Roll Over Adorno: Critical Theory, Popular Culture, Audiovisual Media

Index

Index Ace, Johnny “Pledging My Love,” 126 acousmêtre, 110, 216n47. See also deacousmatization acoustic gaze. See gaze “acoustic signifier,” 92, 213n8, 216n47 “Across 110th Street” (Womack), 99–101, 109–10, 117 Adorno, Theodor, xvii–xviii, 4, 6, 11, 17, 21, 32, 43–44, 52, 69, 136, 195–96, 207n56, 208n7 Beethoven and, 46–49, 61–62, 205n10, 205n16 Berry and, xvii–xviii, 43–44, 52–55, 57, 59 versus Buffy the Vampire Slayer, 194–96 “Commodity Music Analyzed,” 43 Composing for Film, 10, 11, 74 Dialectic of Enlightenment, 10, 48, 194–96 Introduction to the Sociology of Music, 49 “Little Heresy,” 63–64 Marxism and, 56 “On Popular Music,” 4, 55–56 Philosophy of Modern Music, 3–4, 46–48, 175 popular versus classical music, xvii, xix, 43–45, 49–50, 53–56, 61–64, 66, 87 “Radio Symphony, The,” 63 “Scientific Experiences,” 48, 56 “Television and the Patterns of Mass Culture,” 17 “Types of Musical Conduct,” 54 Afrika Bambaataa, 34, 203n22 AIDS, 142–44, 223n36, 224n37 Aldrich, Robert, 3 Kiss Me Deadly, 3 Althusserian Marxism, xix, 69, 71 Ang, Ien, 20, 224n40, 226n66 “Melodramatic Identifications,” 144 Watching “Dallas,” 20 Are You Experienced? (Hendrix), 28 Armstrong, Louis, 64–65 Art of the Trio, Volume 3 (Mehldau), 5 audiophilia, xx, 9, 16, 91–119, 135 Audio-Vision (Chion), 8, 10–11 audiovisuality, xviii, 11–12, 15, 76–79, 80–89, 210n23 “Lover Man” and, 76–78 Set It Off and, 79–80 Tongues Untied and, 74–76 “Avant-Garde and Kitsch” (Greenberg ), 15 Ayers, Roy, 104, 216n52 Bach, J. S., 218n5 Back to the Future (Zemeckis), xx, 126–31 Band à part (Godard), 14, 17, 216n52 Band Wagon, The (Minnelli), 187, 218n5 Bangs, Lester, 27 Barthes, Roland, 34, 41, 65 Basie, Count, 51 Bauer, Erik, 111 Beach Boys, 40, 57 Beatles, xvii, 4, 14, 27, 30 “Lucy in the Sky with Diamonds,” 28 Sgt. Pepper’s Lonely Hearts Club Band, 28, 40–41 “Yesterday,” 27 253 Beck, Christophe, 185 Beethoven, Ludwig van, xvii, 3, 5–6, 10–11, 43–44, 46–47, 54, 55–57, 59, 63, 195, 205n1 Eroica, 47, 61, 205n16 Fifth Symphony, 50, 218n5 Hegelian philosophy and, 46–47 iconicity of, 61–62 Ninth Symphony, 46, 61, 123–25, 205n16, 218n6 Pastoral, 49 Seventh Symphony, 48 Third Symphony, 46 Beiderbecke, Bix, 43, 65 Benjamin, Walter, xvii, 15, 32, 47, 55, 65, 69, 207n56 One-Way Street, 47–48 Berg, Alban, 53 Berry, Chuck, xvii, 6, 26, 38, 41–42, 50, 128, 196, 206n40, 207n50 Adorno and, xvii–xviii, 43–44, 52–55, 57, 59 “Johnny B. Goode,” 128, 130–31 “Roll Over Beethoven,” xvii, xx, 4–5, 44, 48, 52–56, 61, 63, 130 “You Never Can Tell,” 14–15 Beverly Hills 90201, 136–37, 139, 145, 147–48, 153, 224n41, 224n43, 224n45 Bhabha, Homi, 96 Bill Haley and the Comets, 25 “Rock Around the Clock,” 25 Birmingham School, 9, 16–17, 29–30 blaxploitation, 81–82, 98–99, 119, 215n40, 215n44 Bloodstone, 112 “Natural High,” 112 Blue Velvet (Lynch), 117 “Bobby’s Girl” (Blane), 26 Bonnie and Clyde (Penn), 163, 212n59 Boogie Nights (Anderson), 29 Borde, Raymond, 2 Panorama of American Film Noir, 2–3 Bordwell, David, 72 Born to Run (Springsteen), 30 Bound (Wachowskis), 95, 96 Bourdieu, Pierre, 18, 37, 138 Boyz N the Hood (Singleton), 80 Bracco, Lorraine, 157 Brady Bunch, The, 17 Braun, Lloyd, 156 Brecht, Bertolt, 20, 63, 95 Brown, Foxy (rapper), 119, 215n35, 217n68 Buckland, Warren, 128 Buffy the Vampire Slayer, xx–xxi, 183, 185–96 “After Life,” 192 “All the Way,” 188 “Bargaining,” 194 “The Body,” 185 “Doppelgangland,” 194 “Hush,” 185 “New Moon Rising,” 190, 231n15 “Once More With Feeling,” 187–94 “Seeing Red,” 191 soap opera and, 184–85, 193, 230n3 “Tough Love,” 191 “Under Your Spell” (song), 187, 190–91 Cahiers du cinéma, 9, 69, 93 Carroll, Noël Mystifying Movies, 70 Philosophy of Mass Art, 45 Cash, Johnny, 106 Casino (Scorsese), 157 Chandler, Raymond, 2 Farewell, My Lovely, 2 Chase, David, 156–57, 159, 163, 168 Public Enemy and, 228n28 Chaumeton, Etienne, 2 Panorama of American Film Noir, 2–3 Chinatown (Polanski), 163 Chion, Michel, xix–xx, 92, 101, 110 Audio-Vision, 8, 10–11 Chronic (Dr. Dre), 84 254 INDEX Clockwork Orange, A, and, 123–26 “Gift, The,” 193–94 “Other Question, The,” 96 “Cinema and Psychoanalysis” (Heath), 91 “Cinema and Suture” (Oudart), 70 cinephilia, xix–xx, 9, 15, 92–93, 98, 111, 135...