The Hemingway Short Story: A Study in Craft for Writers and Readers

Works Cited

Works Cited Allen, Frederick Lewis. Only Yesterday: An Informal History of the 1920s. 1931. New York: Harper Perennial Modern Classics, 2000. Allen, Walter. The Short Story in English. Oxford: Clarendon/Oxford UP, 1981. Badt, Kurt. The Art of Cézanne. Trans. Sheila Ann Oglivie. Berkeley: U of California P, 1965. Baker, Carlos. Ernest Hemingway: A Life Story. New York: Scribner’s, 1969. Baker, Sheridan. Ernest Hemingway: An Introduction and Interpretation. New York: Holt, Rinehart, 1967. ———. “Hemingway’s Two-Hearted River.” 1959. In Jackson J. Benson, ed., The Short Stories of Ernest Hemingway: Critical Essays. Durham, NC: Duke UP, 1975. 150–59. Barthes, Roland. “The Death of the Author.” 1968. The Rustle of Language. Trans. Richard Howard. New York: Hill and Wang, 1986. 49–55. ———. “Introduction to the Structural Analysis of Narratives.” 1966. The Semiotic Challenge. Trans. Richard Howard. New York: Hill and Wang, 1988. 95–135. ———. “The Reality Effect.” 1968. The Rustle of Language. Trans. Richard Howard . New York: Hill and Wang, 1986. 141–48. ———. S/Z. Trans. Richard Miller. New York: Hill and Wang, 1974. ———. “Textual Analysis of a Tale by Edgar Allan Poe.” 1973. The Semiotic Challenge . Trans. Richard Howard. New York: Hill and Wang, 1988. 261–93. Beach, Sylvia. Shakespeare and Company. 1959. Lincoln: U of Nebraska P, 1980. Beegel, Susan F. Hemingway’s Craft of Omission: Four Manuscript Examples. Ann Arbor, MI: UMI Research Press, 1988. Bennett, Eric. “Ernest Hemingway and the Discipline of Creative Writing, or, Shark Liver Oil.” Modern Fiction Studies 56.3 (2010): 544–67. Berkhofer, Robert F., Jr. The White Man’s Indian: Images of the American Indian from Columbus to the Present. New York: Vintage, 1979. Berman, Ron. “Recurrence in Hemingway and Cézanne.” The Hemingway Review 23.2 (2004): 21–36. Booth, Wayne C. The Rhetoric of Fiction. 1961. 2nd ed. Chicago: U of Chicago P, 1983. Borges, Jorges Luis. Borges on Writing. Eds. Norman Thomas di Giovanni, Daniel Halpern, and Frank McShane. New York: Dutton, 1973. 216 Works Cited Bowen, Elizabeth. “Notes on Writing a Novel.” 1945. Collected Impressions. New York: Alfred A. Knopf, 1950. 249–63. Brøgger, Fredrik Chr. “Whose Nature?: Differing Narrative Perspectives on Hemingway’s ‘Big Two-Hearted River.’” In Robert F. Fleming, ed. Hemingway and the Natural World. Moscow: U of Idaho P, 1999. 19–29. Calloway, Katherine. “‘Pulvis et Umbra Sumus’: Horace in Hemingway’s The Sun Also Rises.” The Hemingway Review 25.1 (2005): 120–31. Camastra, Nicole J. “Hemingway’s Modern Hymn: Music and the Church as Background Sources for ‘God Rest You Merry, Gentlemen.’” The Hemingway Review 28.1 (2008): 51–67. Carter, Steven. “‘Nothing Had Eaten Any Breakfast’: Hemingway’s ‘A Canary for One.’” Prospero 4 (1997): 5–15. Carver, Raymond. Interview by Mona Simpson and Lewis Buzbee. 1983. In George Plimpton, ed., Writers at Work: The Paris Review Interviews. Seventh series. New York: Penguin, 1988. 299–327. Cézanne, Paul. Paul Cézanne: Letters. Trans. Seymour Hacker. Ed. John Rewald. New York: Hacker, 1984. Chatman, Seymour. Story and Discourse: Narrative Structure in Fiction and Film. Ithaca, NY: Cornell UP, 1978. Chekhov, Anton. Anton Chekhov’s Short Stories. Ed. Ralph E. Matlaw. Norton Critical Edition. New York: W. W. Norton, 1979. ———. Letters of Anton Chekhov. Trans. Michael Henry Heim and Simon Karlinsky . New York: Harper & Row, 1973. ———. Letters on the Short Story, the Drama, and Other Literary Topics by Anton Chekhov. Ed. Louis S. Friedland. New York: Minton, Balch and Company, 1924. Comley, Nancy R., and Robert Scholes. Hemingway’s Genders: Rereading the Hemingway Text. New Haven, CT: Yale UP, 1994. Cowley, Malcolm. “Hemingway’s Wound—And Its Consequences for American Literature.” The Georgia Review 38.2 (1984): 223–39. ———. “Introduction” to The Portable Hemingway. 1944. Rpt. as “Nightmare and Ritual in Hemingway” in Robert P. Weeks, ed., Hemingway: A Collection of Critical Essays. Englewood Cliffs, NJ: Prentice-Hall, 1962. 40–51. Crane, Stephen. “The Blue Hotel.” 1898. Stephen Crane: Prose and Poetry. Ed. J. C. Levenson. New York: Library of America, 1984. 799–828. Cunliffe, W. Gordon, Martin Dolch, and John V. Hagopian. “A Canary for One.” In John V. Hagopian and Martin Dolch, eds., Insight I: Analysis of American Literature. Frankfurt: Hirschgraben, 1962. 96–99. DeFalco, Joseph. The Hero in Hemingway’s Short Stories. Pittsburgh: U of Pittsburgh P, 1963. Works Cited 217 Dolan, Marc. “The (Hi)story of Their Lives: Mythic Autobiography and the ‘Lost Generation.’” Journal of American Studies 27 (1993): 35–56. ———. Modern...