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WO R K S C I T E D Fan magazines and other primary or archival materials are cited in the text of individual essays. Abrams, Brett L. “Latitude in Mass-Produced Culture’s Capital: New Women and Other Players in Hollywood, 1920–1941.” Frontiers 25.2 (2004): 65–95. Affron, Charles. “Generous Stars.” Star Texts: Image and Performance in Film and Television. Ed. Jeremy Butler. Detroit: Wayne State University Press, 1991. 90–101. Allen, Robert C., and Douglas Gomery. Film History: Theory and Practice. New York: Knopf, 1985. Alter, Nora M. “The Legs of Marlene Dietrich.” Dietrich Icon. Ed. Gerd Gemunden and Mary R. Desjardins. Durham, N.C.: Duke University Press, 2007. 60–78. Altman, Rick. The American Film Musical. Bloomington: Indiana University Press, 1987. Arce, Hector. Gary Cooper: An Intimate Biography. New York: William Morrow, 1979. Bach, Steven. Marlene Dietrich: Life and Legend. New York: Da Capo, 1992. Bakker, Gerben. “Building Knowledge About the Consumer: The Emergence of Market Research in the Motion Picture Industry.” The Emergence of Modern Marketing. Ed. Roy Church and Andrew Godley. London: F. Cass, 2003. 101–27. Balio, Tino. Grand Design: Hollywood as a Modern Business Enterprise, 1930–1939. Berkeley: University of California Press, 1993. Barbas, Samantha. Movie Crazy: Fans, Stars, and the Cult of Celebrity. New York: Palgrave Macmillan, 2001. Baron, Cynthia, and Sharon Marie Carnicke. Reframing Screen Performance. Ann Arbor: University of Michigan Press, 2008. Barrios, Richard. A Song in the Dark: The Birth of the Musical Film. New York: Oxford University Press, 1995. Bartlett, Neil. “The Voyeur’s Revenge.” Sight & Sound 2.5 (September 1992): 41. Basinger, Jeanine. The Star Machine. New York: Knopf, 2007. Baughman, James. “Who Read Life? The Circulation of America’s Favorite Magazine.” Looking at “Life” Magazine. Ed. Erika Doss. Washington, D.C.: Smithsonian Institution Press, 2001. 41–54. Baxter, John. The Cinema of Josef von Sternberg. London: A. Zwemmer/A. S. Barnes, 1971. ———. Hollywood in the 30s. New York: A. S. Barnes, 1968. Baxter, Peter. Just Watch!: Sternberg, Paramount and America. London: BFI, 1993. Bego, Mark. The Best of Modern Screen. New York: St. Martin’s, 1986. Behlmer, Rudy, ed. Henry Hathaway: A Director’s Guild of America Oral History. Interviews conducted by Polly Platt. Lanham, Md.: Scarecrow Press, 2001. ———. Memo from David O. Selznick. New York: Viking, 1972. Bergman, Andrew. We’re in the Money: Depression America and Its Films. New York: Harper & Row, 1972. Berry, Sarah. Screen Style: Fashion and Femininity in 1930s Hollywood. Minneapolis: University of Minnesota Press, 2000. 273 ★★★★★★★★★★ ✩✩✩✩✩✩✩✩✩✩ Black, Gregory D. Hollywood Censored: Morality Codes, Catholics, and the Movies. Cambridge: Cambridge University Press, 1994. Black, Shirley Temple. Child Star: An Autobiography. New York: McGraw-Hill, 1988. Bret, David. Joan Crawford: Hollywood Martyr. Cambridge, Mass.: Da Capo Press, 2006. Britton, Andrew. Katharine Hepburn: Star as Feminist. New York: Columbia University Press, 2004. Brown, Jeffrey A. “‘Putting on the Ritz’: Masculinity and the Young Gary Cooper.” Screen 36.3 (Autumn 1995): 193–213. Bryant, Roger. William Powell: The Life and Films. Jefferson, N.C.: McFarland, 2006. Carr, Larry. More Fabulous Faces: The Evolution and Metamorphoses of Bette Davis, Katharine Hepburn , Delores Del Rio, Carole Lombard, and Myrna Loy. Garden City, N.Y.: Doubleday, 1979. Chudacoff, Howard P. The Age of the Bachelor: Creating an American Subculture. Princeton, N.J.: Princeton University Press, 1999. Clark, Danae. Negotiating Hollywood: The Cultural Politics of Actor’s Labor. Minneapolis: University of Minnesota Press, 1995. Connelly, Timothy. “He Is As He Is—And Always Will Be: Clark Gable and the Reassertion of Hegemonic Masculinity.” The Trouble with Men: Masculinities in European and Hollywood Cinema. Ed. Phil Powrie, Ann Davies, and Bruce Babington. London: Wallflower Press, 2004. 34–41. Cooper, Janis Maria. Gary Cooper Off Camera: A Daughter Remembers. New York: Abrams, 1999. Corliss, Richard. Greta Garbo. New York: Pyramid, 1974. Crafton, Donald. The Talkies: American Cinema’s Transition to Sound, 1926–1931. Berkeley: University of California Press, 1997. Croce, Arlene. The Fred Astaire and Ginger Rogers Book. New York: Galahad Books, 1972. D’Arc, James. “Perfect Manners: An Interview with Olivia de Havilland.” American Classic Screen (January/February 1979): 7–11. Davis, Bette. The Lonely Life: An Autobiography. New York: G. P. Putnam’s Sons, 1962. Dawidoff, Robert. “Fred Astaire.” Making History Matter. Philadelphia: Temple University Press, 2000. 152–59. Delamater, Jerome. Dance in the Hollywood Musical. Ann Arbor, Mich.: UMI, 1981. Desjardins, Mary. “The Object of Our Affections: Material Cultures, Material Practices, and (a) Film History.” Vectors: A Journal of Culture and Technology in a Dynamic Vernacular...

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