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 Bibliography Anobile, Richard J., ed. Film Classics Library: Casablanca. London: Picador, 1974. Beerbohm, Max. Herbert Beerbohm Tree: Some Memories of Him and of His Art. London: Hutchinson & Co. [1919?] Behlmer, Rudy, ed. Inside Warner Bros., 1935–1951. New York: Viking Penguin, 1985. Brownlow, Kevin. David Lean: A Biography. New York: St. Martin’s Press, 1996. Capra, Frank. The Name above the Title: An Autobiography. New York: Macmillan, 1971. Capua, Michelangelo. Vivien Leigh: A Biography. Jefferson, N.C.: McFarland and Co., 2003. Chapin, Schuyler. Musical Chairs: A Life in the Arts. New York: G. P. Putnam’s Sons, 1977. Chapman, John, ed. The Best Plays of 1950–1951 and the Yearbook of the Drama in America. New York: Dodd, Mead and Co., 1951. Cran, Mrs. George. Herbert Beerbohm Tree. London: John Lane, the Bodley Head, 1909. Croall, Jonathan. Gielgud: A Theatrical Life. London: Methuen, 2001. Curtis, James. James Whale: A New World of Gods and Monsters. London: Faber and Faber, 1998. Deans, Marjorie. Meeting at the Sphinx: Gabriel Pascal’s Production of Bernard Shaw’s Caesar and Cleopatra. London: MacDonald & Co., 1946. De Marinis, Rick. A Lovely Monster: The Adventures of Claude Rains and Dr. Tellenbeck . New York: Simon and Schuster, 1975. Deschner, Donald. The Films of Cary Grant. Secaucus, N.J.: Citadel Press, 1973. Dukore, Bernard F., ed. Bernard Shaw and Gabriel Pascal. Toronto: University of Toronto Press, 1996. ———, ed. The Collected Screenplays of Bernard Shaw. Athens: University of Georgia Press, 1980. Edwards, Anne. Vivien Leigh: A Biography. New York: Simon & Schuster, 1977. Etheridge, Ann. “Bette Davis and Claude Rains: Two Opposites that Attracted.” American Classic Screen 5, no. 2: 9–13. C l a u D e R a i n S  Freedland, Michael. The Warner Brothers. New York, St. Martin’s Press, 1983. Gassner, John, and Dudley Nichols, eds. Twenty Best Film Plays. New York: Crown Publishers, 1943. Gattis, Mark. James Whale: A Biography. London: Cassell, 1995. Gielgud, John. Backward Glances. London: Hodder & Stoughton, 1989. ———. Early Stages: 1921–1936. New York: Taplinger Publishing Co., 1976. Gordon, Ruth. My Side: The Autobiography of Ruth Gordon. New York: Harper & Row, 1976. Haining, Peter, ed. The H. G. Wells Scrapbook. New York: Clarkson N. Potter, 1978. Hardwicke, Cedric. Let’s Pretend. London: Grayson & Grayson, 1932. Harmetz, Aljean. Round Up the Usual Suspects: The Making of Casablanca—Bogart, Bergman, and World War II. New York: Hyperion, 1992. Higham, Charles. Bette: The Life of Bette Davis. New York: Macmillan Publishing Co., 1969. Higham, Charles, and Joel Greenberg. The Celluloid Muse: Hollywood Directors Speak. London: Angus and Robertson, 1969. Kael, Pauline, 5001 Nights at the Movies. New York: Holt, Rinehart and Winston, 1982. Kaiser, Georg. From Morn to Midnight. In Haskell M. Block and Robert G. Shedd, eds., Masters of Modern Drama. New York: Random House, 1962. Kingsley, Sidney. Darkness at Noon: A Play Based on the Novel by Arthur Koestler. New York: Random House, 1951. ———. Sidney Kingsley: Five Prizewinning Plays. Ed. Nina Couch. Columbus: Ohio State University Press, 1995. Koch, Howard. Casablanca: Script and Legend. Woodstock, N.Y.: Overlook Press, 1973. Lanchester, Elsa. Elsa Lanchester Herself. New York: St. Martin’s Press, 1983. Lawrence, Jerome. Actor: The Life and Times of Paul Muni. New York: G. P. Putnam ’s Sons, 1974. MacDermott, Norman. Everymania: The History of the Everyman Theatre. London: Society for Theatre Research, 1975. MacQueen, Scott. “’43 Phantom Found New Formula for Classic Tale,” American Cinematographer, September 1993, pp. 80–85. Mank, Gregory William. The Hollywood Hissables. Metuchen, N.J.: Scarecrow Press, 1989. Mantle, Burns. The Best Plays of 1919–1920 and the Year Book of the Drama in America. (Reprint.) New York: Dodd, Mead & Co., 1962. McBride, Joseph. Frank Capra: The Catastrophe of Success. New York: Simon and Schuster, 1992. McDowall, Roddy. Double Exposure: Take Two. New York: William Morrow and Co., 1989. [3.16.70.101] Project MUSE (2024-04-25 16:33 GMT) Bibliography  Milano, Ray. Monsters: A Celebration of the Classics from Universal Studios. Ed. Jennifer Osborne. New York: Del Rey Books, 2006. Mooring, W. H. “He Hates Humbug,” Film Weekly, April 2, 1935, p. 11. Morley, Sheridan. John G: The Authorized Biography of John Gielgud. London: Hodder & Stoughton, 2001. Nadel, Norman. A Pictorial History of the Theatre Guild. New York: Crown Publishers , 1969. Nicholson, D. H. S., and A. H. E. Lee, eds. The Oxford Book of English Mystical Verse. Oxford: Clarendon Press, 1917. Oller, John. Jean Arthur: The Actress Nobody Knew. New York: Limelight Editions, 1997. Ostwald, Peter. Vaslav Nijinsky: A Leap into Madness. New York: Carroll Publishing Group...

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