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 1XQ[X^VaP_Wh All citations of the Welles Manuscripts refer to the collection at the Lilly Library, Indiana University, Bloomington. “Algiers.” Bound radio script. October 8, 1939. Welles Manuscripts. American Dialect Society. http://www.americandialect.org (accessed August 2, 2007). Anderegg, Michael A. Orson Welles, Shakespeare, and Popular Culture. New York: Columbia UP, 1999. Andrew, Dudley. “Echoes of Art: The Distant Sounds of Orson Welles.” In Beja, Perspectives, 171–85. Anholt, Simon, and Jeremy Hildreth. Brand America: The Mother of All Brands. London: Cyan, 2004. Anzaldúa, Gloria. Borderlands/La Frontera. 2nd ed. San Francisco: Aunt Lute Books, 1999. Arthur, Paul. “Reviving Orson: or Rosebud, Dead or Alive.” Cineaste 25 (2000): 10–14. Gale Group. http://galegroup.com (accessed August 29, 2003). Augusto, Sergio. “Quatro Homens, uma Jangada e um Cineasta.” September 15, 2001. http://jangadanantes.free.fr/4homjang_br.htm (accessed August 8, 2007). Bazin, Andre. Orson Welles: a Critical View. Foreword by Francois Truffaut, profile by Jean Cocteau, translated by Jonathan Rosenbaum. New York: Harper and Row, 1978. Beja, Morris, ed. Perspectives on Orson Welles. New York: G. K. Hall, 1995. Benamou, Catherine L. It’s All True: Orson Welles’s Pan-American Odyssey. Berkeley: U of California P, 2007. ———. “It’s All True as Document/Event: Notes towards an Historiographical and Textual Analysis.” Persistence of Vision: Special Issue on Orson Welles 7 (1989): 121–52. ———. “The Artifice of Realism and the Lure of the ‘Real’ in Orson Welles’s F for Fake and Other Treasures.” In Juhasz and Lerner, 143–70. Bloom, Harold, ed. Charles Dickens’s “A Tale of Two Cities.” New York: Chelsea House, 1987. Bogdanovich, Peter. “The Kane Mutiny.” Esquire, October 1972, 95–105, 180–90. Bolton, H. Philip. Dickens Dramatized. London: Mansell Publishing, 1987. Bourbon, Diana. “Letter to Ernest Chappell.” October 9, 1939. Welles Manuscripts. Box Office Mojo. http://www.boxofficemojo.com (accessed August 1, 2007). Brantlinger, Patrick. Rule of Darkness: British Literature and Imperialism, 1830–1914. London: Cornell UP, 1988. “Brazil: End of a Hero.” Time, June 8, 1942, 41–42. Browne, Ray. “Shakespeare in American Vaudeville and Negro Minstrelsy.” American Quarterly 12 (Fall 1990): 374–91. BIBLIOGRAPHY  Buckland, Warren. Directed by Steven Spielberg: Poetics of the Contemporary Hollywood Blockbuster. New York: Continuum, 2006. Burke Smith, Anthony. “He’s an Auteur.” Rev. Commonweal 132, no. 10 (May 20, 2005): 26 (2). Expanded Academic ASAP. http://find.galegroup.com (accessed July 23, 2007). Burroughs, Norris. “Voodoo Macbeth.” Engine Comics. http://www.forbiddenplanet. co.uk (accessed January 23, 2009). Callow, Simon. Orson Welles, vol. 1: The Road to Xanadu. London: Jonathan Cape, 1995. ———. Orson Welles, vol. 2: Hello Americans. New York: Viking, 2006. ———. “Voodoo Macbeth.” In Rhapsodies in Black: Art of the Harlem Renaissance. Los Angeles: U of California P, 1997. 34–43. Carby, Hazel V. Reconstructing Womanhood: The Emergence of the Afro-American Novelist. New York: Oxford UP, 1987. “Carnaval: Treatment for the Film Itself.” Welles Manuscripts, box 17, folder 6. Carringer, Robert. “Citizen Kane, The Great Gatsby, and some Conventions of American Narrative.” In Beja, Perspectives, 116–34. ———. The Making of “Citizen Kane.” Berkeley: U of California P, 1985. “Character Witness.” Christian Century, September 5, 2006, 7. “A Christmas Carol.” Bound radio script. December, 23 1938. Welles Manuscripts. CIAA Memo. “Office of Coordinator of Inter-American Affairs Motion Picture Division.” April 22, 1942. Welles Manuscripts, box 17, folder 19. Cohen, David S. “Deeds, Not Words.” Variety, July 10, 2006, 2–4, 63. Arts Module. ProQuest. The Complete Mr. Arkadin/A.K.A. Confidential Report. DVD and booklet. Written and directed by Orson Welles (1955). Criterion, 2006. Conrad, Joseph. Heart of Darkness. London: Blackwood, 1902. Reprint, New York: Penguin, 1999. Crandall, George. “Misrepresentation and Miscegenation: Reading the Racialized Discourse of Tennessee Williams’s A Streetcar Named Desire.” Modern Drama 40 (1997): 337–46. Crisler, B. R. “The Movies Come of Age Again, Etc.” New York Times, August 20, 1939, sec. 9, 3. ———. “A Week of Orson Welles.” New York Times, January 28, 1940, sec. 9, 5. “Criteria for the Evaluation of Dramatizations of the Passion.” Bishops’ Committee for Ecumenical and Interreligious Affairs. National Conference of Catholic Bishops, 1988. U.S. Catholic Conference. www.nccbuscc.org. Republished at http://www.bc.edu/bc_org/research/cjl/meta-elements/texts/cjrelations/ resources/documents/catholic/Passion_Plays.htm (accessed January 23, 2009). Crook, Tim. International Radio Journalism: History, Theory, and Practice. London: Routledge, 1998. ———. Radio Drama: Theory and Practice. London: Routledge, 1999. Crowther, Bosley. Review of “Pépé Le Moko...

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