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Select Bibliography A. C. Nielsen Company. Nielsen National TV Ratings. A. C. Nielsen. Adler, Richard P., ed. All in the Family: A Critical Appraisal. New York: Praeger, 1979. Adorno, Theodor W., and Max Horkheimer. “The Culture Industry: Enlightenment as Mass Deception” [1944]. In The Dialectic of Enlightenment, trans. John Cumming. New York: Herder and Herder, 1972. Pp. 120–67. Anderson, Christopher. Hollywood TV: The Studio System in the Fifties. Austin: University of Texas Press, 1994. Ang, Ien. Desperately Seeking the Audience. London: Routledge, 1991. Attallah, Paul. “Situation Comedy and ‘The Beverly Hillbillies’: The Unworthy Discourse.” Montreal, Quebec: Working Papers in Communication, McGill University, 1983. Balio, Tino, ed. Hollywood in the Age of Television. Boston: Unwin Hyman, 1990. Barnouw, Erik. Tube of Plenty: The Evolution of American Televi sion. Rev. ed. Oxford: Oxford University Press, 1982. Bedell, Sally. Up the Tube: PrimeTime TV and the Silverman Years. New York: Viking, 1981. Bergreen, Lawrence. Look Now, Pay Later: The Rise of Network Broadcasting. New York: Doubleday and Co., 1980. Berry, Venise T. “From Good Times to The Cosby Show: Perceptions of Changing Televised Images among Black Fathers and Sons.” In Men, Masculinity and the Media, ed. Steve Craig. Newbury Park, Cal.: Sage Publications, 1992. Pp. 111–23. Beville, Hugh Malcolm, Jr. Audience Ratings: Radio, Television, and Cable. Rev. ed. Hillsdale, N.J.: Lawrence Erlbaum Associates, 1988. 205 Select Bibliography / 206 Boddy, William. “Building the World’s Largest Advertising Medium: CBS and Television, 1940–60.” In Hollywood in the Age of Tele vision, ed. Balio. Pp. 63–89. Bordwell, David, Janet Staiger, and Kristin Thompson. The Classi cal Hollywood Cinema: Film Style and Mode of Production to 1960. London: Routledge & Kegan Paul, 1985. Brown, Les. Televi$ion: The Business behind the Box. New York: Harcourt Brace Jovanovich, 1971. Bryant, John. “Emma, Lucy and the American Situation Comedy of Manners.” Journal of Popular Culture 13, no. 2 (Fall 1979): 248–55. Budd, Mike, and Clay Steinman. “White Racism and ‘The Cosby Show.’” Jump Cut, no. 37 (July 1992): 5–14. Butsch, Richard. “Class and Gender in Four Decades of Television Situation Comedy: Plus ça Change.” Critical Studies in Mass Communication 9 (December 1992): 387–99. Caldwell, John Thornton. Televisuality: Style, Crisis, and Authority in American Television. New Brunswick, N.J.: Rutgers University Press, 1995. Cawelti, John G. “Chinatown and Generic Transformation in Re cent American Films” [1979]. In Film Theory and Criticism, ed. Gerald Mast and Marshall Cohen. 3d ed. New York: Oxford University Press, 1985. Pp. 503–20. Cook, Jim. “Narrative, Comedy Character and Performance.” In Television Sitcom, ed. Cook. Pp. 13–18. ———, ed. Television Sitcom. BFI Dossier #17. London: British Film Institute, 1982. Cox, Stephen. The Beverly Hillbillies. New York: HarperCollins Publishers, 1993. Cripps, Thomas. “Amos ’n’ Andy and the Debate over American Racial Integration.” In American History/American Television, ed. O’Connor. Pp. 33–54. Curtin, Michael. Redeeming the Wasteland: Television Documen tary and Cold War Politics. New Brunswick, N.J.: Rutgers Uni versity Press, 1995. [3.15.190.144] Project MUSE (2024-04-20 15:31 GMT) Select Bibliography / 207 Curtis, Barry. “Aspects of Sitcom.” In Television Sitcom, ed. Cook. Pp. 4–12. Dates, Jannette L., and William Barlow. Split Image: African Amer icans in the Mass Media. Washington, D.C.: Howard University Press, 1990. Deeb, Gary. “The Man Who Destroyed Television.” Playboy 26 (October 1979): 154–56+. Deming, Robert. “Kate and Allie: ‘New Women’ and the Audi ences’ Television Archive.” camera obscura 16 (January 1988): 154–76. Doty, Alexander. Making Things Perfectly Queer: Interpreting Mass Culture. Minneapolis: University of Minnesota Press, 1993. Downing, John D. H. “‘The Cosby Show’ and American Racial Dis course.” In Discourse and Discrimination, ed. Geneva Smither manDonaldson and Teun A. van Dijk. Detroit, Mich.: Wayne State University Press, 1988. Pp. 46–73. Eaton, Mick. “Laughter in the Dark.” Screen 22, no. 2 (1981): 21–28. ———. “Television Situation Comedy.” Screen 19, no. 4 (Winter 1978/79): 61–89. Eisner, Joel, and David Krinsky. Television Comedy Series: An Episode Guide to 153 TV Sitcoms in Syndication. Jefferson, N.C.: McFarland & Company, 1984. Fazal, S., and W. Wober. The Cosby Show: Some Black and White Audience Perceptions and Possibilities. London: Independent Broadcasting Authority, November 1989. Feuer, Jane. “The MTM Enterprises: An Overview.” In MTM: “Quality Television,” ed. Feuer, Kerr, and Vahimagi. Pp. 1–31. ———. “The MTM Style.” In MTM: “Quality Television,” ed. Feuer, Kerr, and Vahimagi. Pp. 32–60. Feuer, Jane, Paul Kerr, and Tise Vahimagi, eds. MTM: “Quality Tele vision.” London: British Film Institute, 1984...