-
Index
- Ohio University Press
- Chapter
- Additional Information
American Historical Association (AHA), archiving, – analog tapes, – analog-to-digital conversion standards, – decision to archive, – digital recordings, – Digital Resource Commons (DRC), ethical issues, – finding aids, –, International Association of Sound and Audiovisual Archives (IASA) standards, – interview checklist, – interview summary, migration of formats, – preservation, –, – record-keeping, – (see also under planning) release form, (see also copyright) repository, selecting, – standards, – transcript storage, audience, –, –, –, . See also planning ; presentation, public audio recording, –, – acoustics, , , – analog recording, , analog-to-digital (A/D) converter, –, – archiving, – computer as recording device, digital recording, , –, – bit depth, – formats, – sample rate, – equipment, – flash memory cards, frequency (Hz), – as language, – locations, – media, –, microphones, –, – lapel, , , – pickup (directional) patterns, placement, – plosives and sibilants, – stands, – transducer types, – personal space, presentation, – recording levels, – signal, sound waves, – split-track technique, – budget, , , –, , –. See also funding and grants By the Sweat of Their Brow (exhibition), – civic action, oral history as, –, Common Rule, – Communications Decency Act (), community participation, –, CommunityWithin,The (exhibition), –, –, –, copyright, –, assignment of, , Copyright Act (), –, –, n Copyright Office, , , Creative Commons licenses, –, deed of gift, , definition, –, , , – derivative works, fair use, indemnity clause, – public domain, , , n release form, –, –, restrictions on use, –, , –, , rights and uses, – term of, , works made for hire, , Creative Commons, –, Index defamation, – court cases, defenses, definition, , fair comment standard, privilege, public figures, – public officials, – red-flag words, , standards of proof, , – statute of limitations, Web sites, , Digital Resource Commons (DRC), documentary, oral history as, –, ethical and political issues, –, –, –, archiving, – community standards, –, –, editing of material, – guidelines for behavior, – honesty and personal responsibility, – organizational responsibility, – personal safety and integrity, – power relationships, – presentation of interviews, –, – public image, – respect and sensibility, – restrictions on use, –, , –, , structure and focus of interview, terminology, – transcription, – Family Farm (project), – Fitchen, Janet, Food forThought (project), – Freedom of Information Act, Frisch, Michael, funding and grants, , – arts councils, – budget, – cost share, , , , direct vs. indirect costs, ethics, , foundations, – goals, , , – government agencies, – historical societies and museums, humanities councils, , – F in-kind matches, , , , letters of intent, proposals, – research, – griots, , Hiawatha Park, MountVernon (Ohio), History Channel, , , humanities scholars, , human subject research, – informed consent form, institutional review boards (IRBs), , – intellectual property. See copyright International Association of Sound and Audiovisual Archives (IASA) standards, – interpretation, oral history as, – interview, – as agenda-setter, arranging, , – checklist, – as companionship, – conducting, , – as conversation, – defining terms of, , directive vs. nondirective, friends, relatives, and colleagues, groups, – as historical evidence, –, – insider/outsider relationships, –, , , –, –, n introduction to, – as involvement, , – as legal evidence, – as life story, as life validation, memory joggers, – payment for, – as performance, preparing background information, –, rapport, , restrictions on use, –, , –, , ritual time, sealing, , – shared authority, , , , –, , n stranger value, structure, , –, – summary, terminology, – as therapy, – as transaction, as trialogue, – invasion of privacy, n Ives, Edward “Sandy,” , Jackson, Bruce, , , Kenyon College (Ohio), , , , , , Kline, Michael, , , Kokosing River, – libel. See defamation Lomax, James, microphones, –, – lapel, , , – pickup (directional) patterns, placement, – plosives and sibilants, – stands, – transducer types, – See also audio recording Milagro BeanfieldWar,The (Nichols), –, Moore, Lee, More Perfect Union,A (exhibition), Morrissey, Charles, , , , , National Endowment for the Humanities (NEH), , , , NationalTelevision System Committee (NTSC) video standard, National Union Catalog of Manuscript Collections (NUCMC), Neuenschwander, John, , , , , , , , Ohio Humanities Council (OHC), , , open records laws, Oral History Association (OHA), , planning, –, – advisory committees, –, audiences, –, – budget, , , – civic projects, – community input, –, , credibility of sources, – description, – F documentary projects, –, final products, (see also presentation, public) goals, –, –, , –, , – grant proposals, – (see also funding and grants) inreach vs. outreach, – interpretive projects, – interviewees, selecting, , interviewers, selecting, – monitoring and evaluation, , – personnel, – phases of, preparing background information, – publicity, , – record-keeping, , , (see also under archiving) research sources, – resources, , – schedule, – social purpose, –, topic, selecting, – writing a plan, – Portelli,Alessandro, – presentation, public, –, , – audio recordings, – educational materials for K–, – exhibitions, –, inreach vs. outreach, – promotion, – publications and themes, – theater, – video distribution, national and regional/local, –, Web distribution, – projects. See planning questions, , , – close-ended, compound, leading, open-ended, , precision, probe or prompt, , recording. See audio recording; video recording Rural Life Center, Kenyon College (Ohio), , , salvage folklore, , sealing of interviews, , – shield laws, slander. See defamation Smithsonian Institution, Society of American Archivists (SAA), sources, primary and secondary, – Speaking of Summit (project), – StoryCorps (project), Tedlock, Dennis, Terkel, Studs, – Thompson, Paul, , transcription, – accuracy, – auditing, – costs, decision to transcribe, – editing, –, – equipment, – format, , , interviewee review, , – punctuation, skills, software, storage (see archiving) style guide, transcript vs. interview as primary document, verbatim transcript, velocity of narration, – video recording, –, – analog and digital formats, – angles, – F aspect ratio, axis of action (screen direction), – backgrounds, – camera and lens movements, – camera technology, – converting light and color to image, – cutaways, editing, – equipment, – eyeroom (talkspace), – field of view, – headroom, – high-definition television (HDTV), inserts, as language, – lighting, – linear vs. nonlinear formats, – medium, selecting, –, presentation, –, rule of thirds, screen size, setup, – talkspace (eyeroom), – types of shots, – video scanning, visual objectivity...
