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ndex y Page numbers in italics refer to figures. abstraction, process of, 189 academic readers, 21–32 Acción Ecológica, 151 Achacachi, 235n21 AECI. See International Development Agency of Spain Agencia Española de Cooperación Internacional . See International Development Agency of Spain agit, procedure of, 20n agricultural initiatives, 31, 9, 158–160, 185–186; sustainable 157, 158, 162 Albó, Xavier, 2 alcohol consumption, 77–78, 239n20 Alejo, Ticona, 26n16 Alemán, Gabriela, 166 alienation, cultural, 11–115 Alliance for Progress, 227n10 Alonso, Carlos, 233–23n6 alphabetic writing, 2n13, 25n1. See also literacy “alternative literacies,” 13 Alvarez, Aideé, 1, 72, 123, 131, 201, 201 Amaru, Tupac, 121 Among Cultures, 205 Anaconda Film Festival, 7 Andean Oral History Workshop (THOA), 102, 220; ayllu, reconstitution of, 215–216, 232n2; Bolivian history, comprehension of, 99; colonization of knowledge, 227n7; innovative approach, 15; myth and storytelling , 106–107; relationships with communities, 2, 69–72; social memory, 123, 180 Angels of the Earth, 3–7, 51, 81, 98, 108, 201, 213 anticolonial film, 11 anticolonial gaze. See colonial/anticolonial gaze Anzaldúa, Gloria, 22 Apaza, Gregoria, 227n7 Apocalypto, 235n19 archive, ties with repertoire, 171–172 Arco, 151 Arguedas, José María, 95, 232n21 Arnold, Denise, 23, 53–5, 170, 173, 183 Aronowitz, Stanley, 163, 16 Ashaninka communities, , 33 Assadourian, Carlos Sempat, 19 assimilation. See mestizaje Atanarjuat the Fast Runner, 5 Ateliers Varan, 73 audiovisual communication, 50–62, 72 Australian Aborigines, 66 auteur, concept of, 200 authorship of joint projects, 63–8, 230n2 ayllu, 83, 199–200, 215–216, 231n10, 232n2 Aymara communities: effects of colonization , 39, 2, 87, 102–103, 156–162, 199–200, 235n23; gender roles, 117–118, 237–238n7; language, 179; oral histories, 106, 107; social memory, 123; strengthening of collective decision making, 72, 199–200; symbolic images, 18; temporal concepts, 98; testimonial cinema, 75 Aztecs, visual representation of, 88, 23n7 Barragán, Rossana, 238n1 Barrios de Chungara, Domitila, 2, 86, 239n18 Barthes, Roland, 11 Bastida, Micaela, 121 Batchen, Geoffrey, 89 Bazin, André, 11, 20n5 Beasley-Murray, Jon, 26n9 Beattie, Keith, 139, 20n2 Bemberg, María Luisa, 200 Bergstrom, Janet, 237n3 Between Spirits and Humans, 12, 161 Beverley, John, 22, 83, 225n23 biopolitics, concept of, 190 biopower 25n7 Birri, Fernando, 73 Black, Jack, 91–92 Black Panthers, 235n23 Black Skin, White Masks,  Blood of the Condor: alcohol consumption in, 77; audience, 75; camera angles, 227n11; community, importance of, 232n18; decolonization of knowledge, 5–6, 105; intercultural communication, 100; screenings , 203–20 274 ndex Blossoms of Fire, 137 Bolaños, Graciela, 9 Bolivia: Constituent Assembly, 5, 186; history , comprehension of, 99; indigenous media center, 5, 3, 35, 227n7; intellectual agency of, 69–73; National Revolution, 85, 131 Bolivian Cinematic Institute (ICB), 9 Bolivian National Television, 205 Bomb (journal), 26 border economy, 32, 207–211 border thinking, 22, 209 Bourdieu, Pierre, 190 Brazil, 5, 33 Brazilian Video in the Villages, 18 Burton, Julianne, 163–16 Bustos, Mario, 1 Cahiers du cinema, 26n17 CAIB. See Coordinadora Audiovisual Indígena de Bolivia Cajías, Francisco, 7, 231n12 camera angles, 77–82, 16, 166, 175 Camino, Alejandro, 65 Canada First Nation, 72 capitalism, 185–196, 203–207, 221 Cárdenas, Marcelina: directorship, 197; ethnic identity, 13; festivals and training workshops, 60; gender representation, 176; on gender roles, 123, 126, 15; image on CEFREC homepage, 1, ; knowledge generation, 1; media activist, 7, 15, 72; organic intellectual, 8; on process of audiovisual communication, 69; textile technologies, 173–17; traditions and promotion of love, 130; training workshops , 68 Cárdenas, Victor Hugo, 99, 105 Carelli, Vincent: on camera shots, 165; directorship, 33, 139, 202; interest from Cooperation of Norway, 207; member of CLACPI, 230n6; on real-time recordings, 16–17; as technological facilitator, 67 Carewe, Edwin, 223n Carnero Hoke, Guillermo, 121 “casino capitalism,” 189 casting issues, 200–201 Castro-Gómez, Santiago, 191, 192, 2n13 Catholic religion, 126, 130, 239n20 CEFREC. See Centro de Formación y Realizaci ón Cinematográfica Centro de Formación y Realización Cinematogr áfica (CEFREC): alcohol consumption in films, 77; Anaconda Film Festival, 7; audience for productions, 203; broadcast time, 58; -CAIB productions, –6, 8, 9, 12 (see also specific productions); camera angles, 78; cinematic training center, 35; colonization of knowledge, 8; community television production, 7; Cursed Gold, approval of, 198; distribution efforts, 18, 51; documentaries, 10; educational documentaries, 185; expanding communication networks, 58–59; fiction pieces, 12, 16; gender...

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