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Transatlantic Voices is the first collection of critical essays by European scholars on contemporary Native North American literatures. Devoted to the primary genres of Native  literature—fiction, nonfiction, drama, poetry—the essays chart the course of recent theories of Native literature, delineate the crosscurrents in the history of Native literature studies, and probe specific themes of trauma and memory as well as changing mythologies. These essays also incorporate incipient transnational and transcultural methodologies in their approach to Native North American writing.
 
Blending western critical approaches—from cultural studies to postcolonialism and trauma theory—with indigenous epistemological perspectives, the contributors to Transatlantic Voices advocate “the inescapable hybridity and intermixture of ideas” proposed by Paul Gilroy in his study of black diasporic identity. Native North American writers forcefully suggest that the study of American ethnicities in the twenty-first century can no longer be confined to the borders of the United States. Given the increasing transnational aspect of American studies, a collection such as Transatlantic Voices, presenting scholars from countries as diverse as Germany, France, Bulgaria, Switzerland, Italy, the United Kingdom, and Finland, offers a timely contribution to such border crossing in scholarship and writing. 

Table of Contents

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  1. Cover
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  1. Frontmatter
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  1. Contents
  2. pp. vii-viii
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  1. Acknowledgments
  2. pp. ix-xii
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  1. Introduction
  2. pp. xiii-xxxviii
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  1. Part One: Theoretical Crossings
  1. 1. “They Have Stories, Don’t They?”: Some Doubts Regarding an Overused Theorem
  2. pp. 3-23
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  1. 2. Plotting History: The Function of History in Native North American Literature
  2. pp. 24-43
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  1. 3. Transculturality and Transdifference: The Case of Native America
  2. pp. 44-62
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  1. Part Two: From Early Fiction to Recent Directions
  1. 4. American Indian Novels of the 1930s: John Josepht Mathews's Sundown and D'Arcy McNickle's Surrounded
  2. pp. 65-88
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  1. 5. Transatlantic Crossings: New Directions in the Contemporary Native American Novel: Brigitte Georgi-Findlay
  2. pp. 89-108
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  1. Part Three: Trauma, Memory, and Narratives of Healing
  1. 6. Of Time and Trauma: The Possibilities for Narrative in Paula Gunn Allen's The Woman Who Owned the Shadows
  2. pp. 111-128
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  1. 7. “Keep Wide Awake in the Eyes”: Seeing Eyes in Wendy Rose's Poetry
  2. pp. 129-149
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  1. 8. Anamnesiac Mappings: National Histories and Transnational Healing in Leslie Marmon Silko's Almanac of the Dead
  2. pp. 150-170
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  1. Part Four: Comparative Mythologies, Transatlantic Journeys
  1. 9. Vizenor’s Trickster Theft: Pretexts and Paratexts of Darkness in Saint Louis Bearheart
  2. pp. 173-187
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  1. 10. “June Walked over It like Water and Came Home": Cross-Cultural Symbolism in Louise Erdrich's Love Medicine and Tracks
  2. pp. 188-205
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  1. 11. Encounters across Time and Space: The Sacred, the Profane, and the Political in Linda Hogan's Power
  2. pp. 206-224
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  1. 12. Double Translation: James Welch's Heartson of Charging Elk
  2. pp. 225-248
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  1. 13. Clowns, Indians, and Poodles: Spectacular Others in Louis Owens's I Hear the Train
  2. pp. 249-267
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  1. 14. Oklahoma International: Jim Barnes, Poetry, and the Sites of Imagination
  2. pp. 268-288
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  1. Contributors
  2. pp. 289-294
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  1. Index
  2. pp. 295-298
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