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CONTENTS Acknowledgments vii Introduction  SYLVIE DURMELAT AND VINAY SWAMY 1 From “Ghettoes” to Globalization: Situating Maghrebi-French Filmmakers  ALEC G. HARGREAVES 2 Hidden Islam: The Role of the Religious in Beur and Banlieue Cinema  MICHEL CADÉ 3 “Et si on allait en Algérie?” Home, Displacement, and the Myth of Return in Recent Journey Films by Maghrebi-French and North African Émigré Directors  WILL HIGBEE 4 Turning Integration Inside Out: How Johnny the Frenchman Became Abdel Bachir the Arab Grocer in Il était une fois dans l’oued  HAKIM ABDERREZAK 5 Re-Visions of the Algerian War of Independence: Writing the Memories of Algerian Immigrants into French Cinema  SYLVIE DURMELAT 6 Rachid Bouchareb’s Indigènes: Political or Ethical Event of Memory?  MIREILLE ROSELLO 7 Class Acts: Education, Gender, and Integration in Recent French Cinema  CARRIE TARR 8 Don’t Touch the White Woman: La journée de la jupe or Feminism at the Service of Islamophobia  GENEVIÈVE SELLIER 9 A Space of Their Own? Women in Maghrebi-French Filmmaking  PATRICIA GEESEY 10 Sexual/Social (Re)Orientations: Cross-Dressing, Queerness, and the Maghrebi/Beur Male in Liria Bégéja’s Changemoi ma vie and Amal Bedjaoui’s Un fils  DARREN WALDRON 11 (Re)Casting Sami Bouajila: An Ambiguous Model of Integration, Belonging, and Citizenship  MURRAY PRATT AND DENIS M. PROVENCHER 12 Repackaging the Banlieues: Malik Chibane’s La trilogie urbaine  VINAY SWAMY Filmography  Contributors  Index  ...

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