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On an Early Cycladic Harpist (– B.C.) in the J. Paul Getty Museum Oval the sweep, the motion horizontal. The arched harp seems the entrance to a world Where sunlight falls on singing faces, arms Uplifted—instrumental to mused charms. He listens. Then, singing, hears his contrapuntal New variations on ancestral glories. Seeing is hearing, hearing touch, sometimes, Some places. Enter where, immemorially, Memory holds, sifting, the unlost stories.  You are reading copyrighted material published by Ohio University Press/Swallow Press. Unauthorized posting, copying, or distributing of this work except as permitted under U.S. copyright law is illegal and injures the author and publisher. ...

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