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WO R K S C I T E D Fan magazines and other primary or archival materials are cited in the text of individual essays. Allen, Robert C., and Douglas Gomery. Film History: Theory and Practice. New York: McGrawHill , 1985. Ames, Christopher. “Restoring the Black Man’s Lethal Weapon.” Journal of Popular Film and Television 20:3 (Fall 1992), 52–60. Anderson, Benedict. Imagined Communities: Reflections on the Origin and Spread of Nationalism. London: Verso, 2006. Austin, Thomas, and Martin Baker, eds. Contemporary Hollywood Stardom. London: Arnold, 2003. Balio, Tino. “Adjusting to the New Global Economy.” Film Policy. Ed. Albert Moran. London: Routledge, 1996. Barker, Deborah. “The Southern Fried Chick Flick: Postfeminism Goes to the Movies.” Chick Flicks: Contemporary Women at the Movies. Ed. Suzanne Ferriss and Mallory Young. London : Routledge, 2008. 94–118. Baxter, John. De Niro: A Biography. London: HarperCollins, 2003. Bazin, André. What Is Cinema? Volume 2. Trans. Hugh Gray. Berkeley: U of California P, 1971. Beavers, Herman. “‘The Cool Pose’: Intersectionality, Masculinity, and Quiescence in the Comedy and Films of Richard Pryor and Eddie Murphy.” Race and the Subject of Masculinities . Ed. Harry Stecopoulos and Michael Uebel. Durham, N.C.: Duke UP, 1997. 253–85. Bingham, Dennis. Acting Male: Masculinities in the Films of James Stewart, Jack Nicholson and Clint Eastwood. New Brunswick, N.J.: Rutgers UP, 2004. Bonnen, James. “Why Is There No Coherent US Rural Policy?” Policy Studies Journal 20:2 (1992), 193–94. Brackett, David. “Banjos, Biopics, and Compilation Scores: The Movies Go Country.” American Music 19:3 (Autumn 2001), 247–90. Britton, Andrew. “Blissing Out: The Politics of Reaganite Entertainment.” Movie 31/32 (Winter 1986), 1–42. ———. “Stars and Genres.” Stardom: Industry of Desire. Ed Christine Gledhill. London: Routledge , 198–206. Brost, Molly. “Negotiating Authenticity: Coal Miner’s Daughter, the Biopic, and Country Music.” Americana: The Journal of American Popular Culture, 1900 to Present, http://www. americanpopularculture.com/journal/articles/fall_2008/brost.htm. Brunsdon, Charlotte. “Post-feminism and Shopping Films.” Screen Tastes. London: Routledge, 1997. 81–102. Brunette, Peter, ed. Martin Scorsese Interviews. Jackson: UP of Mississippi, 1999. Case, Brian. “Hard and Fast.” David Mamet in Conversation. Ed. Leslie Kane. Ann Arbor: U of Michigan P, 2001. 100–104. Cavell, Stanley. Pursuits of Happiness: The Hollywood Comedy of Remarriage. Cambridge, Mass.: Harvard UP, 1981. 271 ★★★★★★★★★★ ✩✩✩✩✩✩✩✩✩✩ Chevrie, Marc. “Le Dernier des Cow-Boys.” Cahiers du cinéma 393 (March 1987), 9–11. Chow, Lesley. “The Actor’s Voice.” Cineaste 31:4 (Fall 2006), 33–35. Clinch, Minty. Harrison Ford: Film Stars and Society. London: New English Library, 1987. Clover, Carol. Men, Women, and Chain Saws: Gender in the Modern Horror Film. Princeton: Princeton UP, 1993. Cohan, Steven, and Ina Rae Hark, eds. Screening the Male: Exploring Masculinities in Hollywood Cinema. London: Routledge, 1993. Collins, Jim, Hilary Radner, and Ava Preacher Collins, eds. Film Theory Goes to the Movies. New York: Routledge, 1993. DeAngelis, Michael. Gay Fandom and Crossover Stardom: James Dean, Mel Gibson, and Keanu Reeves. Durham, N.C.: Duke UP, 2001. DeCordova, Richard. Picture Personalities: The Emergence of the Star System in America. Urbana: U of Illinois P, 2001. DeCurtis, Anthony. “What the Streets Mean.” Martin Scorsese Interviews. Ed. Peter Brunette. Jackson: UP of Mississippi, 1999. 158–85. D’Emilio, John. Sexual Politics, Sexual Communities: The Making of a Homosexual Minority in the United States, 1940–1970. Chicago: U of Chicago P, 1983. De Lauretis, Teresa. Alice Doesn’t: Feminism, Semiotics, Cinema. Bloomington: Indiana UP, 1984. Derry, Charles. The Suspense Thriller: Films in the Shadow of Alfred Hitchcock. Jefferson, N.C.: McFarland, 1988. Desjardins, Mary. “Meeting Two Queens: Feminist Film-making, Identity Politics, and Melodramatic Fantasy.” Film Quarterly 48:3 (Spring 1995), 26–33. “Dialogue on Film: Martin Scorsese.” Martin Scorsese Interviews. Ed. Peter Brunette. Jackson: UP of Mississippi, 1999. 13–47. Diawara, Manthia. “Black Spectatorship: Problems of Identification and Resistance.” Screen 29:4 (1988), 66–76. Doane, Mary Ann. “The Voice in Cinema: The Articulation of Body and Space.” Yale French Studies 60 (1980), 33–50. Doherty, Thomas. Teenagers and Teenpics. Rev. ed. Philadelphia: Temple UP, 2002. Dougan, Andy. Untouchable: A Biography of Robert De Niro. 2nd ed. New York: Thunder’s Mouth, 2002. Dyer, Joyce. “Rural America in Film and Literature.” English Journal 76:1 (January 1987), 54–57. Dyer, Richard. Heavenly Bodies: Film Stars and Society. London: Routledge, 2003. ———. Stars. New ed. London: BFI, 1998. ———. White. London: Routledge, 1997. Ebert, Roger. The Great Movies II. New York: Broadway, 2006. Eco, Umberto. Travels in Hyperreality: Essays. Trans. William...

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