In this Book

University of California Press
summary
Robert Creeley is one of the most celebrated and influential American poets. A stylist of the highest order, Creeley imbued his correspondence with the literary artistry he brought to his poetry. Through his engagements with mentors such as William Carlos Williams and Ezra Pound, peers such as Charles Olson, Robert Duncan, Denise Levertov, Allen Ginsberg, and Jack Kerouac, and mentees such as Charles Bernstein, Anselm Berrigan, Ed Dorn, Susan Howe, and Tom Raworth, Creeley helped forge a new poetry that re-imagined writing for his and subsequent generations. This first-ever volume of his letters, written between 1945 and 2005, document the life, work, and times of one of our greatest writers, and represent a critical archive of the development of contemporary American poetry, as well as the changing nature of letter-writing and communication in the digital era.

Table of Contents

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  1. Cover
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  1. Support, Title Page, Frontispiece, Copyright, Quote
  2. pp. i-viii
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  1. Contents
  2. pp. ix-xviii
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  1. List of Illustrations
  2. pp. xix-xx
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  1. Acknowledgments
  2. pp. xxi-xxii
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  1. Chronology
  2. pp. xxiii-xxvi
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  1. Editors’ Introduction
  2. pp. xxvii-xxxviii
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  1. PART ONE. The Charm, 1945– 1952 Burma, New Hampshire, Aix-en-Provence
  2. pp. 1-104
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  1. PART TWO. Black Mountain Review, 1953– 1956 Mallorca, Black Mountain, San Francisco
  2. pp. 105-154
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  1. PART THREE. For Love, 1956– 1963 New Mexico, Guatemala, Vancouver
  2. pp. 155-262
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  1. PART FOUR. Pieces, 1963– 1973 New Mexico, Buffalo, Bolinas
  2. pp. 263-314
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  1. PART FIVE. Echoes, 1973– 1989 Buffalo, Maine, Helsinki
  2. pp. 315-376
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  1. PART SIX. If I Were Writing This, 1989– 2005 Maine, Buffalo, Providence
  2. pp. 377-424
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  1. Notes
  2. pp. 425-458
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  1. Acknowledgments of Permissions
  2. pp. 459-460
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  1. Index
  2. pp. 461-467
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