Racial Experiments in Cuban Literature and Ethnography

Selected Bibliography

Selected Bibliography Aching, Gerard. “Beyond Sites of Execution: Haiti and the Historical Imagination in C.L.R. James and Alejo Carpentier.” Sisyphus and Eldorado: Magical and Other Realisms in Caribbean Literature. Ed. Timothy J. Reiss.2nded.Trenton,N.J.:Africa World Press, 2002. 103–26. ———. Masking and Power: Carnival and Popular Culture in the Caribbean. Cultural Studies of the Americas. Eds. George Yúdice, Jean Franco, and Juan Flores. Minneapolis : University of Minnesota Press, 2002. ———. “On the Creation of Unsung National Heroes: Barnet’s Esteban Montejo and Armas’s Julián del Casal.” Latin American Literary Review 22.43 (January–June 1994): 31–50. Alonso,CarlosJ. The Burden of Modernity: The Rhetoric of Cultural Discourse in Spanish America. Cambridge: Cambridge University Press, 1998. ———. The Spanish American Regional Novel: Modernity and Autochthony. Cambridge : Cambridge University Press, 1990. Anderson, Benedict. Imagined Communities. 1983. London: Verso, 1991. Anderson, Thomas F. “Inconsistent Depictions of Afro-Cubans and Their Cultural Manifestations in the Early Poetry of Marcelino Arozarena.” Afro-Hispanic Review 27.2 (Fall 2008): 9–44. Andrews, George Reid. Afro-Latin America, 1800–2000. Oxford: Oxford University Press, 2004. Archer Straw, Petrine. Negrophilia. Avant-Garde Paris and Black Culture in the 1920s. New York: Thames and Hudson, 2000. Arnedo-Gómez, Miguel. Writing Rumba: The Afrocubanista Movement in Poetry. New World Studies. Charlottesville, Va.: University of Virginia Press, 2006. Arozarena, Marcelino. “Canción negra sin color.” La palabra. March 1935. Rpt. in AfroHispanic Review 17:1 (Spring 1998): 31–32. Arroyo, Jossianna. Travestismos culturales: Literatura y etnografía en Cuba y Brasil. Serie Nuevo Siglo. Pittsburgh: Instituto Internacional de Literatura Iberoamericana, 2003. Asad, Talal. “The Concept of Cultural Translation in British Social Anthropology.” Writing Culture: The Poetics and Politics of Ethnography. Eds. James Clifford and George E. Marcus. Berkeley: University of California Press, 1986. 141–64. 210 / Selected Bibliography Bakhtin, M. M. The Dialogic Imagination: Four Essays. Ed. Michael Holquist. Trans. Caryl Emerson and Michael Holquist. Austin: University of Texas Press, 1981. Barnes, Sandra T. Africa’s Ogun: Old World and New. 2nd. ed. Bloomington: Indiana University Press, 1997. Barnet,Miguel.“The Alchemy of Memory.” Biography of a Runaway Slave. Trans.Nick Hill. Willmantic, Conn.: Curbstone Press, 1994. 203–208. ———. Biografía de un cimarrón. 1966. Havana: Editorial Letras Cubanas, 2001. ———. Biography of a Runaway Slave. Trans. Nick Hill. Willmantic, Conn.: Curbstone Press, 1994. ———. La fuente viva. Havana: Editorial Letras Cubanas, 1998. Barreda-Tomás,Pedro M. “Alejo Carpentier: dos visionesdelnegro,dosconceptosde la novela.” Hispania 55.1 (March 1972): 34–44. Barreiro, José. “Indians in Cuba.” Cultural Survival Quarterly 13.3 (1989): 56–60. Bastide, Roger. Le Candomblé de Bahia (Rite Nagô). Mouton & Co., Paris-La Haye, 1958. Terre Humaine. Paris: Éditions Plon, 2000. Behar, Ruth. “Introduction: Out of Exile.” Women Writing Culture. Berkeley: University of California Press, 1995. 1–32. Bell, Michael. “The Metaphysics of Modernism.” The Cambridge Companion to Modernism . Ed. Michael Levenson. Cambridge: Cambridge University Press, 1999. Benítez Rojo, Antonio. “Creolization and Nation-building in the Hispanic Caribbean .” Sisyphus and Eldorado: Magical and Other Realisms in Caribbean Literature. Ed. Timothy J. Reiss, 2nd ed. Trenton, N.J.: Africa World Press, 2002. 201–10. ———. La isla que se repite: El Caribe y la perspectiva posmoderna. 1989. Hanover, N.H.: Ediciones del Norte, 1996. Berman, Marshall. All That Is Solid Melts into Air: The Experience of Modernity. 1982. New York: Penguin Books, 1988. Bethell, Leslie, ed. Ideas and Ideologies in Twentieth-Century Latin America. Cambridge : Cambridge University Press, 1996. Beverley, John. “The Margin at the Center: On Testimonio (1989).” The Real Thing: Testimonial Discourse and Latin America. Ed. Georg M. Gugelberger. Durham: Duke University Press, 1996. 23–41. Bhabha, Homi K. “DissemiNation: Time, Narrative, and the Margins of the Modern Nation.” Nation and Narration. Ed. Homi K. Bhabha. London: Routledge, 1990. 291–322. ———. The Location of Culture. London: Routledge, 1994. Birkenmaier, Anke. Alejo Carpentier y la cultura del surrealismo en América Latina. Madrid : Iberoamericana Vervuert, 2006. ———. “Alejo Carpentier y Wifredo Lam: Negociaciones para un arte revolucionario .” Cuba: Un siglo de literatura (1902–2002). Eds. Anke Birkenmaier and Roberto González Echevarría. Madrid: Editorial Colibrí, 2004. 71–90. Blake, Jody. Le Tumulte Noir: Modernist Art and Popular Entertainment in Jazz-Age Paris, 1900–1930. University Park: Penn State University Press, 1999. Selected Bibliography / 211 Boas, Franz. Preface. Mules and Men. By Zora Neale Hurston. 1935. New York: Harper Collins, 1990. xiii–xiv. Bolívar Arostegui, Natalia. Cuba: Imágenes...