Fairy Tales Transformed?: Twenty-First-Century Adaptations and the Politics of Wonder

Index

index adaptation, 31–36; activist, x, 34–35, 36; appeal of, 32, 36, 52; as appropriation, 210n9; cultural turn in adaptation studies, 34; dialogic tensions of, 33; fidelity debates about, 33; hypertextuality of, 32–34; mediality of, 35–36, 178; symptomatic value of, 36; as transformation, 35, 36, 37; twofold promise of, 36. See also poetics and politics of adaptation; translation Allen, Chadwick, 69 Altman, Rick, 112, 137, 226n5, 227n6 American-Arab Anti-Discrimination Committee (ADC), 153, 233n17 Andersen, Hans Christian, 21, 39, 51, 56, 213n23, 215n35 Angela Carter generation, 16, 18, 28, 34, 72, 194, 204n10 Arabian Nights/The Thousand and One Nights, 9; characteristics, 151; complex history of translationadaptation of, 150–51, 180, 231n3, 238–39n44; in fairy-tale web, 6, 20, 23; ransom tales, 174; staged orality of, 49, 58, 59; translations of, 143–46; in transnational framework , 20, 24; and wonder, 153 Arabian Nights as media text in popular cultural memory, 149, 151–53, 161; conspicuous absence of frame story in films, 152. See also Orientalism Arabian Nights, adaptations of: as domesticating translation, 146–49; engagement with frame story, 18–82, 170–74, 184–87; limited scope in this book, 188, 195; links with less-known tales, 181; post9 /11 Islamophobic uses of Arabian Nights tropes, 153–55; stagist revisions of intertextual relations with European fairy tales, 157–78; Zimmerman’s anti-stereotyping humanism, 146, 179–80, 185–86, 188, 239–40n50. See also Disney fairy-tale films, Aladdin; Fables; Once Upon a Time (TV series); Orientalism; Wat; Zimmerman Arista, Noelani, 23, 151, 231 Ashliman, D. L., 9, 205n14 Atwood, Margaret, 7, 8, 16 276 ▪ Index d’Aulnoy, Marie-Catherine, 9, 58, 194, 211n14 Avery, Tex, 41 Bae Chan-Hyo, Existing in Costume, 140–41 Bakhtin, Mikhail, 6, 19, 33, 34, 207n29 Bal, Mieke, 236n30 Barth, John, 8 Barthes, Roland, 17, 19, 20–21, 32, 34, 151, 208n2 Barzilai, Shuli, 223n26 Basile, Giambattista, 9, 20, 32, 49, 58, 63–64, 151, 197, 199, 226n5 Bauman, Richard, 19, 207n29 Bauman, Richard, and Charles L. Briggs, 23, 198 Beaumont, Jeanne-Marie LePrince de, 51, 56, 215n35 Ben-Amos, Dan, 199, 241–42n6 Bender, Aimee, 28 Bendix, Regina, and Galit HasanRokem , 242n9 Benson, Stephen, Contemporary Fiction and the Fairy Tale, 8, 9, 16, 204n10, 211n12; Cycles of Influence, 49, 215n32, 223n26 Bernard, Catherine, 58 Bettelheim, Bruno, 7, 8 Block, Francesca Lia, 28 Bloomingdale’s window display, The Frog Prince, 1–3, 29 Bottigheimer, Ruth B., Fairy Tales: A New History, 22–23, 196–200, 201, 242n7, 242n8 Bould, Mark, 118 Bourdieu, Pierre, 4, 16–17 Brathwaite, Edward, 212 Breillat, Catherine, 86, 223n23, 223n27, 224n29; Bluebeard, 86–98, 99, 101, 107–8, 220n5, 222n20, 223n28; Sleeping Beauty, 111 Brooks, Lisa, 201 Broumas, Olga, 57 Burton, Tim, 75, 76, 111 Butler, David, 138, 152, 231n33 Butler, Judith, 85–86, 209n6 Byatt, A. S., 8, 16 Cabinet de Fées, 10 Calvino, Italo, 8 Campbell, Joseph, 76 Canepa, Nancy, 63, 207n30 Carney, Jo, 28 Carter, Angela, 4, 7, 8, 13, 20, 21, 41, 45, 55, 76, 86, 118, 120, 121, 190, 194, 211n16, 223n23, 227n11; “Ashputtle or The Mother’s Ghost,” 31–35, 208n4, 209n6 Castells, Manuel, 14 Cavallaro, Dani, 140 Chakrabarty, Dipesh, 21, 139, 158, 175 child figure, 4; abused, 99, 101, 224n36; adapter, 82–84, 90; consumer , 15, 80–81, 115; enacting the fairy tale as fantasy of childhood, 100–104; girl child, 78, 85, 87–94, 223n24; listener, 53, 87–89; open to wonder, 190–91; reader of fairy tales, 77, 87–89; subjected to/ enacting violence, 90, 96, 99, 101–3; undoing emplotment, 82–84, 105–6 Chininas, Jazmina, 14 Cho Sunkyung, 225; drawings for Hansel and Gretel, 99, 100, 102, 104, 105, 106 Index ▪ 277 coloniality, 22–23, 207–8n32; and colonialism, 16, 17; constitutive of Euro-centric modernity, 22, 198, 208n30; countering it and colonialism, 47, 71, 194, 200–202. See also orality comics and graphic novels: hybrid media, 235–36n30 convergence culture, 9, 73–76; transmedia storytelling in, 73–74 Cooper, Carolyn, 136, 230n27 Coover, Robert, 8, 16; “The Door: A Prologue of Sorts,” 41 Coppola, Maria Micaela, 50 Cornfeld, Li, 203n2 creoleness, creolization, 29, 42, 212n19; Caribbean Creoles, 44, 47–48, 212n20, 213n22, 228n14; creolizing the folk and fairy tale, 37, 71, 113, 131–34, 136 Crowley, Karlyn and John Pennington , 50, 216n40 dancehall culture, 131–36, 229n20, 229–30n27, 230n29 Daniel, Noel, 193 Datlow, Ellen, and Terri Windling, 26, 41 d...