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Deepening and broadening our understanding of what it means to teach in times of trauma, writing teachers analyze their own responses to national traumas ranging from the Japanese attack on Pearl Harbor to the various appropriations of 9/11. Offering personal, historical, and cultural perspectives, they question both the purposes and pedagogies of teaching writing.

Table of Contents

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  1. Cover
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  1. Frontmatter
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  1. Trauma and theTeaching of Writing
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  1. Contents
  2. pp. vii-viii
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  1. Introduction
  2. pp. 1-10
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  1. 1. The World Wide Agora: Negotiating Citizenship and Ownership of Response Online
  2. pp. 11-27
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  1. 2. Presence in Absence: Discourses and Teaching(In, On, and About) Trauma
  2. pp. 29-51
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  1. 3. Here and Now: Remediating National Tragedy and the Purposes for Teaching Writing
  2. pp. 53-67
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  1. 4. Teaching in the Wake of National Tragedy
  2. pp. 69-83
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  1. 5. Teaching Writing in Hawaii after Pearl Harbor and 9/11: How to “Make Meaning” and “Heal ”Despite National Propaganda
  2. pp. 85-97
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  1. 6. Consumerism and the Coopting of National Trauma
  2. pp. 99-111
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  1. 7. Discovering the Erased Feminism of the Civil Rights Movement: Beyond the Media, Male Leaders, and the 1960s Assassinations
  2. pp. 113-125
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  1. 8. Writing Textbooks in/for Times of Trauma
  2. pp. 127-140
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  1. 9. Loss and Letter Writing
  2. pp. 141-155
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  1. 10. How Little We Knew: Spring 1970 at the University of Washington
  2. pp. 157-168
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  1. 11. “This rhetoric paper almost killed me!: ”Reflections on My Experiences in Greece During the Revolution of 1974
  2. pp. 169-180
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  1. 12. Are You Now, or Have You Ever Been, an Academic?
  2. pp. 181-199
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  1. 13. “We have common cause against the night”: Voices from the WPA-l, September 11–12, 2001
  2. pp. 201-229
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  1. Contributors
  2. pp. 231-235
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  1. Index
  2. pp. 237-240
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