Documentary Trial Plays in Contemporary American Theater

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Documentary Trial Plays in Contemporary American Theater Documentary Trial Plays in Contemporary American Theater J A C Q U E L I N E O ’ C O N N O R O’CONNOR Southern Illinois University Press “Jacqueline O’Connor’s thoroughly engagingDocumentaryTrial Plays in Contemporary American Theater is a rich resource for any student of the modern American theater tradition. Even as we gain insight into American theater as an art form, O’Connor implicitly asks us to assess theater’s role in matters as important as civil order, execution of justice, and the stability—even the identity—of the body politic we call America.” —William W. Demastes, Louisiana State University “This thoughtful work is an important addition to the growing body of criticism on documentary theater. Equally authoritative on what can be learned about the law from theatrical trials and what can be learned about theatrical truth from staging it on the plane of history, Documentary Trial Plays skillfully confronts the intriguing paradoxes of its subject: more than art or less than art, factual yet fictionally constructed, reportorial and passionately engaged, traumatic and resolute.” —Attilio Favorini, author of Memory in Play from Aeschylus to Sam Shepard and The Gammage Project southern illinois university press www.siupress.com Cover design by Mary Rohrer Printed in the United States of America In this first book-length critical study of contemporary American documentary theater, Jacqueline O’Connor examines in depth ten plays, including The Trial of the Catonsville Nine, Unquestioned Integrity : The Hill/Thomas Hearings, and The Laramie Project, all written and staged since 1970, and considers the role of the genre in re-creating and revising narratives of significant conflicts in contemporary history. Documentary theater, she shows, is a particularly appropriate and widely utilized theatrical form for engaging in debate about tensions between civil rights and institutional power, the inconsistency of justice, and challenges to gender norms. For each of the plays discussed, O’Connor provides historical context and a brief production history before considering the trial the play focuses on. Grouping plays historically and thematically, she demonstrates how dramatic representation advances our understanding of the law’s power while revealing the complexities that hinder society’s pursuit of justice. Jacqueline O’Connor is a professor of English at Boise State University and the author of Dramatizing Dementia: Madness in the Plays of Tennessee Williams. $40.00 usd isbn 0-8093-3236-1 isbn 978-0-8093-3236-6 theater O'Connor cvr mech.indd 1 5/8/13 9:18 AM A Series from Southern Illinois University Press robert a. schanke Series Editor ...