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The smoke-laden fog of London is one of the most vivid elements in English literature, richly suggestive and blurring boundaries between nature and society in compelling ways. In The Sky of Our Manufacture, Jesse Oak Taylor uses the many depictions of the London fog in the late nineteenth- and early twentieth-century novel to explore the emergence of anthropogenic climate change. In the process, Taylor argues for the importance of fiction in understanding climatic shifts, environmental pollution, and ecological collapse.

The London fog earned the portmanteau "smog" in 1905, a significant recognition of what was arguably the first instance of a climatic phenomenon manufactured by modern industry. Tracing the path to this awareness opens a critical vantage point on the Anthropocene, a new geologic age in which the transformation of humanity into a climate-changing force has not only altered our physical atmosphere but imbued it with new meanings. The book examines enduringly popular works--from the novels of Charles Dickens and George Eliot to Dr. Jekyll and Mr. Hyde, Dracula, and the Sherlock Holmes mysteries to works by Joseph Conrad and Virginia Woolf--alongside newspaper cartoons, scientific writings, and meteorological technologies to reveal a fascinating relationship between our cultural climate and the sky overhead.

Under the Sign of Nature: Studies in Ecocriticism

Table of Contents

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  1. Title Page, Copyright
  2. pp. i-viii
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  1. Contents
  2. pp. ix-x
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  1. Acknowledgments
  2. pp. x-xii
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  1. Introduction
  2. pp. 1-18
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  1. Part 1: The Novel as Climate Model
  1. 1 Realism after Nature: Reading the Greenhouse Effect in Bleak House
  2. pp. 21-43
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  1. 2 Specters of Capital: Our Mutual Friend and the Economy of Smog
  2. pp. 44-67
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  1. 3 Affecting an Atmosphere: George Eliot and the Climate of History
  2. pp. 68-94
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  1. Part 2: Abnatural Supernaturalism
  1. 4 Being Impure: Robert Louis Stevenson’s Strange Case of Dr. Jekyll and Mr. Hyde and the Polluted Body
  2. pp. 97-121
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  1. 5 The Death Is the Life: Dracula, Fossil Fuels, and the Ecology of Undeath
  2. pp. 122-141
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  1. 6 The Science and Fiction of Detection in the Global Metropolis
  2. pp. 142-162
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  1. Part 3: Climatic Modernism
  1. 7 Planetary Impressions: Joseph Conrad and the Fiction of Global Connection
  2. pp. 165-187
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  1. 8 Climatic Modernism: Virginia Woolf and Anthropocene Literary History
  2. pp. 188-212
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  1. Epilogue: After London, or, Metropolis Earth
  2. pp. 213-220
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  1. Notes
  2. pp. 221-238
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  1. Bibliography
  2. pp. 239-252
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  1. Index
  2. pp. 253-260
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