In lieu of an abstract, here is a brief excerpt of the content:

BIBLIOGRAPHY Aguirre, Robert. Informal Empire: Mexico and Central America in Victorian Culture. Minneapolis : University of Minnesota Press, 2005. Barry, Iris. “The Film Library and How it Grew.” Film Quarterly 22 (1969): 19–27. ———. “Films for History.” Special Libraries 30 (1939): 258–60. ———. “Motion Pictures as a Field for Research.” College Art Journal 4 (1945): 206–9. ———. “The Museum of Modern Art Film Library.” Sight and Sound 5 (1936): 14–16. ———. “The Museum of Modern Art Film Library Last Year and This.” Magazine of Art 30 (1937): 40–44. ———. “Why Wait for Prosperity?” Hollywood Quarterly 1 (1946): 131–37. Beck, Bernard. “Inglorious Color.” Society 24 (1987): 4–12. Benjamin, Walter. The Arcades Project. Translated by Howard Eiland and Kevin McLaughlin . Cambridge, Mass.: Harvard University Press, 1999. ———. Illuminations. Edited by Hannah Arendt. Translated by Harry Zohn. New York: Schocken Books, 1969. ———. “On the Concept of History” (1940). In Selected Writings, edited by Howard Eiland and Michael W. Jennings. Translated by Edmund Jephcott et al. Cambridge, Mass.: Harvard University Press, 2003. Bennett, Tony. Pasts Beyond Memory, Evolution, Museums, Colonialism. London: Routledge , 2004. Bloch, Marc. The Historian’s Craft. Manchester, U.K.: Manchester University Press, 1954. Blouin, Francis. “History and Memory: The Problem of the Archive.” PMLA 119 (2004): 296–98. Bowser, Eileen. “Some Principles of Film Restoration.” Griffithiana 38/39 (1990): 172–73. Brandi, Cesare. “Theory of Restoration, II.” In Historical and Philosophical Issues in the Conservation of Cultural Heritage, edited by Nicholas Price, Mansfield Talley, and Alessandra Vaccaro. Los Angeles: Getty Conservation Institute, 1996. 188 · Bibliography Brown, Richard Harvey, and Beth Davis-Brown. “The Making of Memory: The Politics of Archives, Libraries, and Museums in the Construction of National Consciousness.” History of the Human Sciences 11 (1998): 17–32. Buck-Morss, Susan. The Dialectics of Seeing: Walter Benjamin and “The Arcades Project.” Cambridge, Mass.: MIT Press, 1991. Callenbach, Ernest. “The Unloved One: Crisis at the American Film Institute.” Film Quarterly 24 (1971): 42–54. “Can Films be Preserved for Posterity?” Motography 13 (April 3, 1915): 521. Charney, Leo, and Vanessa Schwartz, eds. Cinema and the Invention of Modern Life. Berkeley : University of California Press, 1995. Ciarlante, Marjorie H. “The Origin of Motion Picture and Sound Recording Collection Policy in the National Archives,” unpublished essay, date unknown. Cummings, William. Making Blood White: Historical Transformations in Early Modern Makassar. Honolulu: University of Hawaii Press, 2002. Davis, Randall. Digital Dilemma: Strategic Issues in Archiving and Accessing Digital Motion Picture Materials. Academy of Motion Picture Arts and Sciences, 2007, http://www.oscars .org/science-technology/council/projects/digitaldilemma/.Decherney, Peter. Hollywood and the Culture Elite: How the Movies Became American. New York: Columbia University Press, 2005. Deming, Barbara. “The Library of Congress Film Project: Exposition of a Method.” Library of Congress Quarterly Journal of Current Acquisitions 2 (1944): 3–36. Dempsey, Michael. “Colorization.” Film Quarterly 40 (Winter 1986–87): 2–3. Derrida, Jacques. Archive Fever: A Freudian Impression. Translated by Eric Prenowitz. Chicago : University of Chicago Press, 1995. Dirks, Nicholas. “The Crimes of Colonialism: Anthropology and the Textualization of India.” In Colonial Subjects: Essays in the Practical History of Anthropology, edited by Peter Pels and Oscar Salemink. Ann Arbor: University of Michigan Press, 1999. Eiland, Howard. “Reception in Distraction.” boundary 2, no. 30 (2003): 51–66. Foucault, Michel. Discipline and Punish: The Birth of the Prison. New York: Pantheon, 1977. ———. Madness and Civilization: A History of Insanity in the Age of Reason. New York: Vintage, 1988. ———. The Order of Things: An Archeology of the Human Sciences. London: Tavistock, 1974. Gaddis, John Lewis. The Landscape of History: How Historians Map the Past. Oxford, U.K.: Oxford University Press, 2002. Geary, Patrick J. Phantoms of Remembrance: Memory and Oblivion at the End of the First Millennium. Princeton, N.J.: Princeton University Press, 1994. Goodrum, Charles. The Library of Congress. New York: Praeger, 1974. Gracy, Karen F. “Documenting Communities of Practice: Making the Case for Archival Ethnography.” Archival Science 4 (2004): 335–65. Grainge, Paul. Monochrome Memories: Nostalgia and Style in Retro America. Westport, Conn.: Praeger, 2002. Greetham, David. “‘Who’s In, Who’s Out’: The Cultural Poetics of Archival Exclusion.” Studies in the Literary Imagination 32 (1999): 1–28. Grimm, Charles. “A Paper Print Pre-history.” Film History 11 (1999): 204–16. Hansen, Miriam Bratu. “America, Paris, the Alps: Kracauer and Benjamin on Cinema and [18.189.13.43] Project MUSE (2024-04-23 11:23 GMT) Bibliography · 189 Modernity.” In Cinema and the Invention of Modern Life, edited by Leo Charney and Vanessa Schwartz, Berkeley: University of...

Share