (Radnóti), 262–63 “Evening Arrival” (Babits), 100–101 “Evening Gloriole” (Tóth, A.), 120 “Evening Questioning” (Babits), 95–96 “Evening Song” (Tóth, A.), 119 “Everything for Nothing” (Szabó), 135–36 “Fifth Eclogue, The” (Radnóti), 189 “Foamy Sky” (Radnóti), 181, 259 “Foreword” (Karinthy), 121–23 “For My Birthday” (József), 167–68 “From the Cycle ‘It Twinkles but Disappears ’” (Beney), 205 “From the Cycle of Mourning” (Beney), 204 “From the Stream to the Ocean” (Ady), 78 “Funeral Eulogy” (Kosztolányi), 112–13 Füst, Milán, 245, 248; “Self-Portrait,” 130; “Winter,” 131–32, 259–60 Gergely, Ágnes, 249, 260, 269; “Isabel and Ferdinand,” 208–9; “Mirrorminute,” 211; “Psalm 137,” 210, 268; “You Are a Sign on My Doorpost,” 206–7 “Getting Down to Living” (Hungarian charivari song), 6–8 Hapsburgs, 232, 234–39 “Hawk-Mating on the Forest Floor” (Ady), 71 Heltai, Jenő: “Among My Songs,” 69; chanson poetry and, 240; love poetry and, 269 “He Supplicates the Lord to Protect Him in His Exile and Extend to Him His Further Blessings” (Balassi), 12–13 Hét, 240 Holocaust, 246–48 “How It Was” (Juhász), 93 Hungarian charivari song, 6–8 Hungarian folk song, 4–5 Hungarian language, 229–31, 230n1, 237n4 Hungarian poetry: chanson, 240–41; future of, 272; Latin influence on, 229–30, 233, 235; love poetry, 269; i n de x | 275 meter of, 260...