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ix FOREWORD Nathaniel Mackey Geoffrey Jacques is a subtle, sophisticated poet who has read widely and has taken his cue from some of the most important vanguard poets of the past century and a half—Whitman, Breton, Césaire, Stein, Olson, Baraka, and others. He has digested and assimilated the lessons to be learned from their work while finding a way that is very much his own. The result is a distinctive contemporary voice whose angular mode of address and unerring touch edify as much as they impress. This book presents both in full flower. Techniques of detour and indirection productively encounter an aesthetic of sampling, quotation, and juxtaposition, a language-foregrounding tack that draws a range of domains and discourses into its mix. Song titles, clichés, catch phrases, bureaucratic boilerplate, advertising jargon, office chat, song lyrics, legalese, and other components of the linguistic atmosphere we live in find their way into the work, suggesting an overmediated , gone-before-it-gets-here present. The poems, as oblique and understated as they are, convey a pervasive, abiding air of disaffection—even, without becoming strident, exasperation (quiet exasperation). Three lines of “SepiaToned Footage,” for example: “sources: squid & lobster are spent / you couldn’t pick a more meaningless measure / the undersigned, pursuant to said article.” A distinctly musical yet astringent touch finds a place for randomness, whimsicality, caprice, non sequitur and such, a refusal to make what makes no sense make sense. Jacques’ fleet, fugitive, anti-recuperative scat nonetheless appears intent on saying something about a numbing “universe of discourse,” at least on recontextualizing it. It’s to the work’s credit that we’re not quite sure whether this amounts to initiation or inoculation, making war or making peace with it. Just for a Thrill is a substantial gathering of Jacques’ work of recent years—a welcome, breakthrough book by a poet whose work has appeared mainly in little magazines and limited chapbook editions over the past dozen or so years, a poet whose work deserves greater attention. We’re fortunate to have so galvanic a collection of Jacques’ poetry in an edition that promises to reach a wider audience. x ...

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