Index
Index activism, political, 88, 149–50, 152, 162, 163–66, 169, 174, 219, 254, 272n9, 276n6, 282n10; role of performing arts in, 72–73, 78–80, 84, 167–72, 174, 178, 187, 193, 203, 211, 221–25, 240–41, 254–55, 267; Western involvement in, 51–52, 151–53, 155–56, 171–72, 202, 224, 272n9 acoustemology, 16 Ah-Ka-Ma Band, 74, 136, 183–84, 197, 200, 203, 208, 221, 225, 252, 270, 281n26 Amnye Machen Institute, 206, 213, 285n6, 286n13 authorship, 196, 202, 287n26 Beastie Boys, the, 171–72, 202 Bishop, Peter, 21, 22, 154–55 blues, the, xix, xxii, xxv, 209, 241, 269 Buddhism: beliefs, 112–13, 121, 180, 218, 223; rituals, 46–47, 88, 101–2, 119, 153, 216–17, 241, 247, 251–52, 254, 256, 287n3, 287n5 Chaksam-pa Tibetan Dance and Opera Company, 185, 268, 269, 277n15 chang ma, 57–62, 74, 85, 88–94, 99, 268 China: Tibetan performing arts in, 25, 73, 84, 94–95, 185–86, 273n15; Tibetan suspicion of, 25, 64; Western music in, 169 communitas, 33, 51, 54–56, 234, 240, 272n4 Connerton, Paul, 17, 63, 66, 223 copyrighting. See authorship. creativity: as complimentary to tradition , 19, 190–91, 205, 267; of youth, 17–19, 172–74, 178, 205–6, 226, 231 cultural preservation, 23–25, 63, 64–67, 76–77, 85, 111, 114, 117, 123, 130–31, 135, 140–42, 166, 172, 176–77, 192–93, 212, 213, 245, 253, 266; risks of, 63–64, 66–67, 85, 96–100, 153, 190, 191, 204–6, 213, 214–15, 218–19, 220, 227, 235, 246, 250, 267 Dadon. See Dawadolma, Dadon. Dalai Lama, XIV, 33–36, 41–43, 45, 47, 52, 65, 68–69, 70–71, 76, 91–92, 94, 112–15, 119, 121, 141, 147, 151–152, 155, 158, 160, 162, 164–66, 184, 187, 192–93, 217, 222, 224, 225, 232, 236, 238, 245, 247, 252, 253–54, 257–58, 277n10, 283n4 dance: Indian, 120, 124, 135, 245; traditional Tibetan, 59, 62, 88–90, 98; Western, 62, 167, 180 Dawadolma, Dadon, 84, 186, 268 Dharamsala, xvii–xx, 32–33, 36–56, 59–60, 116, 120–23, 132, 159, 177, 309 Dharamsala (continued) 187, 194, 205, 207, 212, 219, 222, 235–36, 250, 252–54, 258, 263–65, 286–87n23; population of, 275n1 Dhondup, Tashi, 185, 196, 268, 286–87n23 displacement, 4–12, 13–14, 53, 81, 94, 177, 221 dranyen, xxii, 62, 81–83, 96, 141, 179, 183 Drolma, Chöying, 185 Dylan, Bob, 169, 172, 220, 241, 247, 261–62, 288n6 Eagles, the, 145, 195–96, 229 emplacement, 7, 10–11, 13, 16, 82 ethnography, 4–5, 204; as advocacy, 25–26 ethnomusicology, 13, 210–11, 267 exile: as home 32–33; as performance space, 15, 142, 191, 222–23, 233, 234; purity of, 64, 94–95, 272n7; theories about, 11, 109–14, 268, 273n17; Tibetan experiences in 115–16, 159–60, 173, 222–23 Feld, Steven, 10, 16, 210–11, 278n21, 286n17 Frith, Simon, 12, 14, 16, 129, 144, 167, 169, 172, 210–11, 222 Gaddi people, xxi, 39–40, 102, 109, 120–22, 258 gender issues, 134, 161, 167, 283n8 global flow, xx, 5–7, 10–12, 170, 178, 203–6 Gramsci, Antonio, 68, 81 Gyatso, Tenzin. See Dalai Lama, XIV. Gyurmey, Tsering, 184 Hindi film songs, 102–8, 111, 123–43, 172, 228, 241–46, 253–54, 261, 286n16 hybridity, 4–5, 7, 18–19, 132, 164, 204–5, 268 India: as host to Tibetan refugees, 24, 27, 33–34, 41, 59, 110–11, 114–17, 124–25, 142–43, 160; Tibetan nostalgia for, 34, 128–29 Indians: relations with Tibetan refugees, 40, 45, 71, 108–9, 114–23, 126, 132, 135, 138, 140–42 Indo-Tibetan Friendship Society, 119 innovation. See creativity. Kalachakra initiation, 90, 200, 202, 217, 235, 236, 243, 247, 251–52, 255 karaoke, 65, 88 Khechog, Nawang, 185, 268 language, Tibetan, 65, 83–84, 157, 211–33 lhamo. See Tibetan opera. Lhamo, Yungchen, 185 liminality, 12–13, 33, 54–55, 149, 167, 223, 234, 273n12 lute, Tibetan. See dranyen. lyrics, song: English, 145, 169, 170–72, 195–96, 230, 284n5; Hindi, 103–4, 108, 111, 123–25, 135, 138; theories about, 210–11; Tibetan, 2, 30, 79, 105, 142, 169, 179, 181, 184, 199, 207–33; translations of Tibetan, 44, 57–58, 60–61, 79, 89–92, 179–80, 208–9, 223–27, 229 Malkki, Liisa, 6, 8–9, 12, 76, 80, 85, 94–97 Mangeshkar, Lata, 104, 127...
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