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We live in an increasingly violent world. From suicide terrorists to serial killers, violent subjects challenge our imaginations. We seek answers to our questions on this subject in literature, cinema, and electronic media. In Bloodscripts, Elana Gomel examines how popular culture narratives construct violent subjectivity. Using such various narratives as mystery, horror, detective, and fantasy fiction as well as accounts of the atrocities perpetuated by serial killers and the Holocaust, Bloodscripts offers a new map of the genres of violence and links the twin obsessions of postmodern culture: crime and genocide. Bloodscripts is a stimulating, original, and accessible account of the narrative construction of the violent subject. It proposes a narrative model that will be of interest to literary critics, cultural scholars, criminologists, and anyone trying to understand the role of violence in postmodern culture.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright Page, Dedication, Quote
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  1. Table of Contents
  2. pp. ix-x
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  1. Acknowledgments
  2. pp. xi-xii
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  1. Introduction: Stories to Die For
  2. pp. xiii-xlviii
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  1. 1. The Visible Man
  2. pp. 1-31
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  1. 2. Serial Killing and the Dismemberment of Identity
  2. pp. 32-62
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  1. 3. The Library of the Body
  2. pp. 63-97
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  1. 4. Utopia Noir
  2. pp. 98-131
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  1. 5. Doctor Death: From Moreau to Mengele
  2. pp. 132-161
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  1. 6. The Singularity of History
  2. pp. 162-195
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  1. Conclusion: Peacescripts?
  2. pp. 196-208
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  1. Notes
  2. pp. 209-215
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  1. Works Cited
  2. pp. 216-228
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  1. Index
  2. pp. 229-232
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  1. Other Titles in the Series
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