In lieu of an abstract, here is a brief excerpt of the content:

Works Cited Aguirre, J. M. “Primeras poesías de Luis Cernuda.” In Luis Cernuda, ed. Derek Harris. Madrid: Taurus, 1977. 215–27. Alberti, Leon Battista. On Painting, trans. John R. Spenser. New Haven: Yale University Press, 1966. Alberti, Rafael. Poesía (1924–1967). Madrid: Aguilar, 1972. ———. El poeta en la calle. Madrid: Aguilar, 1978. Aleixandre, Vicente. Obras completas. Madrid: Aguilar, 1968. Alonso, Dámaso. “Una generación poética (1920–36).” In Obras completas. Vol. 4. Madrid: Gredos, 1975. 653–76. ———. “Federico García Lorca y la expresión de lo español.” In Obras completas . Vol. 4. Madrid: Gredos, 1975. 755–66. Anderson, Andrew A. “The Strategy of García Lorca’s Dramatic Composition , 1930–36.” Romance Quarterly 33 (1986): 211–30. Azorín. “La generación del 1898.” In Clásicos y modernos. Vol. 12 of Obras completas . Madrid: Caro Raggio, 1919. 233–55. Balakian, Ana, ed. The Symbolist Movement in the Literature of European Languages . Budapest: Akademiai Kiadó, 1982. Baroja, Pío. El árbol de la ciencia, ed. Pío Caro Baroja. Madrid: Caro Raggio / Cátedra, 1985. Barthes, Roland. Image, Music, Text, trans. Stephen Heath. New York: Hill and Wang, 1977. Blanco Aguinaga, Carlos. Juventud del 98. 2nd ed. Barcelona: Editorial Crítico , 1978. Bonet, Manuel. Diccionario de las vanguardias en España. Madrid: Alianza Editorial , 1995. Bradbury, Malcolm, and James McFarlane. “The Name and Nature of Modernism .” In Modernism, ed. Malcolm Bradbury and James McFarlane. Hammondsworth, UK: Penguin, 1985. 19–55. Bretz, Mary Lee. Encounters across Borders: The Changing Visions of Spanish Modernism . Lewisburg, Pa.: Bucknell University Press, 2001. Bürger, Peter. Theory of the Avant-Garde, trans. Michael Shaw. Minneapolis: University of Minnesota Press, 1984. 255 ———. The Decline of Modernism, trans. Nicholas Walker. Cambridge: Polity Press, 1992. Burke, Edmund. A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and the Beautiful, ed. James T. Boulton. South Bend, Ind.: Notre Dame University Press, 1968. Butt, John. “The ‘Generation of 98’: A Critical Fallacy?” Forum for Modern Language Studies 16 (1980): 136–53. Calderón de la Barca, Pedro. La vida es sueño, ed. A. E. Sloman. Manchester: University of Manchester Press, 1961. Cano, José Luis. La poesía de la generación del 27. Madrid: Guadarrama, 1973. Capote Benot, José María. El surrealismo en la poesía de Luis Cernuda. Sevilla: Universidad de Sevilla, 1976. Cardwell, Richard. “Los componentes del fin de siglo.” In En el 98 (Los nuevos escritores ), ed. José-Carlos Mainer and Jordi Gracia. Madrid: Visor, 1997. 172–75. Carlston, Erin G. Thinking Fascism: Sapphic Modernism and Fascist Modernity. Stanford : Stanford University Press, 1998. Cernuda, Luis. Estudios sobre la poesía española contemporánea. Madrid: Guadarrama, 1957. ———. La realidad y el deseo, ed. Miguel J. Flys. Madrid: Castalia, 1982. ———. Prosa completa, ed. Derek Harris and Luis Maristany. Madrid: Barral, 1975. Chacel, Rosa. Estación. Ida y vuelta, ed. Shirley Mangini. Madrid: Cátedra: 1989. “Contra el 98 (Manifiesto de Valladolid).” In En el 98 (Los nuevos escritores), ed. Jose-Carlos Mainer and Jordi Gracia. Madrid: Visor, 1997. 177–78. Debicki, Andrew P. Spanish Poetry of the Twentieth Century: Modernity and Beyond. Lexington: University Press of Kentucky, 1994. Delgado, Agustín. La poética de Luis Cernuda. Madrid: Editora Nacional, 1975. Delgado, Luisa Elena. La imagen elusiva: lenguaje y representación en la narrativa de Galdós. Amsterdam: Rodopi, 1999. De Man, Paul. Blindness and Insight: Essays in the Rhetoric of Contemporary Criticism. New York: Oxford University Press, 1977. Diego, Gerardo. Poesía española: Antología. Madrid: Signo, 1931. Donougho, Martin. “Postmodern Jameson.” In Postmodernism-Jameson-Critique, ed. Douglas Kellner. Washington, D.C.: Maisonneuve Press, 1989. 75–95. Drucker, Johanna. Theorizing Modernism: Visual Art and the Critical Tradition. New York: Columbia University Press, 1994. Eagleton, Terry. Criticism and Ideology: A Study in Marxist Literary Theory. London: Verso, 1978. Eco, Umberto. A Theory of Semiotics. Bloomington: University of Indiana Press, 1979. Eliot, T. S. “Ulysses, Order, and Myth.” Dial 75 (1923): 480–83. Eysteinsson, Astradur. The Concept of Modernism. Ithaca, N.Y.: Cornell University Press, 1990. 256 works cited [18.220.154.41] Project MUSE (2024-04-23 09:47 GMT) Feijoo y Montenegro, Fray Benito Jerónimo. Obras escogidas. Biblioteca de autores espa ñoles. Vols. 56 and 142. Madrid: Atlas, 1952 and 1961. Fenollosa, Ernest. The Chinese Written Character as a Medium for Poetry, ed. Ezra Pound. San Francisco: City Lights, 1936. Ferguson, Francis. “A Commentary on Susanne Guerlac’s ‘Longinus and the Subject of...

Share