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Abbott, Berenice, 34, 35, 107, 138, 154nn. 47, 48 Académie des Femmes, 66, 156n. 71 Académie Française, 156n. 71 Acosta, Mercedes de, 40 Acton, Harold, 61 Adler, Alfred, 18 AFFW. See American Fund for French Wounded Albert-Birot, Pierre, 80, 169–170n. 45 Allain, Patrice, 169n. 44 Allan, Maud, 29, 76, 166n. 16 Alpine Gallery, 51, 160n. 54 Alsace, France, 21 amazon, 4, 37, 145n. 4 Amazons, 37 American Fund for French Wounded (AFFW), 21–22 Anderson, Margaret, 107 Andrade, 129; Suzy Solidor, 130 androgynous energies, 146n. 12 Antheil, Georges, 40 anti-Semitism, 182n. 5 Apollinaire, Guillaume, 40, 49, 158n. 23, 169–170n. 45 Aragon, Louis, 40, 80 Arletty, 110 L’Art Vivant, 63 Arzner, Dorothy, 21, 35 Association des Ecrivains et Artistes Révolutionnaires, 138 Austin, Jane, 33 autobiographical novelizing, 9 Baille, Hervé, 31, 32 Bakhtin, Mikhail, 165–166n. 13 ballet, gay cultural implications of, 181n. 85 Ballets Russes, 60, 61, 133, 160n. 51; Les Matelots, 133; Triumph of Neptune, The, 133 Ballets Suédois, 60, 120 Barbezer, Maurice, 179n. 54 Barbier, Charles-Henri, 165n. 5 Barlatier, Pierre, 178n. 43 Barnes, Djuna: Abbott’s portraits of, 34; description of Barney, 39; Ladies Almanack, 15, 23, 24, 38–39, 39, 42, 138; letter from Barney, 181n. 1; Nightwood, 9, 129; non- association with Solidor, 107; remarks on legendary time, 137; return to United States, 138 Barney, Natalie: Académie des Femmes, 156n. 71; affair with Liane de Pougy, 108; appreciation for Debussy, 160n. 51; Aventures de l’esprit, 39, 41, 42; Romaine Brooks: Portraits, tableaux, dessins, 64–67, 65, 66; Brooks’s letter to, 62; caricature of, 16; Cinq Petits Dialogues grecs, 37; I n d e x Note: Italicized page numbers refer to illustrations. 08Index.qxd 6/23/2005 9:01 AM Page 201 Barney, Natalie (continued) classical revival, 77; comments on Brooks’s hypersensitivity, 159–160n. 50; cross-dressing, 155–156n. 70; description of Paris, 42; dissolution of milieu, 136; era dubbed “our belle époque,” 6; expatriate, 103; labelling of Brooks’s paintings, 51, 57; letter to Barnes, 181n. 1; letter to Brooks, 158n. 19, 159n. 46, 163n. 78; living in Mytilene, 37–38; memoirs, 30, 81; non-association with Solidor, 107; paciWst, 22; poem about Brooks and her ilk, 64; portraiture, 107; pressure on Smithsonian, 163n. 82; queen of Amazon Paris, 39; relationship with Cahun and Moore, 80; reviews by Beaumont and Bizardel encouraged by, 163n. 79; salon, 38–41, 66, 134, 137, 155n. 65, 156n. 74; society of the future, 8; villa requisitioned by Germans, 182n. 5; women apart, 14 Barthes, Roland, 68, 84, 85, 102, 117, 154n. 47, 164–165n. 4, 170nn. 49, 52 bastard status, 176n. 16 Bartol, Marion, 22 Bataille, George, 80, 97 Baudelaire, Charles, 53, 59, 108, 120, 159n. 37, 160n. 54; Femmes damnées, 31 Beach, Sylvia: Abbott’s portraits of, 34; birthday letter to Bryher, 151n. 14; bookshop, 9, 36; comments on Bryher, 23; comments on, 149n. 41; foothold in Paris, 182n. 3; lesbian elite, 61; letters from Ellis, 149n. 40; non-association with Solidor, 107; relationship with Cahun and Moore, 80; set of Ellis’s work, 16, 18 Beardsley, Aubrey, 76–77, 161n. 59 Beaumont, Eon de, 155–156n. 70 Beaumont, Germaine, 163n. 79 Bécat, Paul-Emile, 16, 149n. 41 Bellmer, Hans, 99 Benjamin, Walter, 40, 52, 54, 62, 157–158n. 14 Benois, Alexandre, 161n. 61 Benstock, Shari, 10, 160n. 55; Women of the Left Bank, 10 Bérard, Christian, 120 Bergson, Henri, 82 Berlin, Germany, 28, 35, 147n. 20 Bernhardt, Sarah, 33, 35, 40, 115, 116 Bersani, Leo, 149n. 30 Birnbaum, Paula, 151–152n. 16 Bizardel, Yvon, 163n. 79 Blanche, Jacques-Emile, 87–90, 89 Blum, Léon, 29 Le Boeuf sur le Toit, 111, 180n. 68 Borgatti, Renata, 40, 66 Boston, Massachusetts, 22 Boston Evening Transcript, 64 Boyer, Lucienne, 176n. 23 Bracquemond, Marie, 157n. 11 Brassaï, Georges, 23–24, 25 Brayer, Yves, 105–106; Suzy Solidor, 106 Brecht, Bertolt, 128, 169–170n. 45; Beggar’s Opera, 128 Bremond d’Ars, Yvonne de, 108–109, 112, 176n. 13, 179n. 54 Brest, France, 133 Breton, André, 80, 166n. 15, 169–170n. 45 Brooks, Louise, 117 Brooks, Romaine: aestheticism as relates to lesbianism, 42, 45, 131; allegiance to privileged class, 139; anti-Semitism, 182n. 5; appreciation for Debussy, 160n. 51; associated with Whistler, 159n. 41, 159n. 45; associations with Wilde, 160n. 55; autobiography, 163n. 82; Azalées blanches, 49–51, 50; Barney’s comments on hyper-sensitivity, 159–160n. 50; Le Chapeau à Xeurs, 25; Dame en...

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