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Select Bibliography A. C. Nielsen Company. Nielsen National TV Ratings. A. C. Nielsen. Adler, Richard P., ed. All in the Family: A Critical Appraisal. New York: Praeger, 1979. Adorno, Theodor W., and Max Horkheimer. “The Culture Industry: Enlightenment as Mass Deception” [1944]. In The Dialectic of Enlightenment, trans. John Cumming. New York: Herder and Herder, 1972. Pp. 120–67. Anderson, Christopher. Hollywood TV: The Studio System in the Fifties. Austin: University of Texas Press, 1994. Ang, Ien. Desperately Seeking the Audience. London: Routledge, 1991. Attallah, Paul. “Situation Comedy and ‘The Beverly Hillbillies’: The Unworthy Discourse.” Montreal, Quebec: Working Papers in Communication, McGill University, 1983. Balio, Tino, ed. Hollywood in the Age of Television. Boston: Unwin Hyman, 1990. Barnouw, Erik. Tube of Plenty: The Evolution of American Televi­ sion. Rev. ed. Oxford: Oxford University Press, 1982. Bedell, Sally. Up the Tube: Prime­Time TV and the Silverman Years. New York: Viking, 1981. Bergreen, Lawrence. Look Now, Pay Later: The Rise of Network Broadcasting. New York: Doubleday and Co., 1980. Berry, Venise T. “From Good Times to The Cosby Show: Perceptions of Changing Televised Images among Black Fathers and Sons.” In Men, Masculinity and the Media, ed. Steve Craig. Newbury Park, Cal.: Sage Publications, 1992. Pp. 111–23. Beville, Hugh Malcolm, Jr. Audience Ratings: Radio, Television, and Cable. Rev. ed. Hillsdale, N.J.: Lawrence Erlbaum Associates, 1988. 205 Select Bibliography / 206 Boddy, William. “Building the World’s Largest Advertising Medium: CBS and Television, 1940–60.” In Hollywood in the Age of Tele­ vision, ed. Balio. Pp. 63–89. Bordwell, David, Janet Staiger, and Kristin Thompson. The Classi­ cal Hollywood Cinema: Film Style and Mode of Production to 1960. London: Routledge & Kegan Paul, 1985. Brown, Les. Televi$ion: The Business behind the Box. New York: Harcourt Brace Jovanovich, 1971. Bryant, John. “Emma, Lucy and the American Situation Comedy of Manners.” Journal of Popular Culture 13, no. 2 (Fall 1979): 248–55. Budd, Mike, and Clay Steinman. “White Racism and ‘The Cosby Show.’” Jump Cut, no. 37 (July 1992): 5–14. Butsch, Richard. “Class and Gender in Four Decades of Television Situation Comedy: Plus ça Change.” Critical Studies in Mass Communication 9 (December 1992): 387–99. Caldwell, John Thornton. Televisuality: Style, Crisis, and Authority in American Television. New Brunswick, N.J.: Rutgers University Press, 1995. Cawelti, John G. “Chinatown and Generic Transformation in Re­ cent American Films” [1979]. In Film Theory and Criticism, ed. Gerald Mast and Marshall Cohen. 3d ed. New York: Oxford University Press, 1985. Pp. 503–20. Cook, Jim. “Narrative, Comedy Character and Performance.” In Television Sitcom, ed. Cook. Pp. 13–18. ———, ed. Television Sitcom. BFI Dossier #17. London: British Film Institute, 1982. Cox, Stephen. The Beverly Hillbillies. New York: HarperCollins Publishers, 1993. Cripps, Thomas. “Amos ’n’ Andy and the Debate over American Racial Integration.” In American History/American Television, ed. O’Connor. Pp. 33–54. Curtin, Michael. Redeeming the Wasteland: Television Documen­ tary and Cold War Politics. New Brunswick, N.J.: Rutgers Uni­ versity Press, 1995. [3.15.190.144] Project MUSE (2024-04-20 15:31 GMT) Select Bibliography / 207 Curtis, Barry. “Aspects of Sitcom.” In Television Sitcom, ed. Cook. Pp. 4–12. Dates, Jannette L., and William Barlow. Split Image: African Amer­ icans in the Mass Media. Washington, D.C.: Howard University Press, 1990. Deeb, Gary. “The Man Who Destroyed Television.” Playboy 26 (October 1979): 154–56+. Deming, Robert. “Kate and Allie: ‘New Women’ and the Audi­ ences’ Television Archive.” camera obscura 16 (January 1988): 154–76. Doty, Alexander. Making Things Perfectly Queer: Interpreting Mass Culture. Minneapolis: University of Minnesota Press, 1993. Downing, John D. H. “‘The Cosby Show’ and American Racial Dis­ course.” In Discourse and Discrimination, ed. Geneva Smither­ man­Donaldson and Teun A. van Dijk. Detroit, Mich.: Wayne State University Press, 1988. Pp. 46–73. Eaton, Mick. “Laughter in the Dark.” Screen 22, no. 2 (1981): 21–28. ———. “Television Situation Comedy.” Screen 19, no. 4 (Winter 1978/79): 61–89. Eisner, Joel, and David Krinsky. Television Comedy Series: An Episode Guide to 153 TV Sitcoms in Syndication. Jefferson, N.C.: McFarland & Company, 1984. Fazal, S., and W. Wober. The Cosby Show: Some Black and White Audience Perceptions and Possibilities. London: Independent Broadcasting Authority, November 1989. Feuer, Jane. “The MTM Enterprises: An Overview.” In MTM: “Quality Television,” ed. Feuer, Kerr, and Vahimagi. Pp. 1–31. ———. “The MTM Style.” In MTM: “Quality Television,” ed. Feuer, Kerr, and Vahimagi. Pp. 32–60. Feuer, Jane, Paul Kerr, and Tise Vahimagi, eds. MTM: “Quality Tele­ vision.” London: British Film Institute, 1984...

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