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>> 243 Notes Introduction 1. “The Science Behind Law & Order,” CollegeHumor.com (2010), accessed July 29, 2011, http://www.collegehumor.com/video/6131794/the-science-behind-law-and -order. 2. “‘Green Lantern’ to Fulfill America’s Wish to See Lantern-Based Characters on Big Screen,” The Onion News Network (2011), accessed July 29, 2011, http://www .theonion.com/video/green-lantern-to-fulfill-americas-wish-to-see-lant,20741/. 3. “Today Now! Interviews the 5-Year-Old Screenwriter of ‘Fast Five,’” The Onion News Network (2011), accessed July 29, 2011, http://www.theonion.com/video/ today-now-interviews-the-5yearold-screenwriter-of,20188/. 4. Robert Bianco, “A Good Season, with Reason,” USA Today, April 27, 2005: D1. 5. Feifei Sun, “Top 10 Movie Franchises That Won’t Die,” Time (2010), accessed July 29, 2011, http://www.time.com/time/specials/packages/article/0,28804,1995887_1995889_ 1995896,00.html. 6. Matt Seitz, “Superheroes Suck!” Salon.com (2010), accessed July 29, 2011, http:// www.salon.com/entertainment/movies/film_salon/2010/05/06/superhero_movies_ bankrupt_genre. 7. Bob Rehak, “Downloads, Copies, and Reboots: Battlestar Galactica and the Changing Terms of TV Genre,” Flow 7.14 (2007), accessed July 29, 2011, http://flowtv.org/ 2007/12/downloads-copies-and-reboots-battlestar-galactica-and-the-changing-terms -of-tv-genre/. 8. “The Science Behind Law & Order.” 9. Michael Curtin, “On Edge: Culture Industries in the Neo-Network Era,” in Making and Selling Culture, ed. Richard Ohmann (Hanover, NH: Wesleyan University Press, 1996), 181–202; Simone Murray, “Brand Loyalties: Rethinking Content within Global Corporate Media,” Media, Culture, & Society 27.3 (2005): 415–35; Jimmie L. Reeves, Mark C. Rodgers, and Michael Epstein, “Rewriting Popularity: The Cult Files,” in “Deny All Knowledge”: Reading The X-Files, ed. David Lavery, Angela Hague, and Marla Cartwright (Syracuse: Syracuse University Press, 1996), 22–35. 10. Frank Rose, “The Lost Boys,” Wired 12.8 (2004), accessed November 27, 2010, http:// www.wired.com/wired/archive/12.08/lostboys.html. See also Anne Becker, “Can TV Take a Bite From the Videogame Market?” Broadcasting & Cable 136.24 (2006): 6–7, Proquest Research Library. University of Wisconsin–Madison Library, accessed June 1, 2006, http://www.proquestumi.com. 11. Joseph Turow, Breaking Up America: Advertisers and the New Media World (Chicago: University of Chicago Press, 1997). 12. Henry Jenkins, “Quentin Tarantino’s Star Wars?: Digital Cinema, Media Convergence , and Participatory Culture,” 2001, accessed April 8, 2009, http://www .braintrustdv.com/essays/star-wars.html. 244 > 245 28. Julie D’Acci, “Cultural Studies, Television Studies, and the Crisis in the Humanities,” in Television after TV: Essays on a Medium in Transition, ed. Lynn Spigel and Jan Olsson (Durham: Duke University Press, 2004), 428. 29. Antonio Gramsci, Selections from the Prison Notebooks (New York: International Publishers, 1972), 56. 30. Michel Foucault, Power/Knowledge: Selected Interviews and Other Writings, 1972–1977 (New York: Pantheon, 1980). 31. Robert Babe, Cultural Studies and Political Economy: Toward a New Integration (Lanham , MD: Lexington Books, 2009), 5. 32. Ibid., 127. 33. Ibid., 24, 77; The author quotes Raymond Williams, Problems in Materialism and Culture (London: Verso, 1997), 20. 34. Andy Pratt, “The Cultural Economy: A Call for Spatialized ‘Production of Culture’ Perspectives,” International Journal of Cultural Studies 7.1 (2004): 124. 35. Richard Peterson, The Production of Culture (London: Sage, 1976). 36. Negus, Music Genres and Corporate Cultures 28. 37. Pratt, “The Cultural Economy,” 118. 38. Mark Deuze, “Convergence Culture in the Creative Industries,” International Journal of Cultural Studies 10.2 (2007): 245; Terry Flew, “Creativity, the New Humanism and Cultural Studies,” Continuum: Journal of Media & Cultural Studies 18.2 (2004): 162; John Hartley, ed., Creative Industries (Malden, MA: Blackwell, 2005); David Hesmondhalgh and Sarah Baker, Creative Labour: Media Work in Three Cultural Industries (London: Routlege, 2011); William Uricchio, “Beyond the Great Divide,” International Journal of Cultural Studies 7.1 (2004): 79–90. 39. Deuze, “Convergence Culture,” 247; Manuel Castells, The Internet Galaxy (Oxford: Oxford University Press, 2001); Timothy Hallett and Marc Ventresca, “Inhabited Institutions: Social Interactions and Organizational Forms in Gouldner’s Patterns of Industrial Bureaucracy,” Theory and Society 35 (2006): 213–36. 40. Deuze, “Convergence Culture,” 250. 41. Ibid., 257; Uricchio, “Beyond the Great Divide,” 85. 42. Jing Wang, “The Global Reach of a New Discourse: How Far Can ‘Creative Industries ’ Travel?” International Journal of Cultural Studies 7.1 (204): 13. 43. Toby Miller, “A View from a Fossil: The New Economy, Creativity and Consumption —Two or Three Things I Don’t Believe In,” International Journal of Cultural Studies 7.1 (2004): 55. 44...

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