Notes
279 introduction 1. See Nora Sayre, Running Time: Films of the Cold War (New York: Dial, 1982); and J. Hoberman, An Army of Phantoms: American Movies and the Making of the Cold War (New York: New Press, 2011). For other examples of critical work that links films to the Hollywood blacklist and Cold War see Reynold Humphries, Hollywood’s Blacklists: A Political and Cultural History (Edinburgh: Edinburgh University Press, 2008); Brenda Murphy, Congressional Theatre: Dramatizing McCarthyism on Stage, Film, and Television (New York: Cambridge University Press, 1999); Brian Neve, Film and Politics in America: A Social Tradition (New York: Routledge, 1992); and Stephen J. Whitfield, The Culture of the Cold War, 2nd ed. (Baltimore: Johns Hopkins University Press, 1996). 2. Stephen Farber, booklet for Spartacus (Criterion Collection, 2001), DVD. 3. “The Making of The Robe” featurette, The Robe (Fox, 2008), Blu-ray. 4. Lillian Hellman, Scoundrel Time (Boston: Little, Brown, 1976); Lester Cole, Hollywood Red: The Autobiography of Lester Cole (Palo Alto, CA: Ramparts, 1981); and Walter Bernstein, Inside Out: A Memoir of the Blacklist (New York: Knopf, 1996). 5. Larry Ceplair and Steven Englund, The Inquisition in Hollywood: Politics in the Film Community, 1930–1960 (Berkeley: University of California Press, 1979); and Nancy Lynn Schwartz, The Hollywood Writers’ Wars (New York: McGraw-Hill, 1983). 6. Thom Andersen, “Red Hollywood,” in “Un-American” Hollywood: Politics and Film in the Blacklist Era, ed. Frank Krutnik, Steve Neale, Brian Neve, and Peter Stanfield (New Brunswick, NJ: Rutgers University Press, 2007), 225–63.Originally published in Literature and theVisualArts in Contemporary Society, ed. Suzanne Ferguson and Barbara Groseclose (Columbus: Ohio State University Press, 1985), 141–96. Citations refer to the Rutgers edition. 7. See Patrick McGilligan and Paul Buhle, Tender Comrades:A Backstory of the Blacklist (New York: St. Martin’s Griffin, 1999). Notes 9780520280670_PRINT.indd 279 9780520280670_PRINT.indd 279 04/02/14 3:39 PM 04/02/14 3:39 PM 280 / NOTES TO PAGES 3–4 8. See Peter Biskind, Seeing Is Believing: How Hollywood Taught Us to Stop Worrying and Love the Fifties (New York: Pantheon, 1983). 9. For an incisive critique of the way these issues have been dramatized, see Jeanne Hall,“The Benefits of Hindsight: Re-visions of HUAC and the Film and Television Industries in The Front and Guilty by Suspicion,” Film Quarterly 54, no. 4 (2001–2): 15–26. 10. John Joseph Gladchuk, Hollywood and Anticommunism: HUAC and the Evolution of the Red Menace, 1935–1950 (New York: Routledge, 2007); Michael Freedland, Hollywood on Trial: McCarthyism’s War against the Movies (London: Robson, 2007); and Humphries, Hollywood’s Blacklists. 11. Ring Lardner Jr., I’d Hate Myself in the Morning:A Memoir (New York: Thunder Mouth’s Press/Nation Books, 2000); Jean Rouverol, Refugees from Hollywood: A Journal of the Blacklist Years (Albuquerque: University of New Mexico Press, 2000); and Norma Barzman, The Red and the Black:The Intimate Memoir of a Hollywood Expatriate (New York:Thunder Mouth’s Press/Nation Books, 2003). 12. See, e.g., Peter Hanson, Dalton Trumbo, Hollywood Rebel: A Critical Survey and Filmography (Jefferson, NC: McFarland, 2001); Paul Buhle and Dave Wagner, A Very Dangerous Citizen: Abraham Polonsky and the Hollywood Left (Berkeley: University of California Press, 2001); Gerald Horne, The Final Victim of the Blacklist: John Howard Lawson, Dean of the Hollywood Ten (Berkeley: University of California Press, 2006); Larry Ceplair, The Marxist and the Movies: A Biography of Paul Jarrico (Lexington: University Press of Kentucky, 2007); Jennifer E. Langdon, Caught in the Crossfire: Adrian Scott and the Politics of Americanism in 1940s Hollywood (New York: Columbia University Press, 2008); and James J. Lorence, The Suppression of “Salt of the Earth”: How Hollywood, Big Labor, and Politicians Blacklisted a Movie in Cold War America (Albuquerque: University of New Mexico Press, 1999). 13. Jon Lewis, “‘We Do Not Ask You to Condone This’: How the Blacklist Saved Hollywood,” Cinema Journal 39, no. 2 (2000): 3–30. The essay also appears in a slightly revised version in Lewis’s Hollywood v. Hard Core: How the Struggle over Censorship Saved the Modern Film Industry (New York: New York University Press, 2000), 11–49. 14. Besides Hoberman’s Army of Phantoms see Krutnik, Neale, Neve, and Stanfield, “Un-American” Hollywood; and Tony Shaw, Hollywood’s Cold War (Amherst: University of Massachusetts Press, 2007. 15. See Paul Buhle and Dave Wagner, Blacklisted:The Film Lover’s Guide to the Hollywood Blacklist (New York: Palgrave Macmillan, 2003); Paul Buhle and Dave Wagner, Hide in Plain Sight...
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